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Medium: Found Objects
"Diptych: Egg Bag & Insect Net" framed found object assemblage, hanging maquette
Located in Philadelphia, PA
This piece titled "Diptych: Egg Bag & Insect Net" is an original artwork made from beeswax, quail eggs, mica, plastic, copper, linen, and silverpoint, mounted ...
Category
21st Century and Contemporary Contemporary Found Objects Still-life Sculptures
Materials
Copper
"RECLAIMERS" Abstract assemblage, found objects, acrylic paint
By Jim Houser
Located in Philadelphia, PA
This piece titled "RECLAIMERS" is an original artwork by Jim Houser and is made of acrylic paint and assembled objects. This piece measures approximately 10”h x 10”w x 3.5”d and was ...
Category
21st Century and Contemporary Contemporary Found Objects Still-life Sculptures
Materials
Found Objects, Acrylic
"Chimaera: Green #14", Reconstructed egg sculpture
Located in Philadelphia, PA
This piece titled "Chimaera: Green #14" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2.75”h x 2”w x 2”d and ships with the pic...
Category
21st Century and Contemporary Contemporary Found Objects Still-life Sculptures
Materials
Glue, Found Objects, Mica, Organic Material, Acrylic
"Candy Everybody Wants", Found object assemblage, Reconstructed eggs
Located in Philadelphia, PA
This piece titled "Candy Everybody Wants" is an original piece by Kate VanVliet and is made from repaired quail eggs, mica, and acrylic (vintage candy dispenser...
Category
21st Century and Contemporary Contemporary Found Objects Still-life Sculptures
Materials
Found Objects, Acrylic, Mica, Organic Material
"Egg Canoes: Duck #9-11", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "SEgg Canoes: Duck #9-11" is an original piece by Kate VanVliet and is made from eggshell, mica, 3-D printed PETG, acrylic, pine. This piece measures 4”h x 10”w x 2...
Category
21st Century and Contemporary Contemporary Found Objects Still-life Sculptures
Materials
Wood, Found Objects, Acrylic, Mica
"WAXED", Miniature paper and found object sculpture, rusted van, camper
By Drew Leshko
Located in Philadelphia, PA
This miniature paper sculpture titled "WAXED" is an original artwork by Drew Leshko made of inkjet prints, basswood, pastels, plastic, miniature flag on toy car. The artist is able to achieve the look of rust with his technique, in this sculpture featuring a VW van...
Category
21st Century and Contemporary Contemporary Found Objects Still-life Sculptures
Materials
Plastic, Wood, Pastel, Found Objects, Inkjet
“Pen Decline 1 - 2 - 3 in White” (Archeology series) Computer Keyboard Sculpture
Located in New York, NY
Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a black computer keyboard on a white background and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso.
Art measures 8.75 x 8.75 x 1.25 in (each)
The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape.
Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects.
The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas.
Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...
Category
2010s Contemporary Found Objects Still-life Sculptures
Materials
Concrete
"CELLAR MUSIC" Wall hanging assemblage by Jim Houser
By Jim Houser
Located in Philadelphia, PA
This piece titled "CELLAR MUSIC" is an original artwork by Jim Houser and is made of assembled objects. This piece measures approximately 9.5”h x 8”w x 5.5”...
Category
21st Century and Contemporary Contemporary Found Objects Still-life Sculptures
Materials
Found Objects, Acrylic
"DUMPING GROUNDS" Abstract, paint drip sculpture
By Jim Houser
Located in Philadelphia, PA
This piece titled "DUMPING GROUNDS" is an original artwork by Jim Houser and is made from acrylic, latex, and oil paints, steel can. This piece measures app...
Category
21st Century and Contemporary Contemporary Found Objects Still-life Sculptures
Materials
Found Objects, Acrylic
Jo Yarrington, Ghost Girls, Camel Hair Brush Display, 2018, Found Objects, Metal
Located in Darien, CT
Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...
Category
2010s Conceptual Found Objects Still-life Sculptures
Materials
Metal
Small Fruit Press
Located in Philadelphia, PA
This sculpture titled "Small Fruit Press" is an original artwork by Ulla-Stina Wikander made of needlepoint embroidery and vintage object. This piece measu...
Category
21st Century and Contemporary Contemporary Found Objects Still-life Sculptures
Materials
Textile, Thread, Found Objects
Paintbrushes II, Accumulation Sculpture by Arman
By Arman
Located in Long Island City, NY
Artist: Arman, French/American (1929 - 2005)
Title: Paintbrushes II
Year: 1991
Medium: Paintbrushes and Oil Paint in Epoxy Resin Sculpture, Signature and number inscribed
Edition: 20...
Category
1990s Dada Found Objects Still-life Sculptures
Materials
Epoxy Resin, Found Objects, Mixed Media, Oil
"Close Enough", Hand-Cut Paper Towel Sculpture, Text, Found Object, White
Located in Philadelphia, PA
This white wall-hanging artwork titled "Close Enough" is an original artwork by Rosa Leff made of hand-cut paper towel. This piece measures 12"h x 12"w fra...
Category
21st Century and Contemporary Contemporary Found Objects Still-life Sculptures
Materials
Found Objects
"Flowering Ballerina" Vintage ceramic sculpture
Located in Philadelphia, PA
This figurative sculpture titled "Flowering Ballerina" is an original artwork by Debra Broz made of secondhand ceramics and mixed media. The sculpture measu...
Category
21st Century and Contemporary Contemporary Found Objects Still-life Sculptures
Materials
Ceramic, Found Objects
Cutting Machine
Located in Philadelphia, PA
This sculpture titled "Cutting Machine" is an original artwork by Ulla-Stina Wikander made of needlepoint embroidery and vintage object. This piece measures approximately approx. 11....
Category
21st Century and Contemporary Contemporary Found Objects Still-life Sculptures
Materials
Thread, Textile, Found Objects
"Fox Hunt", wallpaper, acrylic paint, optical lens, screws, mounted on board
Located in Toronto, Ontario
“Fox Hunt“ is a wall relief panel by artist Heather Nicol, and measures 16x19x4“. Part of a body of work known as Brief Lives, this particular piece is comprised of wallpaper, wood, acrylic paint, screws and an optical lens...
Category
21st Century and Contemporary Assemblage Found Objects Still-life Sculptures
Materials
Glass, Wood, Found Objects, Board, Acrylic
Richard Klein, iHop II, 2018, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Found Objects Still-life Sculptures
Materials
Metal
Richard Klein, Holiday Inn Beirut, 2017, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Found Objects Still-life Sculptures
Materials
Metal
Richard Klein, Expo 67, 2017, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Found Objects Still-life Sculptures
Materials
Metal
Richard Klein, McDonalds (El Nino), 2024, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Found Objects Still-life Sculptures
Materials
Metal
Richard Klein, Holiday Inn Nocturne, 2020, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Found Objects Still-life Sculptures
Materials
Metal
Lisa Levy, Didn't Have to Buy It, Mirror, Plastic, Marble, Found Objects
By Lisa Levy
Located in Darien, CT
Dr. Lisa's Ego Championship Trophies
Lisa Levy is a painter, conceptual artist, comedian and (self-proclaimed) psychotherapist.
Lisa's visual career started when she was 3 1/2 ...
Category
21st Century and Contemporary Assemblage Found Objects Still-life Sculptures
Materials
Marble
Arrival, Shipwrecks stories. Iron vessel wall sculpture. 23.5x11"
Located in Tel Aviv, IL
Nir Adoni's metal vessels sculptures have become his signature art and are displayed in public buildings around the world.
We are offering limited editions ...
Category
2010s Contemporary Found Objects Still-life Sculptures
Materials
Metal, Steel, Iron
"Parlour", wallpaper, glass, silver platter, butterfly, nails, mounted on board
Located in Toronto, Ontario
“Parlour“ is a wall relief panel by artist Heather Nicol, and measures 17x19x4“. Part of a body of work known as Brief Lives, this particular piece is comprised of wallpaper, fabric, wood, nails, glass, silver platter, plastic wrap, butterfly specimen, mounted on board. It fixes to the wall with a custom-fit wooden cleat. Reflecting on domestic materials and their relationships to display and social identity, Parlour celebrates and questions feminist reclamation, nostalgic tenderness and the histories embedded in the objects, while carrying on their aesthetic traditions through transformation into works of art.
Heather Nicol is a multidisciplinary artist whose practice includes immersive sound installation, small-scale discrete object making, and independent curating. Her large site-specific interventions explore the architectural, sonic, historic and operational conditions across a wide range of locations. These include concourse atriums, rail terminus, lobbies, a theatre, a public school building, a theme...
Category
21st Century and Contemporary Assemblage Found Objects Still-life Sculptures
Materials
Silver
Lisa Levy, You Give Good Gratitude, 2014, Mirror, Plastic, Marble, Found Objects
By Lisa Levy
Located in Darien, CT
Dr. Lisa's Ego Championship Trophies
Lisa Levy is a painter, conceptual artist, comedian and (self-proclaimed) psychotherapist.
Lisa's visual career started when she was 3 1/2 ...
Category
21st Century and Contemporary Assemblage Found Objects Still-life Sculptures
Materials
Marble
Lisa Levy, You See Through Bullshit, 2014, Mirror, Plastic, Marble, Found Object
By Lisa Levy
Located in Darien, CT
Dr. Lisa's Ego Championship Trophies
Lisa Levy is a painter, conceptual artist, comedian and (self-proclaimed) psychotherapist.
Lisa's visual career started when she was 3 1/2 ...
Category
21st Century and Contemporary Assemblage Found Objects Still-life Sculptures
Materials
Marble
"Kryptonite Wares", Found Objects 2015/2019, Chartreuse & Red, House Paint
Located in Detroit, MI
"Kryptonite Wares" is a clever and humorous collection of both superfluous and everyday objects purchased from the Dollar Store. It is a wry comment by the artist on the overabundanc...
Category
2010s Assemblage Found Objects Still-life Sculptures
Materials
Plastic, Wood, Found Objects, Lights, Mixed Media, House Paint
"Cordial", wallpaper, spray paint, aunt's pearls, crystal, red resin, on board
Located in Toronto, Ontario
“Cordial“ is a wall relief panel by artist Heather Nicol, and measures 16x19x4“. Part of a body of work known as Brief Lives, this particular piece is comprised of wallpaper, spray paint, wood, the artist's aunt's pearls, crystal and red resin (solid), mounted on board. It fixes to the wall with a custom-fit wooden cleat. Reflecting on domestic materials and their relationships to display and social identity, Cordial celebrates and questions feminist reclamation, nostalgic tenderness and the histories embedded in the objects, while carrying on their aesthetic traditions through transformation into works of art.
Heather Nicol is a multidisciplinary artist whose practice includes immersive sound installation, small-scale discrete object making, and independent curating. Her large site-specific interventions explore the architectural, sonic, historic and operational conditions across a wide range of locations. These include concourse atriums, rail terminus, lobbies, a theatre, a public school building, a theme...
Category
21st Century and Contemporary Assemblage Found Objects Still-life Sculptures
Materials
Glass, Wood, Found Objects, Board, Resin, Spray Paint
"Peck", reconstructed egg assembly
Located in Philadelphia, PA
This piece titled "Peck" is an original piece by Kate VanVliet and is made from eggshells (bantam), mica, and PVA. This piece measures 3”h x 9”w x 7”d.
Kate VanVliet is a sculptor a...
Category
21st Century and Contemporary Contemporary Found Objects Still-life Sculptures
Materials
Glue, Found Objects, Mica, Organic Material, Acrylic
"Roly-poly", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Roly-Poly" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 4”h x 3.5”w x 2.5”d.
Kate VanVliet is a sculptor a...
Category
21st Century and Contemporary Contemporary Found Objects Still-life Sculptures
Materials
Organic Material, Glue, Found Objects, Acrylic, Mica
"Chimaera: White #2", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Chimaera: White #2" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 3”h x 3”w x 2.5”d and ships with the pictu...
Category
21st Century and Contemporary Contemporary Found Objects Still-life Sculptures
Materials
Glue, Found Objects, Mica, Organic Material, Acrylic
"Chimaera: Green #9", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Chimaera: Green #9" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2.5”h x 2”w x 2”d and ships with the pictu...
Category
21st Century and Contemporary Contemporary Found Objects Still-life Sculptures
Materials
Glue, Found Objects, Mica
"Chimaera: Green #15", reconstructed egg sculpture
Located in Philadelphia, PA
This piece titled "Chimaera: Green #15" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2.25”h x 2”w x 2”d and ships with the pic...
Category
21st Century and Contemporary Contemporary Found Objects Still-life Sculptures
Materials
Glue, Found Objects, Mica, Organic Material, Acrylic
"Chimaera: Green #11", Reconstructed egg sculpture
Located in Philadelphia, PA
This piece titled "Chimaera: Green #11" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2.5”h x 2”w x 2”d ands with the pictured ...
Category
21st Century and Contemporary Contemporary Found Objects Still-life Sculptures
Materials
Glue, Found Objects, Mica, Organic Material, Acrylic
"Day in the Life: Chimaera #12", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Day in the Life: Chimaera #12" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and is ...
Category
21st Century and Contemporary Contemporary Found Objects Still-life Sculptures
Materials
Glue, Found Objects, Mica, Acrylic
"Day in the life: Green #25", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Day in the life: Green #25" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and is shi...
Category
21st Century and Contemporary Contemporary Found Objects Still-life Sculptures
Materials
Glue, Found Objects, Acrylic, Mica
"Day in the Life: Green #33", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Day in the Life: Green #33" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and is shi...
Category
21st Century and Contemporary Contemporary Found Objects Still-life Sculptures
Materials
Glue, Found Objects, Acrylic, Mica, Organic Material
"Deviation (OY)" Gyöngy Laky, Contemporary Mixed Media Textual Sculpture
By Gyöngy Laky
Located in Wilton, CT
"Deviation" Gyöngy Laky, apple, acrylic paint, screws, 30" x 60" x 2.5" (installed), 2020.
This contemporary mixed media wall sculpture was done by San Fr...
Category
2010s Contemporary Found Objects Still-life Sculptures
Materials
Organic Material, Wood, Paint, Found Objects
"NOCTURNE" Assemblage, Acrylic paint and found object
By Jim Houser
Located in Philadelphia, PA
This piece titled "NOCTURNE" is an original artwork by Jim Houser and is made of acrylic paint and assembled foud objects. This piece measures approx. 12.5”h x 9.5”w x 7”d and is fre...
Category
21st Century and Contemporary Contemporary Found Objects Still-life Sculptures
Materials
Found Objects, Acrylic
"WELCOME TO MY BOOK COLLECTION"Brightly-colored assemblage, Still life sculpture
By Jim Houser
Located in Philadelphia, PA
This piece titled "WELCOME TO MY BOOK COLLECTION" is an original artwork by Jim Houser and is made of assembled objects. This piece measures approximately 2...
Category
21st Century and Contemporary Contemporary Found Objects Still-life Sculptures
Materials
Found Objects, Acrylic
"Shop" James Bassler, Contemporary Woven Shopping Bag Sculpture
Located in Wilton, CT
"Shop" James Bassler, brown paper Trader Joe's shopping bags, cut and twisted, with yellow and red waxed linen thread, 16" x 11" x 5", 2009.
"Shop", by ...
Category
Early 2000s Contemporary Found Objects Still-life Sculptures
Materials
Textile, Thread, Paper, Found Objects, Mixed Media
"Retablo No. 4 (Blackbird)", Mixed Media Sculpture
Located in Chicago, IL
The intricate retablos of contemporary artist Patrick Fitzgerald are his means of paying homage to the musicians that inspired him throughout his life. Derived from Mexican votive...
Category
2010s Surrealist Found Objects Still-life Sculptures
Materials
Paper, Found Objects, Mixed Media, Oil, Wood Panel
Paintbrushes I
By Arman
Located in Long Island City, NY
Artist: Arman, French/American (1929 - 2005)
Title: Paintbrushes I
Year: 1991
Medium: Paintbrushes and Oil Paint in Epoxy Resin Sculpture, Signature and number inscribed
Edition: 20,...
Category
1990s Dada Found Objects Still-life Sculptures
Materials
Epoxy Resin, Found Objects, Mixed Media, Oil
$15,000
Contemporary Mixed Media Wall Sculpture, Installation, Crocheted Found Material
By John Garrett
Located in St. Louis, MO
John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...
Category
2010s Contemporary Found Objects Still-life Sculptures
Materials
Found Objects, Mixed Media, Other Medium
Roots - An Iron vessel wall sculpture by Nir Adoni. 64x42"
Located in Tel Aviv, IL
Nir Adoni's metal vessels sculptures have become his signature art and are displayed in public buildings around the world.
We are offering limited editions ...
Category
2010s Contemporary Found Objects Still-life Sculptures
Materials
Metal, Steel, Iron
"Globalization IV: Collateral Damage" Mixed media Contemporary Wall Sculpture
By Gyöngy Laky
Located in Wilton, CT
Globalization IV: Collateral Damage, ash, commercial wood, paint, blue concrete bullets, 32" x 97" x 4" (Installed dimensions), 2005.
This 3-piece wall sculpture was done by San Francisco-based artist, Gyöngy Laky...
Category
Early 2000s Contemporary Found Objects Still-life Sculptures
Materials
Wood, Paint, Found Objects, Organic Material
Arrival, Shipyards tales. Iron vessel wall sculpture. 19x21 "
Located in Tel Aviv, IL
Nir Adoni's metal vessels sculptures have become his signature art and are displayed in public buildings around the world.
We are offering limited editions ...
Category
2010s Contemporary Found Objects Still-life Sculptures
Materials
Metal, Iron, Steel
"Nonsense" Gyöngy Laky, Contemporary wall sculpture, US Cent Symbol
By Gyöngy Laky
Located in Wilton, CT
"Nonsense" charcoal, plastic soldiers, paint, acrylic medium, 35 x 26 x 4, 2007. Artist signature on back.
This mixed media wall sculpture was done by San Francisco-based artist, Gyöngy Laky...
Category
Early 2000s Contemporary Found Objects Still-life Sculptures
Materials
Paint, Charcoal, Found Objects, Acrylic
Arrival, Shipyards tales. Iron vessel wall sculpture. 37x32"
Located in Tel Aviv, IL
Nir Adoni's metal vessels sculptures have become his signature art and are displayed in public buildings around the world.
We are offering limited editions ...
Category
2010s Contemporary Found Objects Still-life Sculptures
Materials
Metal, Steel, Iron
"Retablo No. 5 (An Attic of Records)", Mixed Media Sculpture
Located in Chicago, IL
The intricate retablos of contemporary artist Patrick Fitzgerald are his means of paying homage to the musicians that inspired him throughout his life. Derived from Mexican votive...
Category
2010s Surrealist Found Objects Still-life Sculptures
Materials
Paper, Oil, Found Objects, Mixed Media, Wood Panel
Arrangement in Poppies
Located in New Orleans, LA
medium: reclaimed button-down shirts on birch plywood panel
Born in 1971 in Cincinnati, Ohio, CARLTON SCOTT STURGILL received his Masters of Arts (Fine Art) from London’s Chelsea Co...
Category
21st Century and Contemporary Contemporary Found Objects Still-life Sculptures
Materials
Metal, Wire
Gregory
By Joe Brubaker
Located in Park City, UT
Joe Brubaker was born in Lebanon, Missouri and raised in Southern California. He received his B.A. from Sacramento State University, then attended UCLA where he earned his MA and MFA...
Category
2010s Found Objects Still-life Sculptures
Materials
Wood, Cedar, Found Objects
$10,030
"Cradle to Cradle" Contemporary mixed media sculpture, vessel
By Gyöngy Laky
Located in Wilton, CT
"Cradle to Cradle" apple, commercial wood, screws, 16" x 30" x 30", 2007.
This mixed media sculptural vessel was done by San Francisco-based artist, Gyöngy Laky...
Category
Early 2000s Contemporary Found Objects Still-life Sculptures
Materials
Wood, Found Objects, Organic Material, Mixed Media
Capitan America
Located in Santa Monica, CA
Created with colored thumb tacks
Category
21st Century and Contemporary Pop Art Found Objects Still-life Sculptures
Materials
Found Objects
Arrangement in Sunflowers, Anemones, and Cornflowers
Located in New Orleans, LA
medium: reclaimed button-down shirts on birch plywood panel
Born in 1971 in Cincinnati, Ohio, CARLTON SCOTT STURGILL received his Masters of Arts (Fine Art) from London’s Chelsea Co...
Category
21st Century and Contemporary Contemporary Found Objects Still-life Sculptures
Materials
Metal, Wire
Vase with Roses and Parrot Tulips
Located in New Orleans, LA
medium: reclaimed button-down, wire, floral tape, brass vase
Born in 1971 in Cincinnati, Ohio, CARLTON SCOTT STURGILL received his Masters of Arts (Fine Art) from London’s Chelsea C...
Category
21st Century and Contemporary Contemporary Found Objects Still-life Sculptures
Materials
Metal, Wire
Vase with Roses, Honeysuckle, and Pheasant's Eye
Located in New Orleans, LA
medium: reclaimed button-down, wire, floral tape, metal vase
Born in 1971 in Cincinnati, Ohio, CARLTON SCOTT STURGILL received his Masters of Arts (Fine Art) from London’s Chelsea C...
Category
21st Century and Contemporary Contemporary Found Objects Still-life Sculptures
Materials
Metal, Wire
Urn with Roses
Located in New Orleans, LA
medium: reclaimed button-down, wire, floral tape, ceramic urn
Born in 1971 in Cincinnati, Ohio, CARLTON SCOTT STURGILL received his Masters of Arts (Fine Art) from London’s Chelsea ...
Category
21st Century and Contemporary Contemporary Found Objects Still-life Sculptures
Materials
Metal, Wire
“Traveling Landscape, "Golden Interior” Miniature Landscape in Vintage Case
Located in New York, NY
Kathleen Vance, “Traveling Landscape, "Golden Interior” found case, artificial foliage, resin, paint (12.5”x5”x8”) 2022
Kathleen Vance is an environmental artist who creates sculptures and installations that connect people to local aspects of nature that are overlooked or under-appreciated.
Vance received her B.F.A. from Pratt Institute and her M.F.A. from Hunter College in sculpture. She has received numerous grants and awards for her artwork including: a travel grant to research the geo-thermal regions of Iceland, a grant from the Puffin foundation for public sculpture, a development grant from Aljira, Center for Contemporary Art in conjunction with the Creative Capital Foundation, and a grant from the Brooklyn Arts council which aided the development and implementation of an outdoor community based art project in East New York. Ms. Vance was artist in resident in Berlin, Germany, presenting a workshop on environmental arts in connection with the Grunewald Parks Department in Germany.
Her sculptural installations have been featured at the Museum of Contemporary Art in Krakow, the Museum of Contemporary Art in Jacksonville, the Orlando Museum of Art, the Weatherspoon Art Museum, the Peeler Art Center, the Weisman Art Museum, the Brandywine River Museum of Art, the Bruce Museum, the Ellen Noel Art Museum, Nassauischer Kunstverein Wiesbaden, the Hillwood Art Museum, VOLTA New York, PULSE New York and Miami, and EXPO Chicago, as well as many private and public institutions. Kathleen Vance has exhibited extensively in New York and internationally and continues to live and work in New York.
Kathleen Vance Artist Statement, “Traveling Landscapes”
With the series “Traveling Landscapes” Vance creates miniature landscapes inside vintage suitcases and trunks...
Category
2010s Contemporary Found Objects Still-life Sculptures
Materials
Resin, Paint, Found Objects
Too Much Tea
Located in West Hollywood, CA
Sharon Brooks, the imaginative creator of the mixed media assemblage sculpture "Too Much Tea," describes it as a whimsical and delightful artwork. The centerpiece of this piece is a silver tray, cleverly supported by pounded silver cones that securely hold a wooden plate in place through drilled holes. This arrangement not only provides stability but also adds a touch of resilience to the sculpture.
In her creative manipulation, Brooks has added a playful twist by incorporating the head of a doll sitting atop a teapot. It appears as if the doll is emerging from the teapot, with her arms playfully sticking out of the snout. This unique concept adds a sense of charm and intrigue to the artwork, reinventing the traditional tea-serving experience.
The sculpture is further enhanced by the presence of multiple trays...
Category
2010s Surrealist Found Objects Still-life Sculptures
Materials
Found Objects
Found Objects still-life sculptures for sale on 1stDibs.
Find a wide variety of authentic Found Objects still-life sculptures available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add still-life sculptures created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of green, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Ulla-Stina Wikander, Katie VanVliet, Jim Houser, and Carlton Scott Sturgill. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Found Objects still-life sculptures, so small editions measuring 0.2 inches across are also available Prices for still-life sculptures made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $862,500, while the average work can sell for $3,513.