Pigment Still-life Sculptures

Artist: Jim Pallas (1941) Title: Spiraling “No” Year: 2023 Medium: Pigmented Epoxy on urethane foam, iron wire, base of steel and concrete Size: 21 x 4 x 3 inches Condition: Excellen...

Created by San Jose based glass artist, the " Blue Mahoe Pair" is an elegant two-piece glass sculpture made by hand blowing glass and then manipulating it while it is still hot. Using various pigments of teal, green and ochre, Treg masterfully captures the appearance and texture of driftwood. Each piece of this duo measures about 22"h x 12"w x 6"d. For more works by Treg Silkwood...

Created by San Jose based glass artist, Treg Silkwood, the "XL Latticino Conch" is a hand-blown glass clear and white conch shell. The beautiful white de...

Created by San Jose based glass artist, Treg Silkwood, the "Golden Nautilus" is an intricate sculpture of a seashell created entirely out of glass. Using layers of ochre (Gold) and white pigment, Treg masterfully captures the intricate shell details typically found on a nautilus'. This breathtaking piece measures 13"h x 11"w x 5"d and comes with a custom metal stand affixed with a rubber coating to ensure stability of the sculpture. About the Artist: Treg Silkwood is a glass artist whose career spans over three decades. He is recognized as a premier California Marine Artist and one of the foremost artists working in glass. Taking inspiration from walks along the California coast, Treg’s artwork explores his fascination with the many species of shells and natural objects he’s collected from his excursions. In response to these elegant forms, Treg creates blown glass sculptures that not only enrich his appreciation for the intricate complexities of the natural world but also form a personal connection to a place which he calls home. Treg has a BFA in glass from Alfred University and studied abroad at the Academy of Applied Arts in Prague, where he learned Czech mold-making and coldworking techniques. Post graduation, Treg worked as a glass blower recreating Early American Glassware at Greenfield Village, within The Henry Ford Museum in Dearborn, MI. He was an artist-in-residence at The Corning Museum of Glass in New York and part of the original crew that created The Corning Musuem of Glass Roadshow. In 2002, Treg and his wife Candace, established Silkwood Glass, a custom glass company specializing in marine life sculpture...

As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figure is abstract...

Created by San Jose based glass artist, Treg Silkwood, the "Smokey Grey Nautilus" is an intricate sculpture of a seashell created entirely out of glass. Using layers of grey, ochre and white pigment, Treg masterfully captures the intricate details that are typically found on a nautilus. This breathtaking piece measures 13"h x 11"w x 5"d  and comes with a custom metal stand affixed with a rubber coating to ensure stability of the sculpture. About the Artist: Treg Silkwood is a glass artist whose career spans over three decades. He is recognized as a premier California Marine Artist and one of the foremost artists working in glass. Taking inspiration from walks along the California coast, Treg’s artwork explores his fascination with the many species of shells and natural objects he’s collected from his excursions. In response to these elegant forms, Treg creates blown glass sculptures that not only enrich his appreciation for the intricate complexities of the natural world but also form a personal connection to a place which he calls home. Treg has a BFA in glass from Alfred University and studied abroad at the Academy of Applied Arts in Prague, where he learned Czech mold-making and coldworking techniques. Post graduation, Treg worked as a glass blower recreating Early American Glassware at Greenfield Village, within The Henry Ford Museum in Dearborn, MI. He was an artist-in-residence at The Corning Museum of Glass in New York and part of the original crew that created The Corning Musuem of Glass Roadshow. In 2002, Treg and his wife Candace, established Silkwood Glass, a custom glass company specializing in marine life sculpture...

This piece titled "Diptych: Egg Bag & Insect Net" is an original artwork made from beeswax, quail eggs, mica, plastic, copper, linen, and silverpoint, mounted ...

Contemporary pigment tinted plaster sculpture of a traffic cone by local Houston artist Benji Stiles. Currently featured in the show "Septet" at Reeves Ar...

Agneta Hobin of Finland is best known for impressive works in which yellow mica has been woven into metal warp; the technique and materials are the artist...

Modern collection of realistically rendered tupperware cups made out of beeswax and pigment by California artist George Stoll. The piece features a set of...

"RAKU RED AND WHITE", 2019, in wheel-formed white glaze with copper red blush, sprig, stamp, gold leaf and raku fired with kintsuji gold by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include ceramic, glass and mixed media grottoes and containers. A project exploring the vessel form and notions of gratitude, plenty, poverty in material or humanity. Robinson has led artists to explore tableware as sculptural form – "Changing attitudes and emerging social behaviors in food preparation and the social and cultural rituals of eating have lead to changes in the way tableware is made and used." Andrew Cornell Robinson is an interdisciplinary artist working across media (ceramics, textiles, painting, prints, etc.). His work is influenced by collaborative craft communities, traditions, and the performative qualities of cultural production. The underlying ideas exploring identity, histories, rituals, and power in his work aim to create a space for intimate experiences and open narratives. He studied ceramic sculpture at the Glasgow School of Art and the Maryland Institute College of Art where he received a BFA. He was awarded an MFA from the School of Visual Arts, where he became interested in the intersection of memory, identity, politics, and power. He has been featured in many publications including Sculpture Magazine, Huffington Post, Hyperallergic, Art Info, et al. He has participated in curatorial and research projects and recently was a participating artist in Debtfair a project in the Whitney Biennial. Andrew has also worked on collaborations with designers such as Donna Karan’s Urban Zen project where his work in ceramics led to workshops with artisans in Haiti and the creation of a ceramic studio in Port-au-Prince. He is currently working with The Powerhouse Arts Workshop and their design team from the Pritzker-prize winning architecture firm Herzog & de Meuron in the design and development of a contemporary industrial fabrication center established to serve the working needs of artists in New York City. He is currently a member of the faculty at Parsons School of Design and Greenwich House Pottery in New York City. His work has been presented extensively throughout the world with the Anna Kustera Gallery, David & Schweitzer Contemporary, Christopher Stout...

"Voyageur en Bateaux" is a sculptural wall piece featuring hues of brown and blue. Corrina is inspired by the work of Louise Bourgeois, Louise Nevelson, Albert Paley, Lee Bontecou. ...

There are two Little Oil installations available with 6 sculptures each on top of LED light boxes. Little Oil 19 is a digital photographic print on aluminum for the flat files. Katherine Jackson has been working with glass and light together for many years, Recently, she's been making glass castings of vintage oil cans, and displaying them -- singly, in small groupings, or in vitrines -- on light boxes. So far she has created about 90, each one unique. The series is called Little Oil, alluding to Big Oil, and sometimes Small Oils, as in oil painting. But “oil” can mean many things. It has been a source of light (sometimes from unconscionable sources) since ancient times as well as a source of eternal light in many faith traditions. Set atop lightboxes, where each work glows from within, these pieces can simply seem like vessels of light itself. At times, they appear to me to transcend their relation to oil altogether, appearing anthropomorphic or creaturely, even biological. These days, I think of them as archeological artifacts, relics of a past, oil-based, civilization. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...

This green miniature, painted, paper sculpture titled "Green Dumpster" is an original artwork by Drew Leshko made from paper, wire, enamel, and dry pigments. Through paint and sculp...

Katherine Jackson lives and works in Brooklyn. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...

"Blue Dumpster" is an original paper, wire, enamel, dry pigments artwork by Drew Leshko measuring approx. 4.5"h x 6.5"w x 3"d. Drew Leshko is a Philadelphia, Pennsylvania-based arti...

Original NYPD interceptor sculpture made of archival paper, dry pigments, enamel, wood, clay, wire, plastic, and inkjet print by Drew Leshko measuring 16"h x 16"w x 3"d framed, as sh...

Wall sculpture “It has long been known that the Earth is round, but it is only now in the space age that it is really seen to be so. The stunning pictures of the blue planet floatin...

Hand blown, pigmented glass from the studio of Jane Rosen.

This piece titled "Fault Lines: Bantam #B5" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures2”h x 1.5”w x 1.5”d”d and ships with t...

A wall sculpture of a bird from limestone, pigment, and sumi ink by the talented Jane Rosen.

A wall sculpture made using limestone, pigment, and sumi ink by Jane Rosen.

Hand blown, pigmented glass from the studio of Jane Rosen.

Hand blown, pigmented glass from the studio of Jane Rosen.

There are two Little Oil installations available with 6 sculptures each on top of LED light boxes. Katherine Jackson has been working with glass and light together for many years, Recently, she's been making glass castings of vintage oil cans, and displaying them -- singly, in small groupings, or in vitrines -- on light boxes. So far she has created about 90, each one unique. The series is called Little Oil, alluding to Big Oil, and sometimes Small Oils, as in oil painting. But “oil” can mean many things. It has been a source of light (sometimes from unconscionable sources) since ancient times as well as a source of eternal light in many faith traditions. Set atop lightboxes, where each work glows from within, these pieces can simply seem like vessels of light itself. At times, they appear to me to transcend their relation to oil altogether, appearing anthropomorphic or creaturely, even biological. These days, I think of them as archeological artifacts, relics of a past, oil-based, civilization. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...

There are two Little Oil installations available with 6 sculptures each on top of LED light boxes. Two of the oil can sculptures depicted here are sold. Please contact the gallery for specific prices on individual prices and smaller light boxes sold with the sculptures. Prices range from $675 - $2050 including a small lightbox for individual sculptures. Katherine Jackson has been working with glass and light together for many years, Recently, she's been making glass castings of vintage oil cans, and displaying them -- singly, in small groupings, or in vitrines -- on light boxes. So far she has created about 90, each one unique. The series is called Little Oil, alluding to Big Oil, and sometimes Small Oils, as in oil painting. But “oil” can mean many things. It has been a source of light (sometimes from unconscionable sources) since ancient times as well as a source of eternal light in many faith traditions. Set atop lightboxes, where each work glows from within, these pieces can simply seem like vessels of light itself. At times, they appear to me to transcend their relation to oil altogether, appearing anthropomorphic or creaturely, even biological. These days, I think of them as archeological artifacts, relics of a past, oil-based, civilization. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...