Louis Conrad Rosenberg

Bowling Green, New York

1940

Louis Conrad Rosenberg, 'Mosque of the Sultan Bayazid, Constantinople', etching, 1927. Signed in pencil. Initialed and dated in the plate, lower left. A fine, richly-inked impression...

Armin Landeck, 'Studio Interior No. 1', 1935, drypoint, edition 100, Kraeft 56. Signed in pencil. Signed in the plate, lower right. A fine, richly-inked impression, on cream laid pap...

Martin Lewis, 'Tree, Manhattan', drypoint, 1930, edition 91 (including 10 trial proofs), McCarron 87. Signed in pencil. A superb, atmospheric impression, in warm black ink, on cream...

Arthur Paunzen, 'Von der Schönheit' (Of Beauty) from the suite 'Song of the Earth', etching, aquatint, and drypoint, 1920. Signed and titled in pencil. Signed in the plate, lower left. A fine, richly-inked impression, on cream, wove Japan paper; the full sheet with margins (2 1/4 to 4 1/4 inches), in good condition. Image size 12 3/8 x 9 inches; sheet size 19 5/8 x 13 5/8 inches. Matted to museum standards, unframed. ABOUT THIS WORK Pauzen’s suite of six etchings 'Das Lied von der Erde' (The Song of the Earth), published in 1920, was inspired by Gustav Mahler...

Arthur Paunzen, 'Der Trunkene im Frühling' (The Drunkard in Spring) from the suite 'Song of the Earth', etching, aquatint, and drypoint, 1920. Signed and titled in pencil. Signed in the plate, lower right. A fine, richly-inked impression, on cream, wove Japan paper; the full sheet with margins (2 1/4 to 4 1/4 inches), in good condition. Image size 12 3/8 x 9 1/8 inches; sheet size 19 5/8 x 13 5/8 inches. Matted to museum standards, unframed. ABOUT THIS WORK Pauzen’s suite of six etchings 'Das Lied von der Erde' (The Song of the Earth), published in 1920, was inspired by Gustav Mahler...

Otto Kuhler, 'Grand Central Station', etching and drypoint, 1927, edition c. 50, Kennedy 27. Signed and titled in pencil. A superb, richly-inked impression, in brown/black ink, with ...

From: The Cleveland Set (23 plates), No. 1 Edition: Small Signed in pencil Image: 7 3/4 x 11 1/2"

Shadows on the Ramp. 1927. Drypoint and sand ground. McCarron 64. 9 x 10 1/2 (sheet 12 3/8 x 14). Edition 75 recorded impressions. A rich, tonal impression with drypoint burr, printe...

This signed etching of Bowling Green Park was done by Anton Schutz. It is dated 1927. It depicts a bustling scene in the Financial District of Lower M...

Large framed etching titled 'Joan Prats' by Conrad Marca-Relli (1913-2000). Considered one of the main exponents of the New York School of Abstract Expressionism, he was involved in the first Abstract Expressionist show at the Ninth Street Show in 1951 with Franz Klein and gallerist Leo Castelli, marking the beginning of the unique America artistic movement alongside Pollock, de Kooning, Guston, Newman, Hoffman and Motherwell. Often considered the link between European and American cultures, he combines the dramatic effects of Abstract Expressionism with the sense of order that can be found in Italian Renaissance painting...

This is a rare New York image by Levon West Levon West, who also used the name Ivan Dimitri, was born on February 3, 1900 in Centerville, North Dakot...

This artwork titled "New York, Park Ave" c.1930 is an color etching by Austrian artist Luigi Kasimir 1881-1962. It is estate hand signed in pencil at the lower center. The plate mark (image) size is 17 x 10.5 inches, framed is 26 x 18.35 inches. It is custom framed in a wooden gold frame, with light greenish creme color fabric matting. It is in excellent condition. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...

Ross Littell for Matteo Grassi, armchairs, leather, steel, Italy, 1980s These two red leather chairs are designed by the American de...

Emilio Sanchez (1921-1999) created the watercolor entitled “Schooner St. Croix” in 1952. This piece is signed in pen at the lower right and titled on the verso. The paper size is 16.88 x 22.25 inches. Stamped on verso "Estate of Emilio Sanchez." Good to very good condition. “Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...

Presenting a fabulously rare antiquarian book from 1791, namely, Demosthenis Selectae Orationes by Richard Mounteney 1791 7th Edition. Leather Spine in very good condition. Leathe...

Contemporary abstract geometric colorful patterned painting by Texas-based artist Max Manning. The work features organic and geometric shapes in orange, yellow, black, and white. Si...

Etching and drypoint on cream wove paper, full margins. Signed in pencil, lower right margin. In generally good conditon with several scattered very light spots of foxing throughout,...

Etching with aquatint on light green laid paper with a large Crown and Rampant Lion Concordia watermark, wide margins. Signed in pencil, lower right. Adhered to an archival support...

From: The Cleveland Set (23 plates), No. 1 Edition: Small Signed in pencil Image: 7 3/4 x 11 1/2"

Royal Insurance Building of Canada. (Royal Globe Insurance Company Building) 1927. Drypoint. 12 x 6 1/2 (sheet 17 1/2 x 10 1/2). A rich impression with selective plate tone printed in black/brown ink on cream wove paper. Signed in pencil. Housed in a 20 x 16-inch archival mat, suitable for framing. Rosenberg's first published print of 1927 was a drypoint of the Royal Insurance Building of Canada in New York. From his personal journal, we know that it was executed on January 18th in London and that 108 proofs were printed on 'modern' paper and signed. The alternate name of the building is the Royal Globe Insurance Company Building. It is located in the financial district of Manhattan, 150 William Street to Gold...

Darius at 10 Drypoint, 2022 Signed, titled and numbered in pencil Printed by Rebekah Wilhelm Her drystamp lower right Published by the artist Edition 14, plus...

Benson, Frank. THE BRIDGE. Paff 227. Drypoint on copper, 1923. A trial proof of the second state, printed on uncalendared Japanese Vellum, annotated "B-1," the first of two trial pro...