Art Deco

Signed lower right, 'Nura' for Nura Woodson Ulreich (American, 1899-1950) and painted circa 1935. This early twentieth-century painter, lithographer, muralist, author, poet and ill...

Bruno Zach (1891 Zhitomir - 1945 Vienna), Gladiator ready for battle, c. 1930. Blackish patinated bronze with silver-plated helmet, shield rim and shield pommel mounted on a fluted m...

This striking Art Deco portrait oil painting is by female artist Jolan Polatschek Williams. Williams was born in Austria but settled in England in the 1920's where she remained. Pain...

Dancing male figure, terracotta sculpture, 1930s-40s, Giorgio Rossi (1894-1981). Terracotta modeled by hand by the artist. Unique piece. Dimensions: Height 45 cm. The choice of ter...

This original 1933 poster by the artist J. Pillod is a captivating piece of automotive history, advertising Castrol oil with the iconic Bugatti car as its centerpiece. The poster beautifully combines the elegance of the Bugatti with the reliability of Castrol, making it a standout example of early 20th-century automotive advertising. The composition features a streamlined Bugatti car, symbolizing speed and luxury, set against a dynamic backdrop that emphasizes movement and modernity. The use of bold colors and clean lines reflects the aesthetic of the time, with a focus on both functionality and style. The poster’s typography is striking yet balanced, ensuring that the message about Castrol oil's superior performance is clear and compelling. This poster is printed on high-quality paper, showcasing the artistic and technical prowess of J. Pillod. The poster remains a cherished piece for collectors of vintage automotive memorabilia and those interested in the golden age of motoring. This 1933 Castrol-Bugatti poster...

Marcel Vertès (1895-1961) A Music hall artist, signed lower right and dedicated "à monsieur Pierre Guastalla bien sympathiquement son confrère Vertès" lower left Pencil on paper 20.8 x 13.8 cm framed : 30.5 x 24.5 cm This little drawing is very characteristic of the lively style of Marcel Vertès, but also of his inspiration. You can see the artist's nervous line, immediately evocative of the figure he is portraying. This is clearly an artist preparing for a performance, and there is obviously an ambiguity in this androgynous figure, even though it is recognisable as a man. Vertès's pencilwork serves this subject admirably. He was particularly inspired by the world of shows and music halls, which he dealt with throughout his career. The drawing is dedicated to another artist, Pierre Guastalla (1891-1968), whose world was different but whose affinities with Marcel Vertès are obvious, since he also devoted a great deal of time to engraving between the wars. Emmanuel Marcel Vertès, born Vértes Marcell in Újpest (Hungary) on 10 August 1895 and died in Paris 16th arrondissement on 31 October 1961, was a Hungarian-born French painter, engraver, illustrator and costume and film designer. After studying with Ferenczy at the Beaux-Arts in Budapest, Marcel Vertès produced political posters during the First World War. Going into exile at the end of the hostilities, like his comrades Mihály Bíró and Róbert Berény, he studied at the Académie Julian in Paris. He made a name for himself in France in the mid-1920s, particularly for his lithographs and illustrations. He published L'heure exquise, a series of erotic engravings...

Original vintage poster: Musical Dance Flamenco Spanish Caseres & Arseni Theatrical/Musical Theatrical 1940s. Ballet Teatro. 1941. Artists: AMADEU ASENSI AND RAFAEL CASERES The ...

Oil on canvas by Charles PICART LE DOUX (1881-1959), France, 1934. Bouquet of Wild Flowers. Artwork typical of the manner of Charles Picart Le Doux. However, the robust and contrasti...

Rene Lalique Epis Vase, 1931 7 x 6.5 in molded pressed white glass cod1077

Laura M. GREENWOOD (1897-1951). Still Life with Portrait, ca. 1930's Oil on canvas, 20 x 24 inches. Unsigned. Excellent condition. Would benefit from a cleaning. Original condit...

Original Art Deco fashion drawing, ink, and wash on Vellum paper by French artist G. Ferro. The artwork features a stylish male model with a typical Art Deco overcoat. The piece is s...

Feminine Nude Bronze with black patina Signed on Base 31 inches Paris Listed in Major Art books Iconic pose of both arms pressed close to the body with ...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

BUCKLEY MACGURRIN "ALEXANDRIA" OIL ON CANVAS, SIGNED, TITLED AMERICAN, DATED 1949 EXHIBITED: DALZELL-HATFIELD GALLERY 14 X 20 INCHES Buckley MacGurrin 1896 –1971 Buckley MacG...

Eric Gill, 'Naked Girl in Spray, Head Thrown Back to Left, Four Leaves' and 'Naked Girl in Spray, Head Upright, Hands Over Head', wood engraving, 1930, edit...

An original Art Deco illustration hand-painted with ink and gouache on paper. The drawing features two elegant women with large windows and drapery in the background. This image was ...

Presenting a just discovered oil painting from the earliest period, c.1932, of American artist Ron Blumberg. After completing his fine art studies art at La Grande Academie Chaumiere in Paris Ron Blumberg left for New York in 1932, where he worked for eight years as a National Academy artist and a member of the Art Students League. Virtually every painting from this early New York period has been sold, making this the rarest period of work in Ron Blumberg’s career. City Street: Fifth Avenue, is an original oil on canvas, signed, c.1932, with an image dimension of 39 x 39 inches, good original condition with two very small restorations, set in a beautiful custom white gold frame. Please contact the gallery for information, availability and pricing Ron Blumberg Born: 1908 Reading, Pennsylvania Education: National Academy of Design, New York, NY Art Students League, New York, NY, 1930 Academie de La Grande Chaumiere, Paris, France, 1930-1931 ​Museum Exhibitions Delgado Museum, New Orleans, LA 1933 Houston Museum of Art, Houston, TX 1936 Oakland Museum Oakland, CA Dallas Museum of Fine Arts, Dallas, TX 1936, 1936 Denver Museum of Fine Arts, Denver, CO 1957 Tucson Museum, Tucson, AZ 1955 San Diego Museum, San Diego, CA 1962 Los Angeles County Museum of Art, Los Angeles, CA 1958 H. d Young Memorial Museum, San Francisco, CA 1967 Erma Frye Museum, Seattle, WA 1969 ​Gallery Exhibitions ACA Gallery, New York, NY 1937 Arr USA, New York, NY 1939 MacBeth Gallery, New York, NY 1932 Landau Gallery, Los Angeles, CA 1951 Esther Robles Gallery, Los Angeles, CA 1958,1959 Cushing Gallery, Dallas, TX 1972 Jean Dichter Gallery, Denver, CO 1955 Feingarten Galleries, Los Angeles, CA 1987 Trigg Ison Fine Art...

Presenting an original oil on canvas by Belgian artist Karel VonBelle. "Fleurs", is an original oil on canvas, signed, dated 1935, beautifully framed.

'Canard Nyroca - Canard Milouinan' (Ferruginous Duck) French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series o...

'Canard Siffleur' (Eurasian Wigeon) French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

RCA Design Art Deco Streamline Mid Century Modern American Scene Architectural John Vassos (1898-1985) RCA 50 D Transmitter and Control Desk 12 x 19 1/2 (sight) Mixed media on boar...

Jean Cocteau ( 1889-1963 ) " Morceaux Choisis " est un dessin à l'encre brune et légère estompe au crayon noir , exécuté en 1932 , il représente un profil de femme . 19 x 11 cm . si...

Les Mamelles de Tirésias - Choriste - 2nd act is a modern artwork realized in 1947 century by Erté (Romain de Tirtoff). Mixed colored gouache on paper. Hand signed on the lower mar...

Wood engraving, 1930, edition small, Physick 642 / 643. Initialed in pencil. Two blocks printed on a single sheet: fine impressions on cream laid Japan with full margins (1 1/2 to 2...

Art Deco Movie Set 20th Century American Modernism Hollywood WPA Social Realism Arthur Rosenman Ross (1913 - 1981) Art Deco Movie Set, Probably MGM Studios, 1937 17 x 27 inches Gouache on illustration Board Signed Art Ross, ‘37 lower right Provenance: Estate of the artist. BIO Arthur Rosenman Ross was a key figure in automotive design at General Motors during America's "Golden Age" of auto design, the 1930's through the 1950s. He attended the Art Institute of Chicago from age 17, exhibiting a special interest for automotive renderings and the female figure. In 1934, he changed his name from Rosenman to Ross, fearing his Jewish ancestry could prejudice his career prospects. At age 20, he turned down job offers from MGM Studios in Hollywood and Duesenberg to work at General Motors alongside the Legendary Harley Earl in 1935. He was hand picked by Mr. Earl and assigned to GM's War and Camouflage Division in 1937 through WW2. It was during this pivotal period in which he executed some extraordinary military aircraft artworks, likely used between GM and America's military aeronautics companies in design preparation for WW2. General Motors played an important role in helping America's aircraft manufacturers preceding and during the war. Just after the war in 1945, Mr. Ross was rewarded by GM, being made Chief Designer of Cadillac, then two years later becoming Chief at Oldsmobile until his retirement in 1959. He was in large part responsible for some of GM's classic Cadillac designs such as the Cadillac Sixty Special, Fleetwood, LaSalle and GM's first concept car, the extraordinary Buick Y-Job. Mr. Ross was an exceptionally charismatic and vivacious man who quite by chance, befriended His idol, Salvador Dali at GM in 1955. They talked about art, cars and girls late into the evening, according to his son, Carter Ross. He had a gift in rendering the erotic arts...

Beautiful Art Deco style poster by Jean Carlu for the Pigalle Theater - Feu du ciel. Jean Carlu (Bonnires-sur-Seine France 1900 - 1989) was a French graphic designer specialised in posters. He was member of a family of architects; his brother Jacques Carlu...

'Bassets D'Artois a Jambes Torses'. French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a Fre...

"Apollo" by Henri Bouchard (1875-1960) An Art Deco period masterpiece! Exceptional bronze sculpture with a golden-brown patina Signed " H. Bouchard " Unique piece This work personifies Apollo, god of the Arts. Represented here as Apollo Musagète, leader of the procession of muses and winner of the serpent Python. This subject was commissioned to adorn the entrance to the Palais de Chaillot in Paris, and whose monumental bronze is still exhibited there. To participate in the Venice Biennale in 1938, Henri Bouchard had reduced in 1937 the large Apollo of the Palais de Chaillot, which had not yet been installed. Vintage cast by Bisceglia (cast founder stamp) made during the artist's lifetime. Incised dedication below signature : " à mon cher ami E. Sandoz " This is a unique cast made for the sculptor Edouard-Marcel Sandoz (1881-1971). This cast was exhibited at the 1938 Venice Biennale. France 1937 height : 82 cm width : 45 cm depth : 30 cm weight : 31,2 kgs Stickers under the bronze cast : - Sticker mentioning that this cast has been exhibited at the Venice Biennale of 1938 under the number 354 ("Biennale Internaz. d'Arte Venezia – 1938 – XVI – 354"). - Sticker mentioning that this cast went through Italian customs ("ne – merci – dogana italiana – visitate - 9622") - Damaged Sticker mentioning the name ("A…") and the address ("25…") of the owner of the cast (maybe for the workshop "Atelier Henri Bouchard", 25 rue d’Yvettes, 75016 Paris). Provenance : - Edouard-Marcel Sandoz, Paris, according to the dedication. - Property from the Collection of Seymour Stein (entrepreneur and founder of Sire Records, famous American record label ; and avid collector of 19th and 20th century fine art...

Original vintage 1933 poster: Graphin. The silhouette of the man is sitting on a casket of wine with a big bottle of wine resting on the ground in front ...

Long-necked, elegant, slender fingers and spellbinding eyes define a quintessential Latin beauty. The painting is has a simple, architectonic composition of vertical and horizontal e...

'Bassets D'Artois a Jambes Droites'. French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a Fr...

Woman's face, terracotta sculpture, 1930s-40s, Giorgio Rossi (1894-1981). Tuscan Sculptor. Terracotta modeled by hand by the artist. Unique piece. Dimensions: Height 27 cm. The ch...

Odeon was a phonographic company of German origin, founded in 1903 by Max Straus and Heinrich Zuntz in Berlin, Germany. The company takes its name from the famous Paris theater, whos...

This sculpture is part of our exhibition America Coast to Coast: Artists of the 1930s Music (attributed), brass and wire construction, c. 1936, 28 x 14 x 5 inches; perhaps exhibited at Hollywood Riviera Gallery, 1936 (third prize); provenance includes Estate of Jon Spencer Helfen (Los Angeles, CA About the Sculpture In 1935, Philip Paval bought a box of metal in a “blind auction.” Paval, a painter, sculptor, and jeweler, had hoped the box contained silver. To his dismay, it was brass. Seeing an opportunity, Paval started to make sculptures from the brass sheets. His subjects included Cinema, Hollywood, Radio, Dance, Aviation and Music. The works were well-received with the Hollywood crowd and critically acclaimed. Actor and comedian, Ben Bard, purchased four of them for his theater, and novelist and screenwriter, Vicki Baum ordered four more for her drawing room. Movie director King Vidor also purchased them. Los Angeles Times art critic, Arthur Millier, described Paval’s “contraptions” as “ingenious, decorative, different.” Paval exhibited these works for several years in the late 1930s, including at the American Artists’ Congress Gallery in Los Angeles in an exhibition called Formalism and Abstraction in 1938 and at a solo show at Stendahl Galleries in 1939. The appeal of these works must have been irresistible, as a 1936 Los Angeles Times article noted, “Two feet of brass art has been stolen from the Hollywood Riviera Galleries. The work is an abstraction. It portrays the spirit of music and rested on the grand piano in the main hall. The work of Philip Paval, it won third prize in the current gallery exhibition at the gallery.” One can only wonder whether this is the “contraption” which was pilfered from the gallery nearly one hundred years ago. Given the description of the work, its subject matter and size, it seems likely. About the Artist Philip Paval was a sculptor, painter, and jeweler. Born in Denmark, Paval was apprenticed to a silversmith and studied art in Denmark. He immigrated to the US in 1919 and first worked as a merchant seaman in New York. The following year, Paval settled in Los Angeles where he later opened his own jewelry shop featuring works he designed and produced. Paval became a favorite in the entertainment world, making a good living selling silver...

"Nude "odalisque Aux Pantins" Belgian Modern School By Georges Brasseur 1930" Georges BRASSEUR was an artist born in Belgium in 1880 and died in 1950....

A unique original silver gelatin black and white photograph by Press Agency Trampus. In Paris, the Carrousel Bridge, circa 1930. Construction started at The Carrousel Bridge in Paris...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

A mid-century. stone lithograph titled 'Judy and Jessica' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and with certification of authenticity stamped verso. A brigh...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

Art Deco Vase by DAUM "Art Deco" vase with geometric decoration Transparent blue blown-molded glass Decor deeply etched with acid Signed "Daum Nancy France" with the Cross of Lorrai...

Sculpture of female head, silvered plated brass. Inscribed on the bottom, "Werkstätte Hagenauer Wien" Austria, c. 1930s 16"h x 10.5"w x 3.5"d

French artist Georges Lucien Guyot (1885 - 1972) signed this charming woman nude study. This painting features a lovely design of a woman getting out of the bath and wiping with a towel. Only a few lines in charcoal and red chalk or sanguine mark the silhouette and posture and capture the model's expression. The red color emphasizes the color of the skin and imbues the lascivious movement. The sketches of the bath towel are only suggested, but they give the whole thing a lot of softness and an incredible illusion of movement. Signed on the bottom left corner: Georges Lucien Guyot. The artist employed a method known as "sanguine" (red chalk paint) which is red crayon or chalk. The drawing has a blood-red, reddish, or flesh coloration. For centuries, painters from the 15th and 16th centuries, including famous masters like Michelangelo, Raphael, and Leonardo da Vinci, have used it for drawing. The drawing has an elaborate off-white matte with acrylic glass protection and a modern wood frame with a deep-textured pattern in red and yellow. Measurements: With Frame: 20.87 in wide (53 cm) x 28.35 in high (72 cm) x 1 in deep (2.5 cm). View alone: 11.44 in wide (29 cm) x 18.94 in high (48 cm). Biography: Georges Lucien Guyot (born December 10, 1885, in Paris, where he died December 31, 1972) is a French artist, sculptor, and painter. From an early age, Georges Guyot showed artistic abilities, but the modest conditions of his parents did not allow him to study art. So he did his apprenticeship with a wood sculptor. Guyot excelled in copying works from the 15th, 16th, and 17th Centuries but rapidly showed an attraction for nature. This attraction led him to the Jardin des Plantes in Paris, where he could study wild animals and translate his observations into sculptures and paintings. A familiar figure of Montmartre, Georges Guyot was the guest of the Bateau-Lavoir from the time of Cubism. In 1931, he joined the group of Twelve, created by François Pompon and Jane Poupelet...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

A fine large charcoal and pencil drawing by British listed artist James Stroudley. Executed in 1931, it is a stunning example of a 1930s Art Deco portrait. Very strong and bold, it d...

'Bassets Ardennais'. French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of i...

A mid-century, stone lithograph titled 'Angel and Harmony' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and with certification o...

Porphyrion ou Poule Sultane - Western Swamphen French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illust...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

This sumptuous engraved wooden panel depicting panthers in the bush was created by N.R. Brunet (France, 20th Century). Typical of the Art Deco style of the time, N.R. Brunet is renow...

French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of birds. 195mm by 265mm (sheet)

'Bassets Griffons de Bretagne et de Vendee'. French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. F...

Rale D'Eau - Water Rail French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of birds. 195...

A French Art Deco illustrative drawing, hand painted in ink and gouache on blue laid paper. The design includes a collection of fashion accessories, handbags, gloves, hats, and perfu...

Becassine - Snipe French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illust...

We are proud to have recently discovered, “The Sophisticate”, by American artist Alexander Rosenfeld. Rosenfeld was classically trained in fine ...

Mahout washing his elephant by Roger GODCHAUX (1878-1958) A very rare sculpture in bronze with a nuanced dark brown patina Signed on the base "Roger Godchaux" Cast by "Susse Frs Edt...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...