Futurist Art

Lithograph in 13 colors on BFK Rives paper, edited in 1956 limited edition in 150 copies , signed in pencil by artist and numbered as: epreuve d’artiste ( artist proof ) paper size:...

Futurist composition is an original artwork realized in 1969 by Gerardo Dottori. Black and white lithograph is an original lithograph. Hand signed and dated on the lower right marg...

Wonderful futuristic mixed media (watercolor and acrylic) of transparent orb with ghost-like Cosmos flowers in foreground by T. Yokozawa (Japanese/American, 20th Century), circa 2000...

A very good impression of this color lithograph. Artist's proof, aside from the edition of 175. Signed, dated and inscribed "Epreuve d'artiste" in pencil. Printed by Desjobert, Paris...

Still life is an original modern artwork realizeb by Gino Severini in 1964/65. Original LIthograph in 10 colors. Hand signed and numbered on the lower margin. Edition of II/XV. R...

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* ***Looking for one of kind precious high ending gift ...

UNTITLED #2, 2021 Archival Pigment Print, Framed; white frame with antireflective art glass 30 x 46 cm Edition of 10 + 2 AP Other dimensions from a smaller editions also available Se...

It is signed in a stitch Omaggio a Depero, Ivana, 2000 Fortunato Depero (1892 – 1960) was an Italian futurist artist and painter, writer, sculptor and graphic designer who worked in...

**ANNUAL SUPER SALE UNTIL MAY 15TH ONLY** *This Price Won't Be Repeated Again This Year-Take Advantage Of It* **IMPORTANT: This is a limited edition of only 30 prints signed and numbered by the artist. It will arrive rolled inside a tube** Farting Glitter Balloon Dog...

Image dimensions: 19.5 x 24.5 cm. Black and white etching on paper, realized by the Italian artist Giovanni Korompay in 1928. Titled, numbered, and monogrammed in pencil on the lo...

Mid 20th Century Italian Futurist, Novecento Italiano, work on paper, signed bottom right and with dedication top right (see photos). The subject is bathers enjoying the delights of a spa and sauna with colourful tiling to the background. The classical figures languorously positioned in repose but the central 'white' figure in stark contrast. The play on colours gives the work a vibrancy. The drawing is possibly a preparatory sketch for a larger work or mural. A vibrant, exciting and colourful work incorporating the styles of Futurism and the Novecento Italiano movement and with the influences or artists such as Anselmo Bucci, Adami, Jean Helion, Maryan, Achille Funi and Ugo Guidi. Anselmo Bucci was born in 1887 in Fossombrone in the district of Pesaro. Even though he studied Classics, right from a tender age he showed a talent for drawing and, when his parents moved near to Florence, he was taught by the artist Francesco Salvini. In 1904 the family settled in Monza and so the boy was able to study for a year at the Accademia di Belle Arti di Brera, but he did not follow up this educational experience and in 1906 he left Italy for Paris where he came into contact with the Parisian avant-garde, met fellow Italian artists such as Severini and Modigliani, and made friends with Picasso, Utrillo and Apollinaire. In 1907 he showed a painting at the Salon, but these Parisian years were most important for his love of engraving techniques – etching and dry point that enabled him to fully develop his themes characterised by movement. On the outbreak of war in 1915 he returned to Italy and he enlisted in the same battalion as several Futurist artists such as Martinetti, Boccioni, Sant’Elia and Carlo Erba. In 1914 he won the silver medal at the Mostra dell’Incisione (Exhibition of Engravings) at Florence. In 1917 in Paris he published pictures of war scenes entitled “Croquis du Front Italien”. In 1919 he printed twelve lithographs entitled “Finis Austriae” again showing events from the war. At the end of the war he lived between Milan and Paris and he dedicated his time completely to his art with personal exhibitions, exhibiting at all the most important Italian and French shows, in Belgium, Holland and England. In 1922, he established the group “Movimento del Novecento”, (Novecento Italiano), (20th century Movement) a joint venture with the artists Sironi, Funi, Oppi, Malerba, Dudreville and Marussig. Their aim was to return to figurative art in contrast with the growing extremism of the Avant-gardists. In 1925 he worked on the illustration of the first edition of Kipling’s The Jungle Book producing eight dry point plates. In the early 30’s he lived in Bucci, Trieste, where he worked on the furnishing of the steamships for the Trieste Navigazione Libera, at the same time he continued to work on many book illustrations. During the second European war he adapted to being a war artist recording the events of the war as he had done previously. Indeed the engravings depicting battles of the Marines and the Air Force belong to this period. In 1945, following the bombing of his house in Milan, he returned to Monza to his father’s home where he remained until his death. Futurism was an Italian art movement of the early twentieth century that aimed to capture in art the dynamism and energy of the modern world. Futurism was launched by the Italian poet Filippo Tommaso Marinetti in 1909. On 20 February he published his Manifesto of Futurism on the front page of the Paris newspaper Le Figaro. Among modernist movements futurism was exceptionally vehement in its denunciation of the past. This was because in Italy the weight of past culture was felt as particularly oppressive. In the Manifesto, Marinetti asserted that ‘we will free Italy from her innumerable museums which cover her like countless cemeteries’. What the futurists proposed instead was an art that celebrated the modern world of industry and technology: We declare…a new beauty, the beauty of speed. A racing motor car…is more beautiful than the Victory of Samothrace. (A celebrated ancient Greek sculpture in the Louvre museum in Paris.) Futurist painting used elements of neo-impressionism and cubism to create compositions that expressed the idea of the dynamism, the energy and movement, of modern life. Chief artists associated with futurism were Giacomo Balla, Umberto Boccioni, Gino Severini. After the brutality of the first world war, many artists rejected the avant-garde notions of futurism and other pre-war movements, by using more traditional and reassuring approaches, a phenomenon described as the ‘return to order’. Novecento Italiano was founded by Anselmo Bucci (1887–1955), Leonardo Dudreville (1885–1975), Achille Funi, Gian Emilio Malerba (1880–1926), Pietro Marussig, Ubaldo Oppi, and Mario Sironi. Motivated by a post-war "call to order", they were brought together by Lino Pesaro, a gallery owner interested in modern art, and Margherita Sarfatti, a writer and art critic who worked on Italian dictator Benito Mussolini's newspaper, The People of Italy (Il Popolo d'Italia). Sarfatti was also Mussolini's mistress. The movement was officially launched in 1923 at an exhibition in Milan, with Mussolini as one of the speakers. The group was represented at the Venice Biennale of 1924 in a gallery of its own, with the exception of Oppi, who exhibited in a separate gallery. Oppi's defection caused him to be ejected from the group, which subsequently split and was reformed. The new Novecento Italiano staged its first group exhibition in Milan in 1926. Several of the artists were war veterans; Sarfatti had lost a son in the war. The group wished to take on the Italian establishment and create an art associated with the rhetoric of fascism. The artists supported the fascist regime and their work became associated with the state propaganda department, although Mussolini reprimanded Sarfatti for using his name and the name of fascism to promote Novecento. The name of the movement (which means 1900s) was a deliberate reference to great periods of Italian art in the past, the Quattrocento and Cinquecento (1400s and 1500s). The group rejected European avant garde art and wished to revive the tradition of large format history painting in the classical manner. It lacked a precise artistic programme and included artists of different styles and temperament, for example, Carrà and Marini. It aimed to promote a renewed yet traditional Italian art. Sironi said, “if we look at the painters of the second half of the 19th century, we find that only the revolutionary were great and that the greatest were the most revolutionary”; the artists of Novecento Italiano “would not imitate the world created by God but would be inspired by it”. Despite official patronage, Novecento art did not always have an easy ride in Fascist Italy. Mussolini was personally uninterested in art and divided official support among various groups so as to keep artists on the side of the regime. Opening the exhibition of Novecento art in 1923 he declared that “it is far from my idea to encourage anything like a state art. Art belongs to the domain of the individual. The state has only one duty: not to undermine art, to provide humane conditions for artists, to encourage them from the artistic and national point of view." The movement was in competition with other pro-Fascist movements, especially Futurism and the regionalist Strapaese movement. Novecento Italiano also met outright opposition. Achille Starace, the General Secretary of the Fascist Party, attacked it in the Fascist daily press and there was virulent criticism of its “un-Italian" qualities by artists and critics. In the 1930s, a group of professors and students at the Accademia di Brera established an opposition group to Novecento Italiano. Among them was the director of the academy Aldo Carpi, and students Afro, Aldo Badoli, Aldo Bergolli, Renato Birolli, Bruno Cassinari, Cherchi, Alfredo Chighine, Grosso, Renato Guttuso, Dino Lanaro, Giuseppe Migneco, Mantica, Ennio Morlotti, Aligi Sassu, Ernesto Treccani, Italo Valenti, and Emilio Vedova (and later Giuseppe Ajmone...

Abstract Composition is a Contemporary Artwork realized in 1971 by Gerardo Dottori (Perugia, 1884 – Perugia, 1977). Original B/W Lithgraph on paper. Hand-signed and dated in pencil...

Abstract Composition is an original contemporary artwork realized in 1971 by Gerardo Dottori (Perugia, 1884 – Perugia, 1977). Original B/W Lithograph on paper. Hand-signed and date...

Fictional Nonfiction: Archaeology 3019, Plaster, Crushed glass. Book is sealed in Original Packaging and each Book is Unique from one another. Numbered l...

Joseph Stella creates a beautiful and colorful still life rendered in lush expressive bright colors and quick spontaneous bravura brushstrokes.. Signed Lower Right Joseph Stella Fra...

A very good impression of this color lithograph with strong colors. Signed and numbered 119/140 in pencil by Severini. Printed by Michael Cassé, Paris. Published by L'Œuvre Gravée, P...

City of future is an original print in etching and drypoint on white paper realized by an Anonymous artist of the Mid-20th Century. In very good conditions. The artwork created through deft strokes in perfect composition, resembling the Russian constructivism...

"Sexy Miami Futuristic Cocktail Lounge" is a series of photographs by Ryan Rivadeneyra inspired by the Art Deco colors of Miami that show beautiful objects ...

Powerful visual done at Stella's peak period of creativity in Barbados. Signed lower right. Provenance: Doyle, New York Elegantly framed.

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year-Take Advantage Of It* Farting Glitter Balloon Dog...

Jeremy Geddes - Rotator - Futurist Art - Contemporary Artist Artists Geddes, Jeremy More info Edition Details Year: 2021 Class: Art Print Status: Official Released: 03/08/20 Run: 704 Technique: Giclee Paper: Hahnemuhle Matt Fine...

"Primary Colors on Light Yellow" is an abstract painting diptych by Spanish artist Natalia Roman. It is a beautiful combination of geometric shapes in a classy gamut of colors. The u...

This is an Autograph Letter Signed by Enrico Prampolini to the Countess A.L. Pecci Blunt. Paris, June 12th 1935. One page, double-sided. Excellent c...

CYRIL POWER (British 1872-1951) STUDIES FOR THE COLOR LINOCUT REVOLUTION II, 1931 Pencil on thin wove paper. Unsigned. Consists of two 3 inch square pencil drawings on one sheet of thin wove paper 10 x 7 3/8 inches. Preliminary studies for Power's Grosvenor School...

This Fortunato Depero wonderful serigraphy is a multiple of 250 printed with the authorization of Museum of Depero in Rovereto (Italy). This is the number XI (eleven) The title is: L...

Hand signed and numbered. Edition of 100 prints. Lithograph with 6 colors. Very good condition Ref: Catalogue Bartolini n. LXXIX.

SALE ONE WEEK ONLY "Untitled" is a dramatically placed individual who appears to be withdrawing into herself surrounded by a soft pinkish color. She has a sad look in her non-reflec...

Image dimensions: 6 x 5 cm. Hand signed. Edition of 100 prints on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions. Anselm...

Image dimensions: 54 x 40 cm. Still Life is a beautiful and rare lithograph realized by the artist Ivo Pannaggi in a circulation of 100 copies around 197...

Composition is an original Contemporary Artwork realized in 1971 by Gerardo Dottori (Perugia, 1884 – Perugia, 1977). Original B/W Lithgraph on paper. Artist's Proof. Hand-signed a...

DAVID BURLIUK [Burlyuk] 1882-1967 Kharkiv, Ukraine 1882-1967 Southampton, Long Island, New York (Ukrainian/Russian/American) Title: Vase of Flowers on the Seashore...

Group of Men is an original lithograph on cream-colored paper, signed by the Italian artist, painter, and printmaker Anselmo Bucci, Hand-signed and dated on the lower margin of artwo...

HUGO SCHEIBER 1873-1950 1873 - Budapest - 1950 (Hungarian) Title: Self Portrait Technique: Original Signed Pastel Drawing on Paper Size: 37.7 x 30 cm. / 14.8 x 11.8 in. Additiona...

Composition is an original Contemporary Artwork realized in 1971 by Gerardo Dottori (Perugia, 1884 – Perugia, 1977). Original B/W Lithgraph on paper. Hand-signed and dated in penci...

Front Italien is a beautiful print in etching on paper, realized by Anselmo Bucci (1887-1955). Good conditions. Sheet dimension: 27.5 x 35.5 From the collection: “Croquis du Front...

Multiple Exposure that contains two different night views of New York City from different angles. Done in 1980 in the pre-digital era. Mitchell Funk was an early pioneer of Sci-Fi ...

The war is an original lithograph on ivory paper, signed on the plate on the lower right and date by the Italian artist, painter, and printmaker Anselmo Bucci. In very good conditio...

Signed lower right, 'K. Gasser' for Karl Gasser (Italian, 1948-2017) and dated 2011. A vibrant, Futurist-derived view of Venice's Grand Canal with a row of gondolas in the foregroun...

Front Italien is a beautiful print in etching on paper, realized by Anselmo Bucci (1887-1955). Good conditions. Sheet dimension: 27.5 x 35.5 From the collection: “Croquis du Fron...

Front Italien is a beautiful print in etching on paper, realized by Anselmo Bucci (1887-1955). Good conditions except for some diffused foxings. Sheet dimension: 36 x 27.5 From t...

Image dimensions: 15.5 x 23 cm. Hand signed. Edition of 100 prints on Hollande paper. From the collection: “Croquis du Front Italien”, published in Paris by D'Alignan editions. Anse...

Futurist City is an artwork realized in the early XX century by Carmelo Borg Pisani Original black and white pencil drawing. Hand signed on the lower rig...

Greek Café is an original lithograph by the Italian artist, painter, and printmaker Anselmo Bucci. Signed on the plate on the lower right and titled. In very good conditions. The ...

Ivan Turetskyy (b.1956) Euphoria 2018 oil on canvas 120 x 85 cm signed, titled, dated and marked with the artisi's thumbprint (on the verso) Price: £13...

Men Who Plan Beyond Tomorrow” Advertising campaign for The world’s incredible technological inventions that we take for granted today ….. Provenance: Edgar Bronfman Sr. former C...

"Eighty Primary Shapes on Green" is an abstract painting by Spanish artist Natalia Roman. It is a beautiful combination of geometric shapes in a classy gamut of colors. The use of pa...

"Sexy Miami Futuristic Cocktail Lounge" is a series of photographs by Ryan Rivadeneyra inspired by the Art Deco colors of Miami that show beautiful objects and textures arranged meti...

Futurist Composition is an original pastel drawing realized in the beginning of XX century by Anonymous futurist artist Mixed colored pastels on plywood. Includes a very beautiful...

Original edition of "Caffè Concerto...Alfabeto a sorpresa", published in 1918 in Milan, Edizioni Futuriste di Poesia, Marinetti. In 8º. In Italian. A wonderful selection of Futurist ...

BETTY BALL "LA NOVA" PASTEL, SIGNED AMERICAN, DATED 1949 18 x 14 Inches

Paris 27th Salon International de la Machine Acricole. Original 1955 vintage poster lithograph created by Henri Faivre. Paris, 27th Salon International de la Machine Agricole. ...

Clare Halifax Changing Seasons at St Pauls Limited Edition 10 Colour Screen Print Edition of 100 Sheet Size: H 38cm x W 37cm x 0.1cm Sold Unframed Hand printed by the artist onto som...

In-camera Multiple Exposure of 3rd Avenue in Manhattan and car depot in Weehawken New Jersey. The viewer looks up at the buildings and down at the cars and yet they are seamlessly u...

Manifeste technique de la sculpture futuriste. Edited in Milan, April 22, 1912, and printed in September of the same year. Written by Umberto Boccioni (Reggio Calabria, 1882– Chievo,...

"Airplanes Dive Over Enemy Skies" Italian Futurism Futurist Transportation Plane Guglielmo “Tato” Sansoni (Italian, 1896 – 1974) "Airplanes Dive Over Enemy Skies (Aerei in Picchiata su Stabilimenti Nemici)," 20 x 28 inches. Oil on canvas. Circa 1930s. Signed lower right. Titled and signed verso. Guglielmo Sansoni...

Image dimensions: 11.5 x 14 cm. Hand signed. Edition of 100 prints on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions. Ans...

Image dimensions: 12.5 x 8.5 cm. Hand signed. Edition of 100 prints on Hollande paper. From the collection: “Croquis du Front Italien”, published in Paris by D'Alignan editions. Ans...

Image dimensions: 15 x 9 cm. Hand signed. Edition of 100 prints on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions. Anselm...