Baroque Sculptures

Bronzetto del XIX secolo su modello di "Uomo con anfora" di Vittore Gambello detto Camelio (nato e attivo in Veneto, 1450-1539). Il soggetto ebbe molta fortuna e ne esistono vari e...

Charles Birnbaum is a sculptor and a self-taught photographer. He graduated from Kansas City Art Institute where he studied ceramics and was one of a select group of the esteemed Ken...

Charles Birnbaum is a sculptor and a self-taught photographer. He graduated from Kansas City Art Institute where he studied ceramics and was one of a select group of the esteemed Ken...

"Untitled 1" Sculpture 23" x 13" x 8" inch Edition 1/1 by Isaac Pelayo Unique work. Signed by the Artist. Comes with COA. Hand embellished plaster/fiberg...

Miguel Rodrigues, who’s celebrated for his distinct and visionary Hyperbaroque style, brings an artistic experience that transcends time and place. Through his masterful golden sculp...

Bronzetto del XIX secolo su modello di "Niobe" di Francesco da Sant'Agata (nato e attivo in Veneto, Padova, alla metà del cinquecento). Il soggetto ebbe molta fortuna e ne esistono...

15 x 15 x 31 cm PetG and Metal Gold Paint Lisbon-based, Miguel Rodrigues is renowed by having developed a highly innovative and personal artistic style: the hyperbaroque. His hyper...

One flame candle holder putto made of gilded wood. Those kind of objects were present in churches or noble villas, specially during the Baroque times. The base is not coeval.

A late 17th c. Italian carved figure of Mermaid, Circle of Filippo Parodi (Genoa, 1630 – July 22, 1702) Dimensions: h. 29.13 in, w. 30.31 in, p. 18.9 in (at the base) Magnificent Italian Baroque sculpture depicting a mermaid seated on the rock. All the virtuosity of the sculptor unfolds in this carved group. The fantastic creature is featured seated, the upper part of the body darting forward, the head looking upwards. Sophisticated hairstyle with rows of pearls intertwined in her hair, her loose locks fly in the wind and bring movement to the whole sculpture. The wide-open eyes with hollowed-out pupils make it possible to follow the mermaid's gaze, towards the sky. The half-open mouth further magnifies this bewitching and seductive attitude. Its long double tail ending in fins wraps on either side of a rocky mound strewn with objects evoking the underwater world: seashells and shells, branches of coral. The ornamental richness combined with the great care taken in its execution make it a work in which the splendor of Italian Baroque art unfolds in such characteristic scenic movement. The composition betrays a strong influence from Filippo Parodi, the leader of Genoese Baroque sculpture, and points to an artist from his circle. Our sculpture was probably part of a decorative monumental palace. The iconographic theme evoking the marine world finds its application in the numerous fountains and artificial grottos, designed in Italian palaces at the turn of the 17th and 18th centuries. Giacomo Filippo Parodi (Genoa 1630 – July 22, 1702) was an Italian Baroque sculptor of the Genoese school, who introduced Bernini's aesthetic to Genoa. In his youth fathers a first apprenticeship with a carpenter, he went to Rome where he became a pupil of Bernini. He had the opportunity to admire in person the works and style of the French sculptor Pierre Puget...

Designed as entrance guardians, this pair of mythical lady sphinx statuary display the head and chest of a neoclassical woman and the body of a recumbent lion on a rectangular stone ...

"Untitled 2" Sculpture 24" x 11" x 7" inch Edition 1/1 by Isaac Pelayo Unique work. Signed by the Artist. Comes with COA. Hand embellished plaster/fiberglass sculpture ABOUT THE AR...