Andrzej Krauze Furniture

A bewitching full-bleed black and white photograph of a supine Mimsy Farmer confronts us on this scarce english-language poster for the first Japanese release of Barbet Schroeder's 1...

Considered the quintessential and definitive Bond film, the third instalment in EON Productions' James Bond series set the template for many of the subsequent films, with its tongue in cheek humour, extensive use of gadgets and technology and multiple foreign locations. The first Bond blockbuster, 1964s 'Goldfinger' was also the first Bond film to utilise a standalone pre-credits sequence, the first to employ a pop star to sing the theme song and the first to win an Academy Award. The plot saw 007 uncover a plot to contaminate the United States gold reserve at Fort Knox while investigating the smuggling activities of powerful gold magnate Auric Goldfinger. This stunning poster designed by prolific Swedish...

Prolific American hip-hop group Public Enemy's Chuck D and Flavor Flav appear behind bars in a photograph by Glen E. Friedman on this sought after original Def Jam promotional poster...

Tim Reamer's simple and effective poster design for the final instalment of George Lucas' original Star Wars trilogy has become emblematic of the entire saga, with its glowing lights...

Lobby Cards were designed for display in a cinema lobby to lure the movie-going public. Typically released in sets of 8, each card depicted a different scene from the film. This charming US lobby card for 'Breakfast At Tiffany's,' number 7 of the set, depicts Audrey Hepburn as Holly Golightly and George Peppard as Paul Varjak sipping coffee against a backdrop of Manhattan. Featuring a miniature version of Robert McGinnis' iconic artwork used for the US insert, the lobby cards offer a bit of Tiffany's magic at a more affordable price point than the larger and highly sought after US Campaign posters. Holly Golightly would be Audrey Hepburn’s defining role, establishing her status as one of the greatest screen legends and style icons of all time. It seems unbelievable now that Truman Capote, author of the novella on which the movie was based, had his heart set on Marilyn Monroe for the part. Monroe pulled out of the running when her acting coach advised her not to play a lady of the night...

Paramount's 1968 sexy science fiction comedy 'Barbarella,' based on the Italian comic book of the same name, follows Jane Fonda as the titular 41st century space-vixen, tasked with f...

Based on Pink Floyd's 1979 narrative concept album of the same name, "The Wall" follows the descent into madness of Bob Geldof's troubled rock star Pink as he constructs a metaphoric...

In Sean Connery's second outing as James Bond, 'From Russia With Love' saw the British spy battling a secret crime organization known as Spectre. The follow-up to 007's 1962 debut in...

Although Western films were shown during the Soviet era in the Communist Bloc, American publicity materials were banned, allowing the state-commissioned artists to operate with total...

Offered is a 1918 WWI recruitment poster by Louis Fancher. This U.S. Army Signal Corps Recruitment Poster features an army serviceman raising one hand and...

Considered the quintessential and definitive Bond film, the third instalment in EON Productions' James Bond series set the template for many of the subsequent films, with its tongue in cheek humour, extensive use of gadgets and technology and multiple foreign locations. The first Bond blockbuster, 1964's 'Goldfinger' was also the first Bond film to utilise a standalone pre-credits sequence, the first to employ a pop star to sing the theme song and the first to win an Academy Award. The plot saw 007 uncover a plot to contaminate the United States gold reserve at Fort Knox while investigating the smuggling activities of powerful gold magnate Auric Goldfinger. The film's lasting image is of the gold-painted girl, featured here on the sought after 'Style A' British Quad poster for the original UK release in 1964. Robert Brownjohn...

An action-packed Japanese B2 poster for the 1969 British crime caper "The Italian Job," starring Michael Caine as cockney criminal Charlie Croker, fresh out of prison and planning a heist in Italy. Consistently voted one of the greatest ever British movies, the quintessential sixties film has become a cult favourite and a Classic of the heist genre, while Caine's famous one-liner "You're only supposed to blow the bloody doors off!" has taken on a life of its own. Despite receiving a Golden Globe nomination for Best English-Language Foreign Film, "The Italian Job" was not a success in America at the time of its release. Caine blamed its failure on a misleading marketing Campaign, explaining to Empire magazine that the US poster "was a naked woman and me. And I said, 'This is for kids. There aren't any naked women in it! We're going to get a load of old guys coming in to see naked women and they're going to be pissed off, and mums aren't going to bring their children.' They said, 'We're not going to change the poster,' so I got on a plane and came home." While utilizing the same elements as the US poster in a more diminutive form, this superb Japanese poster places its focus on the real stars of the movie - the red, white and blue mini coopers...