Ifpda International Fine Print Dealers Association
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Ouverture de la Chasse ua Bois de Boulogne
By George Goursat
Located in New York, NY
Sem, (George Goursart). Ouverture de la Chasse ua Bois de Boulogne..
Ca 1900. Signed in the stone. Slight center vertical fold, otherwise in
very good condition.
Signed in the sto...
Category
Early 1900s Art Nouveau Ifpda International Fine Print Dealers Association
Materials
Lithograph
'Yvette Guilbert, SCALA' — Fin de Siècle, Paris
Located in Myrtle Beach, SC
BAC (Ferdinand Bach), 'Yvette Guilbert, Tous les Soirs SCALA', vintage color lithograph, 1893. Signed, dated, and titled in the stone.
A superb, richl...
Category
1890s Art Nouveau Ifpda International Fine Print Dealers Association
Materials
Lithograph
Snapshot Odyssey
By Jane Hammond
Located in Lyons, CO
Color lithograph/laser print/chine collé/collage, Edition 40
Hammond's newest print, "Snapshot Odyssey" combines her long-standing interest in games with her passion for collecti...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association
Materials
Lithograph
Garden of Eden
By Leonard Edmondson
Located in Santa Monica, CA
LEONARD EDMONDSON (1906 – 2001)
GARDEN OF EDEN c. 1960
Color intaglio (carborundum?) Signed and titled in pencil. Small edition, these larger prints...
Category
1960s Abstract Expressionist Ifpda International Fine Print Dealers Association
Materials
Intaglio
$960 Sale Price
20% Off
A Monmartre (Moulin Rouge).
By Eugène Delâtre
Located in New York, NY
Ca 1895. Printed and stamped by Eugene's father, August Delatre. Signed in pencil lower right, and signed in the plate. Sheet size 13 3/4 x 9".
Image size 10 x 4"
Eugène Delâtre...
Category
Late 19th Century Art Nouveau Ifpda International Fine Print Dealers Association
Materials
Etching
RE: MINE
By McArthur Binion
Located in Berkeley, CA
Color aquatint and hardground etching.
Edition of 25
Category
2010s Contemporary Ifpda International Fine Print Dealers Association
Materials
Etching
Bougival
By Maurice de Vlaminck
Located in Fairlawn, OH
Bougival
Woodcut, 1914
Signed and numbered in pencil
Edition 30, this numberd 22
Printed on laid Van Gelder Zonen paper
Published by Henri Kanweiler, Paris
Printed by Paul Birault, P...
Category
1910s Fauvist Ifpda International Fine Print Dealers Association
Materials
Woodcut
"East Gloucester, Massachusetts' — Cape Ann Regionalism
By Hayley Lever
Located in Myrtle Beach, SC
Hailey Lever, 'East Gloucester, Massachusetts', watercolor, c. 1930. Signed 'HL' in pencil, lower left. A fine, spontaneous watercolor with fresh colors on off-white watercolor paper...
Category
1930s Impressionist Ifpda International Fine Print Dealers Association
Materials
Watercolor
KYOTO (B)
By Kiyoshi Saitō
Located in Santa Monica, CA
KIYOSHI SAITO (Japanese 1907 - 1997)
KYOTO (B) 1966
Color woodcut, signed, titled, dated and no. 5/100 in pencil. Edition 100. Image 14 3/4 x 20 5/8 inches. Full margins with deckle...
Category
1960s Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut, Color
Belle Jardinaire
By Eugène Grasset
Located in New York, NY
Grasset, Eugene. Belle Jardinaire. Proof for the Calendar, "Belle Jardinaire",1896, on China paper produced for the month of December.
12 7/8 x 9 7/8"
Category
Late 19th Century Art Nouveau Ifpda International Fine Print Dealers Association
Materials
Lithograph
Untitled (SFP94-78) (SFF.1754)
By Sam Francis
Located in London, GB
Sam Francis
Untitled (SFF.1704)
1994
Acrylic on canvas
38.1 x 45.7 cms (15 x 18 ins)
Provenance:
Estate of the artist, California, 1994;
Galleri Faurschou, Copenhagen, June 1996;
...
Category
1990s Abstract Expressionist Ifpda International Fine Print Dealers Association
Materials
Acrylic
AN EAGLE CEREMONY AT TESUQUE PUEBLO
By Gustave Baumann
Located in Portland, ME
Baumann, Gustave. AN EAGLE CEREMONY AT TESUQUE PUEBLO. Color woodcut, 1932. Publshed in The Colophon, December, 1932 in an edition of about 3000. Unsigned, as issued. 6 1/2 x 6 1/2 i...
Category
1930s Ifpda International Fine Print Dealers Association
Materials
Woodcut
Untitled I, II, III
By Robert Mangold
Located in New York, NY
numbered and signed lower margin
S&S Cat. no. 2007.01
edition 6/30
Published by Simmelink/Sukimoto Editions, Kingston, New York
Associated with the Minimalist art movement of the 1...
Category
Early 2000s Abstract Geometric Ifpda International Fine Print Dealers Association
Materials
Etching, Aquatint
Olkia-1
By Victor Vasarely
Located in Fairlawn, OH
Olkia-1
Color lithograph, 1962
Signed dated and numbered in lower margin
Edition: 80 (32/80)
Condition: Very good. White pigment appears to have been added along the border of the ov...
Category
1960s Op Art Ifpda International Fine Print Dealers Association
Materials
Lithograph
PKZ [Man in Blue Suit].
By Ernst A Kretchmamm
Located in New York, NY
PKZ .Man in Blue Suit. 1924, Color lithograph. Linen backed.
PKZ has and still is an important department store in Zurich, Switzerland. PKZ was one of the...
Category
1920s Art Deco Ifpda International Fine Print Dealers Association
Materials
Lithograph
![PKZ [Man in Blue Suit].](https://a.1stdibscdn.com/archivesE/upload/a_2922/1456960678772/Kretschmann_PKZmansmoking_master.jpg?width=240 "pkz man")
THE FORGE - Rich Drypoint
By James Abbott McNeill Whistler
Located in Santa Monica, CA
JAMES ABBOTT MCNEIL WHISTLER (1834 – 1903)
THE FORGE 1866 (Kennedy. 68 iv/vi: Glascow 86 vi/vi)
Etching and drypoint. Signed and dated in the plate 1866. VERY GOOD IMPRESSION WITH...
Category
Late 19th Century Impressionist Ifpda International Fine Print Dealers Association
Materials
Drypoint
Yellow Journal
By Frank Stella
Located in London, GB
Lithograph, 1982, on white Arches Cover, mould-made paper, signed and dated an AP aside the edition of 50, published by Tyler Graphics Ltd., Bedford Village, NY, sheet: 133.5 x 97.8 ...
Category
1980s Minimalist Ifpda International Fine Print Dealers Association
Materials
Lithograph
'Descente de Croix' (Descent from the Cross) — 1920s French Cubism
By Albert Gleizes
Located in Myrtle Beach, SC
Albert Gleizes, 'Descente de Croix', color pochoir, 1928, edition c. 50. Signed and dated in pencil. A fine, painterly impression, with fresh colors, on heavy, cream wove paper; the full sheet with margins (3 to 4 inches), in very good condition. The publisher's ink stamp 'EDITIONS MOLY-SABATA' beneath the image, lower left. Matted to museum standards, unframed.
Image size 12 x 14 inches (305 x 356 mm); sheet size 18 x 22 inches (457 x 559 mm).
ABOUT THE IMAGE
After the 1927 painting 'Descente de Croix', one of three religious-themed works that Gleizes developed as preliminaries for murals at the church at Serrières, France, the project was terminated at its final phase, and Gleizes commissioned master printer Robert Pouyaud to create prints of the paintings, closely overseeing the production.
ABOUT THE MEDIUM
Pochoir is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique.
ABOUT THE ARTIST
Albert Gleizes (1881-1953), born in Paris, France, was a pioneering figure in the development of abstract art and one of the leading proponents of Cubism. His contributions to the art world extended beyond his paintings; he was also a prolific writer and theoretician, advocating for a new approach to art that emphasized the geometric abstraction of form and a departure from representational traditions.
Gleizes initially studied painting at the Académie Julian and the École des Beaux-Arts in Paris, where he was exposed to the academic conventions of the time. However, his artistic vision was profoundly influenced by encounters with avant-garde movements, including Fauvism and the work of Paul Cézanne. These influences led Gleizes to experiment with form and color, gradually moving away from traditional representation toward a more abstract and geometric style.
After completing his secondary schooling, Gleizes spent four years in the French army and then began pursuing a career as a painter, primarily doing landscapes. Initially influenced by the Impressionists, he was only twenty-one years of age when his work titled ‘La Seine à Asnières’ was exhibited at the Société Nationale des Beaux-Arts in 1902. The following year, he was part of the first Salon d'Automne and soon came under the influence of Fernand Léger, Robert Delaunay, Jean Metzinger, and Henri Le Fauconnier. In 1907, Gleizes and some of his friends pursued the idea of creating a self-supporting community of artists that would allow them to develop their art free of any commercial concerns. For nearly a year, Gleizes , with other painters, poets, musicians, and writers, lived at a large house in Créteil, but a lack of funds forced them to give up their facility in early 1908, and Gleizes moved temporarily into La Ruche, the artist commune in the Montparnasse Quarter of Paris.
In the early 1910s, Gleizes became associated with the Cubist movement, which was spearheaded by artists such as Pablo Picasso and Georges Braque...
Category
1920s Cubist Ifpda International Fine Print Dealers Association
Materials
Stencil
Four Knots
By Richard Smith
Located in London, GB
Edition of 50
71 x 76 cm (28 x 30 ins)
RSE023
Category
1970s Abstract Ifpda International Fine Print Dealers Association
Materials
Etching
L'escargot
By Henri Matisse
Located in London, GB
Lithograph in colours based on the cut-out of the same title, 1952
From 'Verve' Magazine Volume IX, Nos 35 & 36: 'Dernières Oeuvres de Matisse 1950-54'
Pr...
Category
1950s Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
Drawn from Dust
Located in Lyons, CO
Terry Maker makes three-dimensional works that get to the “guts” of the materials used, such as discarded shoes, vinyl records, candy dust and shredded doc...
Category
2010s Abstract Ifpda International Fine Print Dealers Association
Materials
Lithograph
'Bird Abstraction' — Mid-Century Modernism
Located in Myrtle Beach, SC
Stephen Harty, Untitled (Bird Abstraction), gouache, 1953. Signed and dated lower left. A fine, meticulously rendered, mid-century, modernist gouache painting, with fresh colors on 1...
Category
1950s American Modern Ifpda International Fine Print Dealers Association
Materials
Gouache
Double Trouble or Anthropology of the Clone
By Enrique Chagoya
Located in Lyons, CO
Color lithograph with collage, Edition 30
Enrique Chagoya makes paintings and prints about the changing nature of culture. “My artwork is a conceptual fusion of opposite cultural re...
Category
Early 2000s Contemporary Ifpda International Fine Print Dealers Association
Materials
Lithograph
Titre pour "Le Sourire"
By Paul Gauguin
Located in London, GB
Paul Gauguin
Titre pour "Le Sourire"
1899
Woodcut
Paper size 13.8 x 21.9 cms (5 1/2 x 8 5/8 ins)
Image size 10.5 x 20.8 cms (4 1/8 x 8 1/8 ins)
Kornfeld 61
Signed in lower left corn...
Category
1890s Ifpda International Fine Print Dealers Association
Materials
Woodcut
'Expansion' — Modernist Abstraction, Atelier 17
By Stanley William Hayter
Located in Myrtle Beach, SC
Stanley William Hayter, 'Expansion', color etching and soft-ground, 1970, edition 100, Black & Moorhead 334. Signed, titled, dated, and numbered '23/50' in pencil. A superb, richly inked impression with fresh, vivid colors on heavy off-white wove paper; the full sheet with margins (2 to 2 1/2 inches), in excellent condition. Matted to museum standards, unframed.
Image size 17 1/8 x 19 7/16 inches (435 x 494 mm); sheet size 22 x 23 1/2 inches (559 x 597 mm).
This innovative graphic work was created in the first state using a plate covered with a plastic sheet; the sheet was cut, and the soft-ground texture was added. In the second state, the plate was covered again, and the sheet cut then etched with a deep bite, and a soft ground texture was added. Printed by Hector Saunier: intaglio fluorescent orange, hard roller phthalo green, soft roller transparent yellow.
Note: the online image cannot accurately convey the vibrancy of the printed fluorescent orange.
An impression of this work is held in the collection of the National Gallery of Art.
ABOUT THE ARTIST
Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17 studio in Paris, now known as Atelier Contrepoint. Among the artists he is credited with influencing are Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, and Marc Chagall.
The hallmark of the workshop was its egalitarian structure, breaking sharply with the traditional French engraving studios by insisting on a cooperative approach to labor and technical discoveries. In 1929 Hayter was introduced to Surrealism by Yves Tanguy and André Masson, who, with other Surrealists, worked with Hayter at Atelier 17. The often violent imagery of Hayter’s Surrealist period was stimulated in part by his passionate response to the Spanish Civil War and the rise of Fascism. He organized portfolios of graphic works to raise funds for the Spanish cause, including Solidarité (Paris, 1938), a portfolio of seven prints, one of them by Picasso. Hayter frequently exhibited with the Surrealists during the 1930s but left the movement when Paul Eluard was expelled. Eluard’s poem Facile Proie (1939) was written in response to a set of Hayter’s engravings. Other writers with whom Hayter collaborated in this way included Samuel Beckett and Georges Hugnet.
Hayter joined the exile of the Parisian avant-garde in 1939, moving with his second wife, the American sculptor Helen Phillips...
Category
1970s Modern Ifpda International Fine Print Dealers Association
Materials
Etching
Across the Floor.
By Frederick Mershimer
Located in New York, NY
Fred Mershimer created this piece using mezzotint and aquatint printmaking techniques with handpainted watercolor.
"Across the Floor" was printed in an edition of 120 in 2011. It ...
Category
21st Century and Contemporary American Realist Ifpda International Fine Print Dealers Association
Materials
Mezzotint
Pointed Shapes and Black Half Moon
By Werner Drewes
Located in Myrtle Beach, SC
Werner Drewes, 'Pointed Shapes and Black Half Moon', etching, 1935, edition 20, Rose l.198. Signed, dated, and numbered 'I-XX' in pencil. A fine, rich impression, in warm black ink...
Category
1930s Bauhaus Ifpda International Fine Print Dealers Association
Materials
Etching
DNA: Etching: IV
By McArthur Binion
Located in Berkeley, CA
Color aquatint.
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association
Materials
Etching
The Fan and its Surroundings, from the Global Editions Series
By Ed Ruscha
Located in London, GB
Lithograph on Rives BFK paper, torn and deckle edges
Category
Late 20th Century Pop Art Ifpda International Fine Print Dealers Association
Materials
Lithograph
Fourteenth Street. The Wigwam. (Tammany Hall).
By John Sloan
Located in Storrs, CT
1928. Etching. Morse catalog 235. state ii. Image: 9 3/4 x 7 (sheet 17 1/4 x 11 3/8). From the first printing of 100 proofs by Peter Platt. There were an additional 10 printed by Er...
Category
1920s American Modern Ifpda International Fine Print Dealers Association
Materials
Etching
$2,560 Sale Price
36% Off
Identical/Variation (red, yellow, blue)
By Amy Ellingson
Located in Lyons, CO
Color lithograph, Edition 30.
The artist describes this project:
“In early September, I made my second trip to Shark's Ink in Lyons, CO. It was wonderful to be invited back to crea...
Category
2010s Abstract Ifpda International Fine Print Dealers Association
Materials
Lithograph
Moonlight
By Howard Hodgkin
Located in London, GB
Lithograph from four aluminium plates using tusche and washes, printed in transparent red, orange and a red to orange blend, with hand colouring in ivory black watercolour and blue and green gouache. On two sheets of buff BFK Rives mould-made paper (300 gsm)
Hand-signed by artist, Signed with initials and dated 1980 in pencil, in the lower left on the left-hand sheet. Numbered in pencil in the lower right, verso
Published by Bernard Jacobson Ltd.
Exhibition History: 'Howard Hodgkin: Views. An Exhibition of Early Prints', Bernard Jacobson Gallery, London, 02 March - 02 April 2013; 'Howard Hodgkin Recollections’, Bernard Jacobson Gallery, London, 21 April - 14 May 2022
Literature: Pat Gilmour, 'Howard Hodgkin', The Print Collector's Newsletter, vol. 12, no. 1, March-April 1981, p. 5 (ill. front cover); Deborah Phillips, 'New Editions: Howard Hodgkin', ARTnews, vol. 80, no. 7, September 1981, p. 161; 'Prints by Six British Painters: Stephen Buckley...
Category
1980s Abstract Ifpda International Fine Print Dealers Association
Materials
Lithograph
Bon Fire Night Circle - In Celebration of Pride Month
Located in New Orleans, LA
1 Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community.
3 nude guys form a circle in the desert. This is number 1 from a limited edition of 12. The work is signed on the back. A book of the artists work will be published in early Spring
London-based Photographer and Graphic designer Omer Ga...
Category
2010s Surrealist Ifpda International Fine Print Dealers Association
Materials
C Print
$371 Sale Price
25% Off
Untitled (Figurative Abstraction of Isadora Duncan #7)
By Abraham Walkowitz
Located in Myrtle Beach, SC
Abraham Walkowitz, Untitled (Figurative Abstraction of Isadora Duncan #7), pencil, 1918. Signed and dated in pencil, bottom center. A fine, spon...
Category
1910s American Modern Ifpda International Fine Print Dealers Association
Materials
Pencil
Untitled (Abstraction)
By Charles Harris ( Beni Kosh )
Located in Fairlawn, OH
aka Beni Kosh
Untitled (Abstraction)
Watercolor on paper, 1970's
Unsigned
Ben Kosh Estate Stamp verso, No. 754
Condition: Very good
Sheet size: 10 5/8 x 14 9/16 inches
Provenance: Estate the Artist
Bingham & Vance, Shaker Heights...
Category
1970s Abstract Ifpda International Fine Print Dealers Association
Materials
Watercolor
IMMIGRANT FAMILY
By Ben Shahn
Located in Portland, ME
Shahn, Ben. IMMIGRANT FAMILY. Serigraph, 1941. Prescott 2. Edition size unknown; Prescott knew of only 3. This copy unsigned. 11 1/2 x 18 inches (image), 19 1/4 x 25 1/4 (sheet), framed to 23 x 28 1/4 inches. This was only the second print made by Shahn, and the first serigraph, a medium in which he continued to use for his prints throughout his career. Provenance: Kennedy Galleries, with its label, George Krevsky Gallery...
Category
1940s Ifpda International Fine Print Dealers Association
Materials
Screen
Crosshatch
Located in Storrs, CT
" "Crosshatch" is a classic example of my abstract PhotoLuminism technique. When light travels, the human eye cannot see its trails, but the camera can. Capturing images that are int...
Category
2010s Abstract Ifpda International Fine Print Dealers Association
Materials
Archival Ink, Archival Paper, Black and White
$880 Sale Price
20% Off
Ôkubo Hikozaemon Protects the Hidden Shogun Triptych
By Taiso Yoshitoshi
Located in Burbank, CA
“War Chronicles of Osaka” (Osaka gunki no uchi). Okubo Hikozaemon, raising his sword, protects the hidden Tokugawa shogun from the spear of Gorô Matabei Mototsugu in a moonlit fores...
Category
1880s Other Art Style Ifpda International Fine Print Dealers Association
Materials
Mulberry Paper, Woodcut
Untitled (Nude with Buildings)
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, Untitled (Nude with Geometric Forms), lithograph, edition 250, 1929. Signed and numbered 8 in pencil. Number 8 of Volume 1, a series of 10 lithographs published b...
Category
1920s Art Deco Ifpda International Fine Print Dealers Association
Materials
Lithograph
Ne sommes-nous pas forçats? (Are we not Slaves?)
By Georges Rouault
Located in Fairlawn, OH
Ne sommes-nous pas forçats? (Are we not Slaves?)
Aquatint and heliogravure on Arches laid paper watermarked "Ambroise Vollard"
Signed and dated in the plate lower left (see photo)
P...
Category
1920s French School Ifpda International Fine Print Dealers Association
Materials
Aquatint
Orofena, from Imaginary Places III
By Frank Stella
Located in London, GB
Lithograph, screenprint, etching and aquatint printed in colours, with relief, 1998, signed in pencil, dated, numbered from the edition of 55 (there were also 14 artist's proofs), with the publisher's blindstamp, Tyler Graphics, Ltd., Mount Kisco, 54.6 x 55.2 cm. (21½ x 21¾ in.)
Catalogue Raisonne: Axsom 252
Over a period of four years, Stella created a body of prints whose titles all came from ‘The Dictionary of Imaginary Places’ by Alberto Mangual and Gianni Guadalupi. Each work from this series is recognisable for its teaming compositions of twisting, colliding and knotted forms. The shapes appear to spill out of their sheet, seemingly trying to escape their frames. As he had done since the ‘Swan Engravings...
Category
1990s American Modern Ifpda International Fine Print Dealers Association
Materials
Etching, Aquatint, Lithograph, Screen
Marguerite III
By Henri Matisse
Located in London, GB
Lithograph on Arches Velin paper, Edition of 25
Paper size: 45 x 32 cms (17 5/8 x 12 5/8 ins)
Image size: 30 x 22.8 cms (11 3/4 x 9 ins)
Category
1940s Impressionist Ifpda International Fine Print Dealers Association
Materials
Lithograph
The Dutiful Youth of Mino Province Collecting Wood to Warm His Old Father
By Utagawa Kuniyoshi
Located in Fairlawn, OH
The Dutiful Youth of Mino Province Collecting Wood to Warm His Old Father
Color woodcut, c. 1842-43
Signed and sealed lower right (see photo)
From the Series: "Honcho nijushi-ko" (Tw...
Category
1840s Other Art Style Ifpda International Fine Print Dealers Association
Materials
Woodcut
Sportsmen
By Louis Legrand
Located in Storrs, CT
Sportsmen. 1908. Etching and drypoint. Exsteens 271.i/ii. 11 1/4 x 5 3/4 (sheet 17 3/8 x 12 1/4). Series: Les Bars. From the first state edition of 30 proofs with the remarque sketch...
Category
Early 1900s Post-Impressionist Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching
$800 Sale Price
54% Off
Ramblas
By Helen Frankenthaler
Located in London, GB
Lithograph, drypoint, etching in colours, 1987/88, on handmade wove paper, signed in pencil, numbered from the edition of 75, printed and published by Polígrafa Obra Gráfica, Barcelo...
Category
1980s Abstract Expressionist Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching, Lithograph
The Boy Botaro and his Nurse Otsuji and a Lotus Pond
By Taiso Yoshitoshi
Located in Burbank, CA
The boy Bôtarô watches his nurse Otsuji haul a bucket of water from the well. From the kabuki play Osanago no adauchi. Most interesting is the lush backdrop of lotus flowers and pump...
Category
1880s Other Art Style Ifpda International Fine Print Dealers Association
Materials
Mulberry Paper, Woodcut
Color Aquatint
By Victor Mignot
Located in New York, NY
Ca. 1900. Original color aquatint. Very fine impression on cream laid Arches paper, signed in pencil lower right and numbered. No. 16 of 30 impressions. Full Margins. 17 1/2 x 12" Im...
Category
Early 1900s Art Nouveau Ifpda International Fine Print Dealers Association
Materials
Aquatint
J is for James Dean
By Peter Blake
Located in London, GB
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.
Category
1990s Pop Art Ifpda International Fine Print Dealers Association
Materials
Screen
Les Marionettes I — Erotic Surrealism
By Hans Bellmer
Located in Myrtle Beach, SC
Hans Bellmer, Les Marionettes I, etching with hand coloring, 1969, edition 150. Signed and annotated 'HC' in pencil. A fine impression on brown Roma hand-made laid paper; the full sheet with margins (1 to 2 5/8 inches), in excellent condition. Archivally sleeved, unmatted.
Image size 11 13/16 x 11 1/8 inches; sheet size 15 5/8 x 13 1/4 inches.
A 'Hors Commerce' impression. From a suite of 11 etchings created by Bellmer to illustrate 'On the Marionette Theatre...
Category
1960s Surrealist Ifpda International Fine Print Dealers Association
Materials
Etching
Lower East Side Crowd
By Abraham Walkowitz
Located in Fairlawn, OH
Lower East Side Crowd
Ink and ink wash on paper, c. 1910
Signed in ink lower center edge (see photo)
Signed with the initials lower right corner (see p...
Category
1910s American Modern Ifpda International Fine Print Dealers Association
Materials
Ink
"Crossing the River: Chasing"
Located in Lyons, CO
Color lithograph, Edition 30.
Known for paintings based on historical Chinese photographs, Hung Liu's subjects over the years have been prostitutes, refugees, street performers, s...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association
Materials
Lithograph
Assembly (Dogpile for Duccio)
By Matt Kleberg
Located in Houston, TX
Matt Kleberg
Assembly (Dogpile for Duccio), 2024
Carborundum relief print on joined sheets
36 1/2 x 50 in (92.7 x 127 cm)
Edition of 8
Co-published by Farrington Press and Josh Paz...
Category
21st Century and Contemporary Abstract Ifpda International Fine Print Dealers Association
Materials
Color
Lambs Ears III
By Robert Kushner
Located in Lyons, CO
Color monotype with collage.
Category
2010s Contemporary Ifpda International Fine Print Dealers Association
Materials
Monotype
The Season's Encounter
By Mark Tobey
Located in Fairlawn, OH
The Season's Encounter
Signed, dated and numbered in the lower margin
Edition: 20 (16/20)
Signed, dated and numbered in the lower margin
Condition: Mint, flawless
Image: 17 3/4 x 13 ...
Category
1960s Abstract Ifpda International Fine Print Dealers Association
Materials
Lithograph
Original Painting for a Japanese Magazine Cover or Romance Novel
By Tatsumi Shimura
Located in Burbank, CA
Painting for a Japanese magazine cover, or possibly a romance novel. One can infer from the dramatic juxtaposition that it may have been designed for a s...
Category
1960s Showa Ifpda International Fine Print Dealers Association
Materials
Paint, Paper
$2,800 Sale Price
26% Off
'Chion-in Temple Gate' from 'Eight Scenes of Cherry Blossoms' — Jizuri Seal
By Hiroshi Yoshida
Located in Myrtle Beach, SC
Hiroshi Yoshida, 'Chion-in Temple Gate (Sunset)' from the series 'Eight Scenes of Cherry Blossoms (Sakura hachi dai: Sakura mon)', color woodblock print, 1935. Signed in brush 'Yoshida' and in pencil 'Hiroshi Yoshida'. A superb, early impression, with fresh colors; the full sheet with margins, on cream Japan paper; an area of slight toning in the top right sheet corner, not affecting the image, otherwise in excellent condition. Marked with a jizuri (self-printed) seal, upper left margin. Self-published by the artist.
Image size 9 5/8 x 14 3/4 inches (444 x 375 mm); sheet size 10 7/8 x 16 inches (276 x 406 mm). Archivally sleeved, unmatted.
Provenance: M. Nakazawa, Tokyo.
Literature: Japanese Landscapes of the 20th Century (Hotei Publishing calendar), 2001, May.
Collections: Honolulu Museum of Art, Museum of Fine Arts, Boston.
ABOUT THE IMAGE
Located in Kyoto, Chionin is the main temple of the Jodo sect of Japanese Buddhism, one of the most popular Buddhist sects in Japan, having millions of followers. The Sanmon Gate, Chionin's entrance gate, standing 24 meters tall and 50 meters wide, it is the largest wooden temple gate in Japan and dates back to the early 1600s. Behind the gate, a broad set of stairs leads to the main temple grounds.
ABOUT THE ARTIST
Painter and printmaker Yoshida Hiroshi (1876-1950) is regarded as one of the greatest artists of the Japanese 'shin hanga' (New Print) movement.
Yoshida was born as the second son of Ueda Tsukane in Kurume, Fukuoka Prefecture, a schoolteacher from an old samurai family. In 1891 he was adopted by his art teacher Yoshida Kasaburo in Fukuoka and took his surname. In 1893 he went to Kyoto to study painting, and the following year to Tokyo to join Koyama Shotaro's Fudosha private school; he also became a member of the Meiji Fine Arts Society. These institutions taught and advocated Western-style painting, greatly influencing Yoshida’s artistic development.
In 1899 Yoshida had his first American exhibition at Detroit Museum of Art (now Detroit Institute of Art), making the first of many visits to the US and Europe. In 1902 he helped reorganize the Meiji Fine Arts Society, renaming it the Taiheiyo-Gakai (Pacific Painting...
Category
1930s Showa Ifpda International Fine Print Dealers Association
Materials
Woodcut
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Category
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Materials
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Untitled
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64.8 x 46.3 cms (25 1/2 x 19 ins)
Edition of 3
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Signed lower left, numbered lower left.
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The Compensatory Motif in the Libidinal Economy of a Painter's Bad Inconscience
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In his paintings, drawings and prints, Manuel Ocampo uses inconsistency, contradiction and reversals to explore a colonial heritage...
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Materials
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By Percival Gaskell
Located in Myrtle Beach, SC
Percival Gaskell, 'Sunset - Ardgour", aquatint, edition not stated, c. 1920. A superb, atmospheric impression, in brown/black ink, on cream wove paper; the full sheet with margins (2 to 3 inches), in excellent condition. Signed, titled, and numbered '2' in pencil. Matted to museum standards, unframed.
Ardgour is a district of Lochaber on Ardnamurchan peninsula on the western shore of Loch Linnhe...
Category
1920s Post-Impressionist Ifpda International Fine Print Dealers Association
Materials
Aquatint
