Ifpda International Fine Print Dealers Association
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Atlas Cornice Drawings 2 —Vienna Secessionist
By Heinrich Brad Schmidt
Located in Myrtle Beach, SC
Two early 20th-century Vienna Secessionist, male nude cornice drawings. Graphite on pale blue/grey wove drawing paper, spot glued by the artist to ...
Category
1920s Vienna Secession Ifpda International Fine Print Dealers Association
Materials
Pencil
Lion Défendant sa Proie (Lion Defending Its Prey) — Atelier 17
By Joseph Hecht
Located in Myrtle Beach, SC
Joseph Hecht, 'Lion Défendant sa Proie (Lion Defending Its Prey)', engraving, 1931, edition 50, Tonneau-Ryckelynck & Plumart 215. Signed and numbered '18/50' in pencil. A fine impres...
Category
1930s Modern Ifpda International Fine Print Dealers Association
Materials
Engraving
Vive le Vin
By Hippolyte Bellangé
Located in Fairlawn, OH
Medium: Lithograph with tint stone
Dimensions: Sheet: 13 3/4 x 10 1/2" (34.80 x 26.70 cm); Mat: 20 x 16"
Publisher: G. Engelmann
References And Exhibitions:
Published by G. Engelmann
Reference: Beraldi p. 17Medium: Lithograph with tint stone
Dimensions: Sheet: 13 3/4 x 10 1/2" (34.80 x 26.70 cm); Mat: 20 x 16"
Publisher: G. Engelmann
References And Exhibitions:
Published by G. Engelmann
Reference: Beraldi p. 17
Medium: Lithograph with tint stone
Dimensions: Sheet: 13 3/4 x 10 1/2" (34.80 x 26.70 cm); Mat: 20 x 16"
Publisher: G. Engelmann
References And Exhibitions:
Published by G. Engelmann
Reference: Beraldi p. 17
Joseph Louis Hippolyte Bellangé (17 January 1800 – 10 April 1866) was a French battle painter and printmaker. His art was influenced by the wars of the first Napoleon, and while a youth, he produced several military drawings...
Category
1820s Romantic Ifpda International Fine Print Dealers Association
Materials
Lithograph
Plate LXXVIII Pears (Valley, Petit Russelet, Doyenne, or Saint Michael, ...
By George Brookshaw
Located in Fairlawn, OH
Plate LXXVIII Pears (Valley, Petit Russelet, Doyenne, or Saint Michael, and the Russselet de Rheims, or Gross Russelet varities).
Aquatint, engraving with some st...
Category
Early 1800s English School Ifpda International Fine Print Dealers Association
Materials
Aquatint
Building a Babylon, Tudor City, NY.
By Martin Lewis
Located in Storrs, CT
McCarron 76. 12 7/8 x 7 7/8 (sheet 16 5/8 x 12 1/4). 6th trial proof (McCarron records 84 impressions including 4 trial proofs). Illustrated L'Amérique de la Dépression: Artistes En...
Category
Early 20th Century American Modern Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching
$11,000 Sale Price
26% Off
Untitled (Plate 1) DLM
By Alexander Calder
Located in Fairlawn, OH
Untitled (Plate 1) DLM
Color lithograph, 1963
Unsigned and unnumbered (as usual)
From: Derriere le Miroir, No. 141
Published by A. Maeght, Paris
Image/sheet size: 14 7/8 x 11 inches...
Category
1960s American Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
(HUNTERS WITH REFLECTIONS) - RICH IMPRESSION
By Levon West
Located in Santa Monica, CA
LEVON WEST (1900 - 1968)
(Untitled) - HUNTERS with REFLECTIONS. ca 1925
Etching, signed and numbered 22, lower left. Plate, 13 1/2 x 10 1/2 inches. Sheet 15 3/4 x 11 3/4 inches. ...
Category
1920s American Impressionist Ifpda International Fine Print Dealers Association
Materials
Etching
$600 Sale Price
29% Off
HORSE FRIGHTENED BY LIGHTNING - Proof imp - One of Sheet's Most Important Prints
By Millard Sheets
Located in Santa Monica, CA
MILLARD SHEETS (1987 – 1989)
HORSE FRIGHTENED BY LIGHTNING, 1939
Lithograph signed in pencil, annotated “TRIAL PROOF”. The published edition is 75. Image, 17 x 22”. Sheet 19 ½” x 2...
Category
1930s American Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
THE BURRO STATION - Large Etching with Incredible Detail. One of a Pair
By Reynold Weidenaar
Located in Santa Monica, CA
REYNOLD WEIDENAAR (1915 - 1985)
THE BURRO STATION, 1946, Etching and drypoint on paper, Signed and titled in pencil from an edition of unknown size. Plate: 17" x 13": Sheet: 20.75" x 15.75". One of a pair of large format Mexican etchings...
Category
1940s American Realist Ifpda International Fine Print Dealers Association
Materials
Etching
Dark House
By Earl Horter
Located in New Orleans, LA
Dark House is a soft-ground etching with aquatint signed in pencil by the artist. This image is in the collection of the Detroit Institute of the Arts
Printmaker Earl Horter, born in 1881 in Germantown, Pennsylvania, was known for his realistic etchings and aquatints of urban scenes, though he was also an illustrator and painter. As a teenager, he engraved stock certificates. He was essentially self-taught, though he did take an etching class when he moved to New York City in 1903 to work for an advertising agency. Horter had a one-man show in 1916 in New York City at the Frederick Keppel and Company gallery. He was given the exhibition by Carl Zigrosser, later the first Curator of Prints and Drawings at the Museum of Modern Art. Horter was back in Philadelphia in 1917, where he would remain until his death in 1940. He worked there as art director for the N. W. Ayer advertising firm from 1917-1923.
Horter was a member of the Society of Illustrators. He exhibited at the Pan American Exposition in 1915 in San Francisco, California; the Art Institute of Chicago, Illinois; and the Philadelphia Print Club's National Exhibition of Prints; as well as Corcoran Gallery biennials from 1935 to 1939, in Washington, D.C. Horter is listed in "Mantle Fielding's Dictionary of American Artists"; "Who Was Who in American Art"; and Mallett's "Index of Artists".
Though not a man of extraordinary means, Horter was a lover of modernist art, which he gradually purchased, creating an important collection, well ahead of its time in America, of Cubist and Precisionist works, as well as African sculpture and Native American artifacts. Artists Horter collected include Europeans Picasso, Braque, Duchamp and Brancusi, and Americans Charles Sheeler and Arthur B. Carles. He was a friend of Carles, as well as other artists and collectors such as Leopold Stokowski, conductor of the Philadelphia Orchestra; Franklin Watkins; S. S. White; and Carroll Tyson...
Category
1930s American Modern Ifpda International Fine Print Dealers Association
Materials
Etching
$217 Sale Price
56% Off
'Exhortation' (Priest) — Mid-Century Modernism
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon 'Exhortation (Priest)', color serigraph, 1957, edition 28, Ryan 72. Signed, titled, and numbered '21/28' in pencil. A superb, richly-inked impression, with strong color...
Category
Mid-20th Century American Modern Ifpda International Fine Print Dealers Association
Materials
Screen
Miracle
By Marino Marini
Located in Santa Monica, CA
MARINO MARINI (1901-1980)
MIRACLE - Etching, Signed and numbered 70 / 75 in pencil. Image 15 ½ x 10 ½ inches,. Full sheet 22 3/8 x 15 inches with deckle edges.
Plate IV of the serie...
Category
1970s Abstract Impressionist Ifpda International Fine Print Dealers Association
Materials
Etching
Untitled (Nike)
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, Untitled (Nike), lithograph, edition 250, 1929. Signed and numbered 1 in pencil. Number 1 of Volume 1, a series of 10 lithographs in each of 2 portfolios, publish...
Category
1920s Art Deco Ifpda International Fine Print Dealers Association
Materials
Lithograph
Spring Landscape with house and figure
By Louis Oscar Griffith
Located in Fairlawn, OH
Spring Landscape with house and figure
A preliminary watercolor for a color aquatint, illustrated on line, title unknown
Signed lower left in block letters (see photo)
Watercolor and...
Category
1920s American Impressionist Ifpda International Fine Print Dealers Association
Materials
Watercolor
Madonna and Child and Saint with Two Angels
Located in Chicago, IL
This confidently executed drawing is a study related to Maratta’s painting La Vergine appare a S.Stanislao Kotska 1687 in the second chapel to the right, in the church of S. Andrea a...
Category
17th Century Old Masters Ifpda International Fine Print Dealers Association
Materials
Chalk
Wake on the Ferry.
By John French Sloan
Located in Storrs, CT
Wake on the Ferry. 1949. Etching. Morse catalog 313. state v. 5 x 7 (sheet 8 3/4 x 11 7/8). Edition of 350: 200 for the Art Students League and 150 for the artist. A fine impression ...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Etching
$1,750 Sale Price
22% Off
Ocelot by Audubon
By John James Audubon
Located in New York, NY
Original stone lithograph with hand-coloring from "The Quadrupeds of North America. Octavo Edition" by John James Audubon. Plate LXXXVI. P...
Category
1850s Ifpda International Fine Print Dealers Association
Materials
Paper
'Astral Comic' — Modernist Abstraction
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon 'Astral Comic', color serigraph, 1978, edition 25, Ryan 12. Signed, titled, and annotated 'Edition 25' in pencil. A superb, painterly impression, with fresh colors, on ...
Category
1970s Abstract Ifpda International Fine Print Dealers Association
Materials
Screen
'Mokihana (Hawaii)' — Classic Polynesian Portrait
Located in Myrtle Beach, SC
John Melville Kelly, 'Mokihana (Hawaii)', drypoint, 1946. Signed, titled, and annotated 'No 5' in pencil. A superb, finely nuanced impression, in dark brown ink, on cream wove Japan ...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Drypoint
untitled (Color collage)
By Edward Landon
Located in Fairlawn, OH
Untitled
Printed paper collage elements on cardboard, 1960
Signed in pencil lower right
Condition: Excellent
Board size: 13 3/8 x 15 1/2 inches
Provenance: Estate of the Artist
...
Category
Mid-20th Century Abstract Geometric Ifpda International Fine Print Dealers Association
Materials
Mixed Media
'L' Abside de Notre Dame' — Vintage 1920s Paris, Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'L' Abside de Notre Dame' (The Apse of Notre Dame), etching, 1st state, c. 1927. Signed, titled, and annotated 'First State', in pencil. A supe...
Category
1920s Realist Ifpda International Fine Print Dealers Association
Materials
Etching
'A Visit to the King of the Waters' — Graphic Modernism
By Fritz Eichenberg
Located in Myrtle Beach, SC
Fritz Eichenberg, 'A Visit to the King of the Waters' from the suite 'The Adventurous Simplicissimus', wood engraving, 1977, artist's proof apart from the edition of 50. Signed in pencil. Signed in the block, lower right. A fine, richly-inked impression, on cream wove paper, with full margins (1 1/2 to 2 inches), in excellent condition. Image size 14 x 12 inches (356 x 305 mm); sheet size 17 1/2 x 15 inches (445 x 381 mm). Archivally sleeved, unmatted.
ABOUT THIS WORK
'Simplicius Simplicissimus' (German: Der abenteuerliche Simplicissimus Teutsch) is a picaresque novel of the lower Baroque style, written in five books by Hans Jakob Christoffel von Grimmelshausen published in 1668, with the sequel Continuatio appearing in 1669.
The novel is told from the perspective of its protagonist Simplicius, a rogue or picaro typical of the picaresque novel, as he traverses the tumultuous world of the Holy Roman Empire during the Thirty Years' War. Raised by a peasant family, he is separated from his home by foraging dragoons. He is adopted by a hermit living in the forest, who teaches him to read and introduces him to religion. The hermit also gives Simplicius his name because he is so simple that he does not know his own name. After the death of the hermit, Simplicius must fend for himself. He is conscripted at a young age into service and, from there, embarks on years of foraging, military triumph, wealth, prostitution, disease, bourgeois domestic life, and travels to Russia, France, and an alternate world inhabited by mermen. The novel ends with Simplicius turning to a life of hermitage, denouncing the world as corrupt.
ABOUT THE ARTIST
Fritz Eichenberg (1901–1990) was a German-American illustrator and arts educator who worked primarily in wood engraving. His best-known works were concerned with religion, social justice, and nonviolence.
Eichenberg was born to a Jewish family in Cologne, Germany, where the destruction of World War I helped to shape his anti-war sentiments. He worked as a printer's apprentice and studied at the Municipal School of Applied Arts in Cologne and the Academy of Graphic Arts in Leipzig, where he studied under Hugo Steiner-Prag. In 1923 he moved to Berlin to begin his career as an artist, producing illustrations for books and newspapers. In his newspaper and magazine work, Eichenberg was politically outspoken and sometimes wrote and illustrated his reporting.
In 1933, the rise of Adolf Hitler drove Eichenberg, who was a public critic of the Nazis, to emigrate with his wife and children to the United States. He settled in New York City, where he lived most of his life. He worked in the WPA Federal Arts Project and was a member of the Society of American Graphic Artists.
In his prolific career as a book illustrator, Eichenberg portrayed many forms of literature but specialized in works with elements of extreme spiritual and emotional conflict, fantasy, or social satire. Over his long career, Eichenberg was commissioned to illustrate more than 100 classics by publishers in the United States and abroad, including works by renowned authors Dostoyevsky, Tolstoy, Charlotte and Emily Brontë, Poe, Swift, and Grimmelshausen. He also wrote and illustrated books of folklore and children's stories.
Eichenberg was a long-time contributor to the progressive magazine The Nation, his illustrations appearing between 1930 and 1980. Eichenberg’s work has been featured by such esteemed publishers as The Heritage Club, Random House, Book of the Month Club, The Limited Editions Club, Kingsport Press, Aquarius Press, and Doubleday.
Raised in a non-religious family, Eichenberg had been attracted to Taoism as a child. Following his wife's unexpected death in 1937, he turned briefly to Zen Buddhist meditation, then joined the Religious Society of Friends in 1940. Though he remained a Quaker until his death, Eichenberg was also associated with Catholic charity work through his friendship with Dorothy Day...
Category
1970s American Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut
Cosca II “VP 100”
By Victor Vasarely
Located in Fairlawn, OH
Cosca II “VP 100”
Screen print, 1982
Signed and numbered by the artist (see photo of signature)
Edition: 325 plus 65 Vasarely Foundation (127/325)
Editor: no editor/publisher is prov...
Category
1980s Op Art Ifpda International Fine Print Dealers Association
Materials
Screen
BROWN TROUT
By Neil Welliver
Located in Portland, ME
Welliver, Neil. BROWN TROUT. Etching and aquatint, 1978. Edition of 50. Signed and numbered 16/50, and signed in pencil. 26 1/2 x 36 13/16 inches (sheet). ...
Category
1970s Ifpda International Fine Print Dealers Association
Materials
Etching, Aquatint
Profile of an African Woman —1920s Modernism
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, Untitled (Profile of an African Woman), lithograph, edition 250, 1929. Signed and numbered 15 in pencil. Number 15 of Volume 2, a series of 10 lithographs publish...
Category
1920s American Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
$760 Sale Price
20% Off
Rehearsal, "Long Day's Journey Into Night" — Mid-Century American Impressionism
By Robert Philipp
Located in Myrtle Beach, SC
Robert Philipp, 'Rehearsal, "Long Day's Journey Into Night" ', color pastel, c. 1957. Unsigned. A fine, atmospheric rendering, on warm gray charcoal paper; a reinforced crease (1/2 inch) across the bottom left sheet corner; otherwise in very good condition. Image and sheet size 17 1/2 x 21 3/4 inches. Matted to museum standards, unframed.
Provenance: Art Students League, from the artist’s personal portfolio.
ABOUT THE ARTIST
Robert Philipp (1895–1981) was a celebrated American Post-Impressionist painter known for his nudes, still lifes, and portraits. Noted art critic Henry McBride named Philipp one of America's top six painters of his generation. Philipp was an instructor of painting at the Art Students League, New York, for 33 years. Philipp was Secretary of the National Academy of Design, a National Academician, and a Benjamin Franklin Fellow at the Royal Society of Arts in London. His composition and painting style has been compared to the art of Edgar Degas and Pierre Auguste Renoir.
In 1940, Philipp was invited to Los Angeles by Hollywood producer Louis B. Mayer to paint portraits of Metro-Goldwyn-Mayer movie stars. The same year, Walter Wanger, producer of ‘The Long Voyage Home’, directed by John Ford and based on plays by Eugene O'Neill, contracted with Reeves Lewenthal, head of the Associated American Artists gallery in Manhattan, to bring nine well-known artists to the set and paint scenes from the movie and portraits of the actors in character. The artists included Robert Philipp, Thomas Hart Benton, Grant Wood, Ernest Fiene, George Schreiber, Luis Quintanilla...
Category
1950s American Impressionist Ifpda International Fine Print Dealers Association
Materials
Pastel
'The Serenade' — Fin-de-siècle French Romantic Eroticism
By Louis Legrand
Located in Myrtle Beach, SC
Louis Legrand, 'The Serenade', soft-ground etching, drypoint, and aquatint, c. 1895, edition 20. Signed and numbered '9/20' in pencil. Annotated '20 proofs taken' in pencil, bottom l...
Category
1890s Post-Impressionist Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching, Aquatint
$960 Sale Price
20% Off
Getting Ready for the Revolution - Learning How to Ride in the Subway
By Adolf Arthur Dehn
Located in Fairlawn, OH
Getting Ready for the Revolution - Learning How to Ride in the Subway
Litho crayons on illustrator’s board, c. 1932
Signed: Adolf Dehn (VED) lower right corner (signed by Virginia Dehn, the artist’s widow)
Tilted along the upper edge of the recto in pencil by the artist
Verso inscriptions: “VF 3168.D” in a circle, also annotated in red pencil “32” in a circle and “699
Provenance:
Mary Ryan Gallery, exhibition entitled Adolf Dehn Lithographs, 1927-1940, Nov. 16 to Dec. 12, 1982. The original exhibition notice us affixed to the backing board of the frame
Note: A drawing intended or used in the publication Vanity Fair, for whom Dehn worked in the mid 1920’s to the 1930’s.
Adolf Dehn, American Watercolorist and Printmaker, 1895-1968
Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art.
In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic “little magazines” such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art.
If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques.
Early Years, 1895-1922
For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs...
Category
1930s American Modern Ifpda International Fine Print Dealers Association
Materials
Oil Crayon
Pair of Shell Watercolors
Located in New York, NY
Pair of original 19th Century watercolors displayed in custom w=k black stained frames.
Category
19th Century Ifpda International Fine Print Dealers Association
Materials
Paper, Watercolor
'Foul Rope (Left)' — Early American Southwest Rodeo
By William Robinson Leigh
Located in Myrtle Beach, SC
William Robinson Leigh, 'Foul Rope (Left)', etching, c. 1920, edition unknown but small. Signed in pencil and signed in the plate, lower left. A superb, richly-inked impression, in dark brown ink, on buff wove Umbria paper, the full sheet with margins (1 1/2 to 2 3/4 inches); slight toning at the sheet edges, otherwise in excellent condition. Very scarce. Archivally matted to museum standards, unframed.
Image size 14 7/8 x 11 15/16 inches (378 x 303 mm); sheet size 20 3/8 x 15 3/8 inches (518 x 391 mm).
ABOUT THE ARTIST
Born near Falling Waters, West Virginia, on a plantation a year after the Civil War and raised in Baltimore, William Robinson Leigh (1866 - 1955) became one of the foremost painters of the American West. His career spanning some seventy-five years, Leigh created some of the most iconic depictions of the Western landscape, with admirers referring to him as ‘The Sagebrush Rembrandt.’
The son of impoverished Southern aristocrats, Leigh received his first art training at age 14 from Hugh Newell at the Maryland Institute, where he was regarded as the best student in his class. From 1883 to 1895, he studied in Europe, mainly at the Royal Academy in Munich with Ludwig Loefftz. From 1891 to 1896, he painted six cycloramas or murals in the round, a giant German panorama.
In 1896, Leigh began working as a magazine illustrator for Scribner's and Collier's Weekly Magazine in New York City. He also painted portraits, landscapes, and genre scenes.
Leigh's trips to the Southwest began in 1906 when he agreed to paint the Grand Canyon with William Simpson, Santa Fe Railway advertising manager, in exchange for free transportation West. In 1907, he completed his Grand Canyon painting, which led to more commissions and an extensive painting trip through Arizona and New Mexico. These travels inspired him to paint western subjects for the next 50 years, and his primary interests were the Hopi and Navajo Indians.
In 1910, he traveled to Wyoming, where he painted in Yellowstone Park and created sketches, many of which he later converted into large canvases such as ‘Lower Falls of the Yellowstone’ (1915) and ‘Grand Canyon of the Yellowstone’ (1911).
In 1926, he traveled to Africa at the invitation of Carl Akeley for the American Museum of Natural History, and from this experience, wrote and illustrated 'Frontiers of Enchantment: An Artist's Adventures in Africa'. In 1933, he wrote and illustrated 'The Western Pony'. His adventures were chronicled in several popular magazines, including Life, the Saturday Evening Post, and Colliers.
For many years, Grand Central Art Galleries at the Biltmore Hotel handled his work exclusively in New York. In 1953, Leigh was elected an associate member of the National Academy of Design and became a full Academician in 1955.
In March 1999, the Historical Center of Cody, Wyoming, held an exhibition of his field sketches and finished works depicting his experiences near Cody early in the century. Between 1910 and 1921, when he often painted in the Carter Mountain vicinity, these years were considered pivotal to his artistic development and devotion to the Western landscape.
Leigh's work is held in many museum collections of American Western art...
Category
1920s Realist Ifpda International Fine Print Dealers Association
Materials
Etching
The Monumental Tablet
By Giovanni Battista Piranesi
Located in Fairlawn, OH
The Monumental Tablet
Etching, engraving, drypoint and burnishing, c. 1748
Series: Grotteschi (Grotesques, 4 plates)
Original, unwashed condition. Excellent.
Second edition first is...
Category
1740s Old Masters Ifpda International Fine Print Dealers Association
Materials
Etching
JAMES AGEE, OLD FIELD POINT, LONG ISLAND, NEW YORK, 1937.
By Walker Evans
Located in Portland, ME
Evans, Walker (American, 1903–1975). JAMES AGEE, OLD FIELD POINT, LONG ISLAND, NEW YORK, 1937. Gelatin silver print.
This example was offerd at Christies in 2018; catalogued by the...
Category
1930s Ifpda International Fine Print Dealers Association
Materials
Silver Gelatin
The Deluge - JOSEPH MALLORD WILLIAM TURNER (1775 - 1851)
By Joseph Mallord William Turner
Located in Santa Monica, CA
(after) JOSEPH MALLORD WILLIAM TURNER (1775 - 1851)
THE DELUGE, 1828. Mezzotint, Engraved by I. P. Quilly after a painting by J. M.W. Turner R.A.. Image ...
Category
1820s Old Masters Ifpda International Fine Print Dealers Association
Materials
Mezzotint
$3,200 Sale Price
20% Off
The Irish Fair
By George Wesley Bellows
Located in Fairlawn, OH
Irish Fair
Lithograph, 1923
Signed and numbered in pencil by the artist (see photo)
Titled "Irish Fair" by the artist in pencil
Edition: 84
Housed in an archival frame with acid free matting (see photo)
Provenance:
Estate of the artist, Bellows Family Trust
H.V. Allison & Company (label)
Private Collection, Columbus
References And Exhibitions:
Reference: Mason 153
Note: An illustration commissioned by The Century Company for Don Byrne's novel The Wind Bloweth
Image: 18 7/8 x 21 3/8"
Frame: 29 1/2 x 30 1/2"
“Eleven on a hot July morning, and the little town...
Category
1920s Ashcan School Ifpda International Fine Print Dealers Association
Materials
Lithograph
Portrait of Albert Schweitzer.
By Arthur William Heintzelman
Located in Storrs, CT
Portrait of Albert Schweitzer. Etching. 11 3/4 x 9 3/4 (sheet 16 1/4 x 14). Illustrated: Beall, American Prints in the Library of Congress, page 205....
Category
1950s American Modern Ifpda International Fine Print Dealers Association
Materials
Etching, Drypoint
$750 Sale Price
50% Off
'Chicago Harbor' — Urban Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Chicago Harbor', etching, edition 100, c. 1927. Signed and numbered '87/100' in pencil. Annotated '580 Chicago Harbor', in another hand, in the bottom left margin. A f...
Category
1920s American Realist Ifpda International Fine Print Dealers Association
Materials
Etching
Insomnia's Green Ledge
By Terrell James
Located in Houston, TX
Terrell James
Insomnia's Green Ledge, 2022
Oil on canvas
66 x 66 in (167.6 x 167.6 cm)
Category
21st Century and Contemporary Abstract Ifpda International Fine Print Dealers Association
Materials
Canvas, Oil
The Spire -- New York
By Lawrence Wilbur
Located in Storrs, CT
The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching
$350 Sale Price
58% Off
House of Levy
By Kate Shepherd
Located in Houston, TX
Kate Shepherd
House of Levy, 2022
Oil and enamel on panel
20 x 14 1/2 in (50.8 x 36.8 cm)
JPHB 5184
Category
21st Century and Contemporary Abstract Ifpda International Fine Print Dealers Association
Materials
Enamel
'Tanks #1' — American Precisionism
By Louis Lozowick
Located in Myrtle Beach, SC
Louis Lozowick, 'Tanks #1', lithograph, 1929, edition 50, Flint 39. Signed, titled, and numbered '11/50' in pencil. Signed with the artist's monogram in the stone, lower left. A superb, richly-inked impression, on cream wove paper, the full sheet with margins (3/4 to 1 7/8 inches), in excellent condition. Matted to museum standards.
Image size 13 15/16 x 8 1/16 inches (355 x 204 mm), sheet size 15 3/4 x 11 1/4 inches (400 x 286 mm).
Exhibited: 'The American Scene: Prints from Hopper to Pollock', Stephen Coppel, The British Museum, 2008.
Literature: 'Prints and Their Creators, A World History', Carl Zigrosser, Crown Publishers Inc, 1974; 'American Lithographers...
Category
1920s American Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
Bon Fire Night (Body Terrain) - In Celebration of Pride Month
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community.
This is number 1 from a limited edition of 12.
London-based Photographer and Graphic designer Omer Ga'ash, graduated from Bezalel Academy...
Category
2010s Surrealist Ifpda International Fine Print Dealers Association
Materials
C Print
$321 Sale Price
28% Off
The Manhattan Municipal Building
By Chester B. Price
Located in Fairlawn, OH
Signed in pencil and annotated "imp" lower right; Dedicated lower left: "To Bob Nisbet from…"
Note: Desgined by William M. Kendall of McKim, Mead and White, this classical skyscra...
Category
1910s Ifpda International Fine Print Dealers Association
Materials
Drypoint
Plate VI, Le Cocu Magnifique
By Pablo Picasso
Located in Fairlawn, OH
Plate VI, Le Cocu Magnifique
etching & aquatint, 1968
Unsigned as usual
From the unsigned edition of 200 impressions printed on Rives BFK paper
There is also a signed edition of 30 i...
Category
1960s Surrealist Ifpda International Fine Print Dealers Association
Materials
Etching, Aquatint
Mary, Mary
By Helen Frankenthaler
Located in London, GB
Screenprint and offset lithograph in colours, 1987, on wove paper, signed in pencil by the artist, one of 10 printer's proofs, aside from standard edition of 72, published by Lincoln...
Category
Late 20th Century Abstract Ifpda International Fine Print Dealers Association
Materials
Offset, Screen
Ocean View Wind Patterns, Camden Maine
By Yvonne Jacquette
Located in Lyons, CO
Color lithograph, Edition 30.
Jacquette also creates compelling images of the landscape and the sea from the air or atop hills or mountains. In this colorful print she depicts a view of the Maine...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association
Materials
Lithograph
The So-Called Tempio della Tosse, Near Tivoli. Interior Upright
By Giovanni Battista Piranesi
Located in Fairlawn, OH
The So-Called Tempio della Tosse, Near Tivoli. Interior Upright (Veduta interna del Tempio della Tosse)
"Temple of the Cough"
Etching, 1764
Signed in the plate
From: Vedute di Roma...
Category
1760s Old Masters Ifpda International Fine Print Dealers Association
Materials
Etching
Bambalina (Are ornaments, decorations mere backdrop for true Christmas story)
By Francisco Souto
Located in New Orleans, LA
Souto named this image Bambalina (backstage). It is an exclusive publication of Stone and Press Gallery.
Francisco Souto was born in Venezuela. He received a BFA from Herron Schoo...
Category
21st Century and Contemporary American Modern Ifpda International Fine Print Dealers Association
Materials
Mezzotint
Untitled (Kneeling Male Nude)
By David Smith
Located in Fairlawn, OH
Untitled (Kneeling Male Nude)
Graphite on paper, c. 1930
Unsigned
Annotated in pencil verso:
"This drawing was made by David Smith in the Matulka class at A. S. L. 1931
Signed
Doroth...
Category
1930s American Modern Ifpda International Fine Print Dealers Association
Materials
Paper, Pencil
Grande masque
By Henri Matisse
Located in London, GB
Henri Matisse
Grande Masque
1948
Aquatint on Marais paper, signed in pencil and numbered 11/25, there were also 5 artist’s proofs.
Signed, dedicated "à Nadia Sednaoui" and inscribed ...
Category
1940s Modern Ifpda International Fine Print Dealers Association
Materials
Aquatint
$120,000
PAYSAGE D’ ITALIE
By Jean-Baptiste-Camille Corot
Located in Santa Monica, CA
JEAN-BAPTISTE CAMILLE COROT (1876 - 1875)
PAYSAGE D’ ITALIE 1866 (Melot 7 iii/iii)
Etching, plate 6 ¼ x 9 inches, Third state after the removal of the text but before the random scr...
Category
1860s Romantic Ifpda International Fine Print Dealers Association
Materials
Etching
Night Time in a Stable.
By Edmund Blampied
Located in Storrs, CT
Night Time in a Stable. 1927-28. Drypoint. Appleby 131. 10 1/8 x 12 1/8 (sheet 11 1/2 x 16 1/2). Edition 100. Illustrated: Print Collector's Quarterly 25 (1...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching
Study of Lucie (Ralph) Belin seated in an interior
By Edouard Vuillard
Located in Fairlawn, OH
Study of Lucie (Ralph) Belin seated in an interior
Graphite on paper, 1915
Signed with the estate stamp, Lugt 909b, the stamp faded from blue to brown (see photo)
Provenance:
Neffe-D...
Category
1910s Impressionist Ifpda International Fine Print Dealers Association
Materials
Graphite
Untitled (Nude in Landscape)
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, 'Untitled (Nude in Landscape)', lithograph, edition 250, 1929. Signed and numbered 5 in pencil. Number 5 of Volume 1, a series of 10 lithographs published by the ...
Category
1920s Art Deco Ifpda International Fine Print Dealers Association
Materials
Lithograph
$760 Sale Price
20% Off
MORNING IN YOSEMITE
By Harold Lukens Doolittle
Located in Santa Monica, CA
HAROLD L. DOOLITTLE (1883 - 1974)
MORNING IN YOSEMITE c 1938
Aquatint, signed and titled in pencil by the artist. Plate size 13 3/8 x 9 3/4". Sheet 16 x 11 1/8" with deckle edges.
Doolittle was a renaissance man. His day job was as an engineer for the Edison Electric Co. But he produced an outstanding body of prints for 5 decades as well as photographs. His very rare arts and crafts furniture is highly sought after. He was a long time member and officer in the California Print...
Category
1930s American Realist Ifpda International Fine Print Dealers Association
Materials
Aquatint
$920 Sale Price
20% Off
Untitled II
By Thomas Nozkowski
Located in New York, NY
linocut printed in 25 colors on Hahnemuhle paper
For over thirty years, Nozkowski has practiced his own form of idiosyncratic abstraction, foregoing a signature style or subject mat...
Category
2010s Abstract Ifpda International Fine Print Dealers Association
Materials
Linocut
UNTITLED
By Morris Shulman
Located in Portland, ME
Shulman, Morris (American, 1912-1978). UNTITLED. Casein on paper, circa 1951. Signed, lower left. 14 1/2 x 21 3/4 inches, framed to 23 x 30 inches. In excellent condition.
Shulman st...
Category
1950s Ifpda International Fine Print Dealers Association
Materials
Casein
LE PETIT CAVALIER SUR BOIS.
By Jean Baptiste Corot
Located in Santa Monica, CA
JEAN-BAPTISTE CAMILLE COROT (1876 - 1875)
LE PETIT CAVALIER SUR BOIS. 1854 (1921) (Delteil 42)
Cliché-verre on thin vellum. Signed in plate at bottom. 8 1/4 x 6 5/16” (sheet size)....
Category
1850s Realist Ifpda International Fine Print Dealers Association
Materials
Photographic Paper, Etching
L'Univers est créé
By Paul Gauguin
Located in London, GB
Gauguin came back to Paris in August 1893 from his first stay in Tahiti, In the luggage numerous drawings and preparatory work for a book designed by him. In collaboration with the writer Charles Morice, parts of the text "NOA NOA" were created in Paris in the winter of 1893-1894. The plan was for a preferred edition with 10 almost identical woodcuts, all of which were made in the winter of 1893-1894. According to the individual proto-prints by Gauguin, the artist left the artist to Louis Roy...
Category
1890s Ifpda International Fine Print Dealers Association
Materials
Woodcut
One Can't Tell Why - Proof from the Disasters of War
By Francisco Goya
Located in New York, NY
Francisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...
Category
1810s Old Masters Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching, Aquatint
MATTA - 10 EROTIC ETCHINGS - New School Portfolio
By Roberto Matta
Located in Santa Monica, CA
ROBERTO MATTA (Chilean 1911- 2002)
NEW SCHOOL PORTFOLIO (1943-5) (Sabatier 1-7, 4 prints not recorded by Sabatier)
Portfolio with complete set of 10 etch...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association
Materials
Etching
