Glass Still-life Sculptures

Hand blown, pigmented glass and carved limestone from the renowned studio of Jane Rosen. Bird: 10 x 15 x 5" Top Limestone Base: 2 x 8 x 7" Bottom Limestone Base: 48 x 10 x 8" Tot...

Hand blown, pigmented glass from the studio of Jane Rosen.

Ardan Özmenoğlu draws from her own experiences as a Turkish woman to explore ideas about history, popular culture, and the formation of a national and ...

Ardan Özmenoğlu draws from her own experiences as a Turkish woman to explore ideas about history, popular culture, and the formation of a national and ...

Ardan Özmenoğlu draws from her own experiences as a Turkish woman to explore ideas about history, popular culture, and the formation of a national and ...

Ardan Özmenoğlu draws from her own experiences as a Turkish woman to explore ideas about history, popular culture, and the formation of a national and cultural identity. Known for her figurative works made from Post-it notes and sculptures created from layers of glass panels, Özmenoğlu aims to make the viewer rethink familiar concepts, objects, and imagery using everyday items. Works such as Beauty Balloon Pink with Triangles (2020) exude playfulness and uniqueness in their recontextualization of mundane objects. In works like post-it leaves (2019), she prints images on sticky notes...

Ardan Özmenoğlu draws from her own experiences as a Turkish woman to explore ideas about history, popular culture, and the formation of a national and cultural identity. Known for he...

Ardan Özmenoğlu draws from her own experiences as a Turkish woman to explore ideas about history, popular culture, and the formation of a national and cultural identity. Known for he...

Vase designed by Laura de Santillana in edition for Arcade, 2001. this is from a series of tropical fruit and plant form inspired vases with the same matte, hand engraved, finish: PAPAIA, made in three different shades of green. MANGO, made in dark red glass. PASSION, made in an orange red glass. MARACUIA, made in golden yellow glass COCCO, made in brown glass Produced by maestro Simone Cenedese in Murano Mouth-blown, hand-shaped, cut glass. Country of Manufacture Italy. Signed by maker and sticker label from Arcade. Hand-Crafted LAURA DE SANTILLANA After finishing her studies, she moved to New York, where she attended the School of Visual Arts 1975 – 1977 and works with Massimo Vignelli as a graphic designer. she returned to Italy and began her active collaboration with the Venini & C, where she came in contact with many Italian and foreign artists. During this period she used the techniques of Murano to create refined works with unusual colors, perfecting the “vetro mosaico” technique. Her glassworks have received many prizes and recognitions, and are held by the most important museums of the world. She collaborated with Venini between 1976 and 1985, during which she designed a range of articles. 1995 Starts collaboration with Simone Cenedese, which continues to this day. 2001-2002 Begins working in bronze and in wax sculpture at the Fonderia Brustolin, Verona SELECT SOLO EXHIBITIONS 2018: In This Light, Galleri Glas, Stockholm 2017: Ciel Terrestre, Galerie Pierre Marie Giraud, Bruxelles 2016:Laura Diaz de Santillana, Stefan Vogdt/Galerie der Moderne, Munich Sleeves, Caterina Tognon, Venezia I fedeli, Studio Museo F. Messina, Chiesa di S. Sisto, Milano 2015: Laura de Santillana, O cha dogu, Ippodo Gallery, Tokyo, Japan 2014: Tokyo-ga, Ippodo Gallery, Tokyo, Japan 2013: Big Flats, Galerie L’Arc en Seine, Paris, France 2012: Laura de Santillana Meteors, David Richard Gallery, Santa Fe, NM, USA 2011: Grands Transparents, Galerie L’Arc en Seine, Paris, France Liquid Glass, Traver Gallery, Seattle, WA, USA 2010:Laura de Santillana, Prague Festival, Istituto di Cultura Italiano, Prague, Czech 2008: Laura de Santillana, Istituto Italiano di Cultura, Los Angeles, CA, USA 2007: Khadi, Galleria Marina Barovier, Venice, Italy 2006: Bodhis, Galerie L’Arc en Seine, Paris, France Bodhis, Barry Friedman Gallery, New York, NY, USA 2005: New Work, Sanske Galerie, Zurich, Switzerland 2001Laura de Santillana Works, Museo Correr, Venice, Italy (catalog) Laura de Santillana Works, Barry Friedman Gallery, New York, NY, USA (catalog) Metals, Elliott Brown Gallery, Seattle, WA, USA SELECTED GROUP AND DUO EXHIBITIONS Design Basel, Galerie Pierre Marie Giraud Chromatique, MUDAC, Lausanne Living with Art_Albion Barn, Oxford UK Oltre Roma, Accademia d’Ungheria, Roma Fired up: women in glass, Toledo, Museum of Art_Charlotte, Mint Museum , USA Laura de Santillana and Alessandro Diaz de Santillana, YSP Trésors de sable et de feu. Verre et cristal aux Arts Decoratifs, XIV-XXI siècle, Musée des Arts Décoratifs, Paris, France Artissima Torino, Galleria Caterina Tognon Hourglass, Galleria Marignana, Venezia, Italy I Santillana, MAK, Austrian Museum for Applied Arts/Contemporary Art, Vienna, Austria Artissima Torino, Faggionato Gallery, London, UK Fire and Form: The Art of Contemporary Glass, The Norton Museum of Art, Palm Beach, Laura de Santillana, Fashion meets Art, Giorgio Armani, New York, NY, USA Translucency, Paul Hughes Fine Arts, London, UK Selected Museums Museo Vetrario di Murano, Venice, Italy The Corning Museum of Glass, New York, NY, USA Victoria and Albert Museum, London, UK Metropolitan Museum of Arts, New York, NY, USA Saint Louis Museum of Fine Arts, St Louis, MO, USA Cooper-Hewitt Museum, New York, NY, USA Seattle Art Museum, Seattle, WA, USA Denver Art Museum, Denver, CO, USA The Museum of Fine Arts, Houston, TX, USA Carnegie Museum of Art, Pittsburgh, PA, USA Los Angeles, Los Angeles County Museum of Art MUDAC, Lausanne, Switzerland MAD, Museum of Arts and Design, New York, NY, USA Museu de Arte de São Paulo, São Paulo, Brazil Musée des arts décoratifs, Paris, France Kunstmuseum im Ehrenhof, Düsseldorf, Germany Kunstsammlungen der Veste Coburg, Coburg, Germany Museum für Kunst und Gewerbe, Hamburg, Germany Neue Sammlung, Munich, Germany IMA, Indianapolis Museum of Art, Indianapolis, IN, USA Museum of Fine Arts, Boston, MA, USA Toledo Museum of Art, Toledo, OH, USA This came from an important Northern California collection that included a wonderful selection of Murano Glass. Aldo Nason, Peter Shire and Ettore Sottsass, Murano master Gigi Toso. A descendent of the legendary Venini dynasty of glassmakers, Laura Diaz de Santillana Incalmo Vases, Lino Tagliapietra, Yoichi...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculpture an extraordinary three-dimensional volume. The Turquoise Tree...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...

With the distinctive medium of nail polish on glass, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. Her glass panel sculptures play ...

Hand blown pigmented glass and hand carved limestone from the renowned studio of Jane Rosen. Bird: 13 x 7 x 5" Top Grey Limestone Base: 4 x 7 x 9" Bottom...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculpture an extraordinary three-dimensional volume. With the distinctive medium of nail polish on glass, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. Her glass panel sculptures play with the viewer’s perspective, changing with every angle to appear both two and three dimensional. Keywords: Glass, nail polish, pedestal, new york, interior design, plum tree...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...

Hand blown, pigmented glass from the studio of Jane Rosen.

Contemporary acrylic sculpture

"Snowflake 1" Sculpture Edition 2/8 by Huang Yulong 2017 Glass D: 60cm 23 3/5 × 23 3/5 × 1 1/5 in 60 × 60 × 3 cm SNOWFLAKE SERIES Overwhelmed by the ou...

black glass sculpture on a wood table depicting a scale and a gazing ball. Price includes travel and installation by the artist. work is currently in an ex...

Glass still-life assemblage with ferns, fish and bottles. Additional cost should be considered for the artist or an assistant to install the work.

There are two Little Oil installations available with 6 sculptures each on top of LED light boxes. Katherine Jackson has been working with glass and light together for many years, Recently, she's been making glass castings of vintage oil cans, and displaying them -- singly, in small groupings, or in vitrines -- on light boxes. So far she has created about 90, each one unique. The series is called Little Oil, alluding to Big Oil, and sometimes Small Oils, as in oil painting. But “oil” can mean many things. It has been a source of light (sometimes from unconscionable sources) since ancient times as well as a source of eternal light in many faith traditions. Set atop lightboxes, where each work glows from within, these pieces can simply seem like vessels of light itself. At times, they appear to me to transcend their relation to oil altogether, appearing anthropomorphic or creaturely, even biological. These days, I think of them as archeological artifacts, relics of a past, oil-based, civilization. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...

There are two Little Oil installations available with 6 sculptures each on top of LED light boxes. Two of the oil can sculptures depicted here are sold. Please contact the gallery for specific prices on individual prices and smaller light boxes sold with the sculptures. Prices range from $675 - $2050 including a small lightbox for individual sculptures. Katherine Jackson has been working with glass and light together for many years, Recently, she's been making glass castings of vintage oil cans, and displaying them -- singly, in small groupings, or in vitrines -- on light boxes. So far she has created about 90, each one unique. The series is called Little Oil, alluding to Big Oil, and sometimes Small Oils, as in oil painting. But “oil” can mean many things. It has been a source of light (sometimes from unconscionable sources) since ancient times as well as a source of eternal light in many faith traditions. Set atop lightboxes, where each work glows from within, these pieces can simply seem like vessels of light itself. At times, they appear to me to transcend their relation to oil altogether, appearing anthropomorphic or creaturely, even biological. These days, I think of them as archeological artifacts, relics of a past, oil-based, civilization. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...

Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end in itself. But often the images ...

Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end in itself. But often the images ...