Association of Women Art Dealers Animal Drawings and Watercolors
Association of Women Art Dealers (AWAD)
The Association of Women Art Dealers (AWAD), established in 2009, is an international network that facilitates business and collaborations between and for members at all stages of their career as business owners, with a vision to positively impact the enterprise of each member. Each of the three chapters — London, New York and Global — has a monthly event and welcomes membership applications from women and women-identifying art dealers, advisors and gallerists based worldwide.
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Graphite and gouache on handmade paper: 'The Remains: 7'
Located in New York, NY
The Remains, A series of 10 works
An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and presumptions of human control are upended. The text-like marks on white vertical rectangles are deliberate, but indecipherable. They appear as if a poem, written in an ancient language, that honors this eternal cycle of destruction and regeneration.
Winifred McNeill...
Category
2010s Contemporary Association of Women Art Dealers Animal Drawings and Watercolors
Materials
Gouache, Handmade Paper, Graphite
Eclipse, Jumping Horse Drawing, Charcoal, gesso and acrylic on circular board
By Patsy McArthur
Located in Dallas, TX
This is a beautiful and unique charcoal, acrylic and gesso on circular wood panel. The painting perfectly captures the movement of the horse and the monochromatic palette makes this ...
Category
2010s Realist Association of Women Art Dealers Animal Drawings and Watercolors
Materials
Gesso, Charcoal, Acrylic
Graphite and gouache on handmade paper: 'The Remains: 5'
Located in New York, NY
The Remains, A series of 10 works
An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...
Category
2010s Contemporary Association of Women Art Dealers Animal Drawings and Watercolors
Materials
Gouache, Handmade Paper, Graphite
Graphite and gouache on handmade paper: 'The Remains: 4'
Located in New York, NY
The Remains, A series of 10 works
An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...
Category
2010s Contemporary Association of Women Art Dealers Animal Drawings and Watercolors
Materials
Gouache, Handmade Paper, Graphite
Whispers & Hisses Series: 'In Panic'
Located in New York, NY
This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable.
This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss.
Winifred McNeill...
Category
2010s Contemporary Association of Women Art Dealers Animal Drawings and Watercolors
Materials
Gold Leaf
Whispers & Hisses Series: 'In Defence'
Located in New York, NY
This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable.
This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss.
Winifred McNeill...
Category
2010s Contemporary Association of Women Art Dealers Animal Drawings and Watercolors
Materials
Gold Leaf
Graphite and gouache on handmade paper: 'The Remains: 3'
Located in New York, NY
The Remains, A series of 10 works
An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...
Category
2010s Contemporary Association of Women Art Dealers Animal Drawings and Watercolors
Materials
Gouache, Handmade Paper, Graphite
Watercolor on paper: "Blue Lizard"
Located in New York, NY
Shiri Mordechay's paintings are a whirlwind of emotion and complexity, drawing the viewer into a vibrant and dynamic world. Each piece is packed with countless details, your eyes are...
Category
2010s Surrealist Association of Women Art Dealers Animal Drawings and Watercolors
Materials
Watercolor, Archival Paper
Dina Brodsky, Pigeon 1, Miniature ink, gouache, and watercolor on paper
By Dina Brodsky
Located in New York, NY
In the miniature Pigeon 1, Dina Brodsky lovingly renders the notoriously undesirable bird in vibrant blue, purple, and pearly gray ink, gouache, and watercolor. The bird is made demu...
Category
2010s Contemporary Association of Women Art Dealers Animal Drawings and Watercolors
Materials
Paper, Watercolor, Gouache
Dina Brodsky, Crested Caracara, realist gouache animal portrait miniature, 2019
By Dina Brodsky
Located in New York, NY
Dina Brodsky is a contemporary realist miniaturist painter and curator known for her detailed drawings of animals, architecture, and trees. Her miniatures carry with them the traditi...
Category
2010s American Realist Association of Women Art Dealers Animal Drawings and Watercolors
Materials
Paper, Gouache
Graphite and gouache on handmade paper: 'The Remains: 8'
Located in New York, NY
The Remains, A series of 10 works
An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...
Category
2010s Contemporary Association of Women Art Dealers Animal Drawings and Watercolors
Materials
Gouache, Handmade Paper, Graphite
Whispers & Hisses Series: 'In Regret'
Located in New York, NY
This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable.
This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss.
Winifred McNeill...
Category
2010s Contemporary Association of Women Art Dealers Animal Drawings and Watercolors
Materials
Gold Leaf
Whispers & Hisses Series: 'In Grief'
Located in New York, NY
This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable.
This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss.
Winifred McNeill...
Category
2010s Contemporary Association of Women Art Dealers Animal Drawings and Watercolors
Materials
Gold Leaf
Whispers & Hisses Series: 'In Defiance'
Located in New York, NY
This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable.
This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss.
Winifred McNeill...
Category
2010s Contemporary Association of Women Art Dealers Animal Drawings and Watercolors
Materials
Gold Leaf
Graphite and gouache on handmade paper: 'The Remains: 2'
Located in New York, NY
The Remains, A series of 10 works
An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...
Category
2010s Contemporary Association of Women Art Dealers Animal Drawings and Watercolors
Materials
Gouache, Handmade Paper, Graphite
Graphite and gouache on handmade paper: 'The Remains: 1'
Located in New York, NY
The Remains, A series of 10 works
An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...
Category
2010s Contemporary Association of Women Art Dealers Animal Drawings and Watercolors
Materials
Gouache, Handmade Paper, Graphite
Murex, black and white pop art pastel, semi-abstract silhouette, 1996
By Idelle Weber
Located in New York, NY
Enlarged, abstracted, and decontextualized, Weber transforms a delicate seashell into a sublime icon. The black silhouette of the shell is a callback to her Pop period, though softened by her use of pastel. This is the first piece from a major body of work inspired by shore walks in South Melbourne, Australia.
''Murex,'' a spiny menace with a long rat's tail, gets its devilish due in black silhouette lightly touched with white. - Grace Glueck, The New York Times, 1996
Idelle Weber...
Category
1990s Pop Art Association of Women Art Dealers Animal Drawings and Watercolors
Materials
Paper, Pastel
Beyond Night and Day
By Elizabeth Waggett
Located in Los Angeles, CA
Elizabeth Waggett
Beyond Night and Day, 2019
71 x 36 inches canvas size
Oil on Belgian linen with 22 k gold and UV varnish
This piece is unique
Signed by artist
Unframed
Elizabeth W...
Category
2010s Contemporary Association of Women Art Dealers Animal Drawings and Watercolors
Materials
Gold Leaf
Price Upon Request
We Are Here
By Elizabeth Waggett
Located in Los Angeles, CA
Elizabeth Waggett
We Are Here
32 x 60 inches, paper size
Graphite, charcoal and 24 k gold on cotton paper
This piece is unique
Signed by artist
Beautifully...
Category
2010s Association of Women Art Dealers Animal Drawings and Watercolors
Materials
Gold
Price Upon Request