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Albert Friedrich Schroder Figurative Paintings

German, 1854-1939
Albert Friedrich Schroder was born on November 3, 1854 in Dresden, Germany. He was a painter of genre, figures and portraits. He was also an illustrator. Schroder was taught by the famed artists and master teachers, Charles Verlat and F. Pauwels. He was very active in the Munich and Dresden art market for most of his life. Today, Albert Friedrich Schroder's works can be found in private collections as well as in museums in Duisburg and Magdebourg, Germany. 1871-72 studied at the Dresden Academy, 1873 studied at the art school in Weimar with Charles Verlat and 1876-82 atelier student with Ferdinand Pauwels in Dresden, from 1883 based in Munich, the artist mainly created genre paintings in the style of Dutch painting of the 17th-18th centuries. Century, member of the Reich Association of German Artists and the Munich Artists' Cooperative, sent the Munich Glass Palace and in 1937 the Great German Art Exhibition in the House of German Art in Munich, active in Munich
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Artist: Albert Friedrich Schroder
Large Antique German Oil Painting of a Canary Seller by F. Schröder
By Albert Friedrich Schroder
Located in London, GB
Large antique German oil painting of a canary seller by F. Schröder German, c. 1900 Canvas: Height 80cm, width 109cm Frame: Height 115cm, width 143cm, depth 13cm This exceptional oil on canvas, titled The Canary Seller, was painted by German artist Albert Friedrich Schröder...
Category

Early 20th Century Albert Friedrich Schroder Figurative Paintings

Materials

Canvas, Oil

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An Architectural Capriccio with the Preaching of an Apostle
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Provenance: Santambrogio Antichità, Milan; sold, 2007 to: Filippo Pernisa, Milan; by whom sold, 2010, to: Private Collection, Melide, Switzerland De Primi Fine Art, Lugano, Switzerland; from whom acquired, 2011 by: Private Collection, Connecticut (2011-present) Literature: Ferdinando Arisi, “Ancora sui dipinti giovanili del Panini,” Strenna Piacentina (Piacenza, 2009): pp. 48, 57, 65, fig. 31, as by Panini Ferdinando Arisi, “Panini o Ghisolfi o Carlieri? A proposito dei dipinti giovanili,” Strenna Piacentina, (Piacenza, 2010), pp. 100, 105, 116, fig. 101, as an early work by Panini, a variant of Panini’s painting in the Museo Cristiano, Esztergom, Hungary. This architectural capriccio is one of the earliest paintings by Giovanni Paolo Panini, the preeminent painter of vedute and capricci in 18th-century Rome. The attribution to Panini has been endorsed by Ferdinando Arisi, and a recent cleaning of the painting revealed the artist’s signature in the lower right. Like many of his fellow painters working in Rome during his day, Panini was not a native of the Eternal City. He first trained as a painter and stage designer in his hometown of Piacenza and moved to Rome at the age of 20 in November 1711 to study figure painting. Panini joined the workshop of Benedetto Luti (1666-1724) and from 1712 was living on the Piazza Farnese. Panini, like many before and after him, was spellbound by Rome and its classical past. He remained in the city for the rest of his career, specializing in depicting Rome’s most important monuments, as well as creating picturesque scenes like this one that evoked the city’s ancient splendor. The 18th century art historian Lione Pascoli, who likely knew Panini personally, records in his 1730 biography of the artist that when Panini came to Rome, he was already “an excellent master and a distinguished painter of perspective, landscape, and architecture.” Panini’s earliest works from this period still show the evidence of his artistic formation in Piacenza, especially the influence of the view painter Giovanni Ghisolfi (1623-1683). However, they were also clearly shaped by his contact in Rome with the architectural capricci of Alberto Carlieri...
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