Herbert Davis Richter

Still Life of Fuchsias, Geraniums and Marionettes - British 30's oil painting

Circa 1930

This rich and vibrant Scottish still life oil painting is by noted Scottish artist Andrew Law. It was painted circa 1920 and has a Glasgow Club exhibition label verso entitling the p...

This beautiful British Art Deco floral oil painting is by noted Cornish artist Philip Rashleigh, who used the name Frank for exhibition purposes. The Rashleighs were an old and disti...

This vibrant French Art Deco floral oil painting is by noted French artist Jacques Emile Blanche. Painted circa 1930, the palette is of wonderful tones of yellow and orange with spla...

A fine floral oil painting by Glasgow Boy artist James Stuart Park. This is a super oil on canvas painting of white and pink hydrangea in a vase with a green fan by listed artist Par...

This superb floral still life oil painting is by Scottish artist David Alison. Painted circa 1930 it is an arrangement of pink roses in a glass vase on a table. The darker background...

This stunning 19th century still life floral oil on panel painting is by noted still life female Norwich School artist Emily Stannard. Emily Stannard and her niece Eloise Harriet Stannard are nowadays considered to be among the most accomplished British women still life painters of the 19th century. Stannard is associated with the Norwich School of painters. She also travelled to Holland to study Dutch art and was given permission to copy Jan van Huysum's work which was then highly praised. She had a long and distinguished career as an artist and many of her works are house in Norfolk Museums. Painted circa 1840, this lovely composition is a naturalistic floral arrangement in an urn on a marble ledge. The flowers are a mix of whites, pinks and blues with some geraniums, roses, daisies and mallow. There is a beautifully detailed dragonfly and butterfly as well as a little snail on the marble ledge. One side of the background is darker than the other which shows of the flowers against it to great effect. The colours are vibrant and brush work detailed. This painting is a fantastic example of Stannard's work and clearly shows how well she deserved her superb reputation as being one of the most accomplished female 19th century still life painters. Provenance: Oscar and Peter Johnson Gallery, London Condition. Oil on panel, 20 inches by 15 inches and in good condition. Frame. Housed in a beautiful gilt swept cradled frame, 27 inches by 22 inches and in good condition. Emily Stannard (née Emily Coppin; 8 February 1802 – 6 January 1885), who from 1826 called herself (even during her long widowhood) Mrs Joseph Stannard, was a British still life painter. She was associated with the Norwich School of painters, Britain's first provincial art movement. Along with her niece Eloise Harriet Stannard, she is considered to be the most accomplished British female still life artist of the 19th century. Stannard was born in Norwich of artistic parents. In 1820, she travelled with her father Daniel Coppin to the Netherlands to study the paintings of Jan van Huysum and other Dutch masters, an episode which influenced her artistic style. She married the Norwich artist Joseph Stannard in 1826, but was widowed four years later. She painted until she was in her eighties, mainly depicting paintings of flowers in vases...

Oil on canvas by Charles PICART LE DOUX (1881-1959), France, 1934. Bouquet of Wild Flowers. Artwork typical of the manner of Charles Picart Le Doux. However, the robust and contrasti...

Work on canvas Golden molding frame 78,5 x 68 x 5,5 cm

Work on canvas Gold plaster molding frame 79 x 64 x 6 cm

Work on cardboard

Work on canvas

Presenting a just discovered original oil painting, "La Negress", by Belgian artist Jessica Rice (1942-2016.) This painting was just discovered wrapped and stored within the artists...