Antoine Calbet Figurative Drawings and Watercolors

Gabryela Wasowicz is a Polish painter born in 1947. She studied at the Academy of Fine Arts of Warsaw and then at the Gerrit Rietveld Akademie in Amsterdam. Once she graduated in 197...

These recently discovered 1983-84 oversize pastels on archival papers were created working quickly, in pastel. The series shows the last existing obs...

Nude Laying Over the Edge of the Bed in Pastel on Paper Elegant pastel composition of a nude woman by an unknown artist (20th Century). The model is laying on her back, with her hea...

Elegant mid century figure study in pastel on brown paper depicting a seated nude woman with a hat and rose, by by American artist Louis Nadalini (Italian, 1927-1995). Signed Nadalini upper right. Presented in a simple wood frame, with new mat and new foam core backing. Image size: 29"H x 19.5"W. Signed and dated "Nadalini 85" lower right. Unframed. ARTFORUM article: Louis Nadalini In the last couple of seasons, San Francisco has lost several of its galleries. Some others have just recently begun operating but often with an entirely new group of artists. Some members of those apparently secure gallery stables that went out of business have found their way into other stables, but a larger group is without a place to show. I decided to look into such a person’s studio in my endeavor to find out what is really happening in the Bay Area art world. I went to see Louis Nadalini. His latest painting continues with the lattice of slats protruding forward with two variations of the painting painted on the sides of the slats which are viewable when standing to either side. This was always a very abstract method and he had quite often painted pure abstractions which centered quietly into hypnotic devices of exceptional color richness, but which gave a kaleidoscopic change as you moved past it. Untitled #42 (the most recent painting) has subject matter and was done in a much more painterly way. The side variations were flat in color, and there were some elements seen only in the side views, a skeleton’s arm and a black hand, for example. Nadalini says that he may abandon the lattice altogether if it gets in his way, but so far it seems to work better than it did with the abstractions. He is enthusiastic about the work he is doing, felt very free about making changes, and was, at the same time still happy about work from several years ago and unwilling to think that older work and new work should not be exhibited together. He hasn’t been thinking about galleries for a while. Nadalini goes to sea periodically which gives him time for contemplation as well as for renewing his resources. by —Knute Stiles...

"Pensando & recordando a Luis Caballero" by Celso Castro-Daza From the Duchándome Series Watercolor, pastel, and ink on archival paper Sheet size: 19.5 ...

"Duchándome June 5th" by Celso Castro-Daza From the Duchándome Series Watercolor, pastel, and ink on archival paper Sheet size: 19.5 in. H x 13.75 in. W 2018 Drawing on paper is hi...

Contemporary realistic figurative mixed media drawing PROVENANCE Exhibited at Katarzyna Napiorkowska Gallery. The Gallery is a primary representative for this artist. The Gallery o...

Alexandre Jacques Chantron (French 1842 – 1918) Baigneuses au bord de la riviere Pastel Signed 'AJ Chantron' (lower right) 24 x 18 in (61 x 45.7)

Nude is an original drawing in Sanguine pastel on paper realized in 1940 ca. by Joseph Kaplan (1900-1980). Stamp on the lower right. The state of preservation is good except for s...

Bold nude pastel drawing by Albert Hutson (American, 1923-1994). A woman is reclined on a soft red surface, leaning up against a yellow pillow. The model is skillfully sketched, with quick but confident marks. Hutson has captured the character of the model in her expression and posture, both of which appear relaxed and natural. Al Hutson retired from military service in 1974, moved to San Francisco, and enrolled in art school at the California College of Arts and Crafts. In 1978 he earned his BFA degree with distinction in drawing and painting. His work as a figurative artist was in the medium of pastel drawing, and he had an intense and abiding affinity for works on paper. Signed, dated, and titled twice in the lower right corner ("Al Hutson Danielle 89") Presented in a new off-white mat with foamcore backing. Mat size: Paper size: 19.75"H x 25.5"W Albert L. Hutson (American, 1923-1994) had two careers: first as a professional military officer, and second as an artist and member of the Board of the Graphic Arts Council in San Francisco. He was born in 1923 in Portsmouth, Virginia, into a family with a long military tradition. His father and maternal grandfather were Annapolis graduates, and his paternal grandfather served in the Civil War. Colonel Hutson graduated from Staunton Military Academy in 1941 shortly after World War II began. He later earned an undergraduate degree in history from the University of Nebraska in the late 1960s. As a young second lieutenant in World War II, he served with the First Armored Division in the Italian Campaign, starting with the Battle of Anzio, and participated in the liberation of Rome. His interest in art began at this time when his commanding officer introduced him to Italian art. Al Hutson retired from military service in 1974, moved to San Francisco, and enrolled in art school at the California College of Arts and Crafts. In 1978 he earned his BFA degree with distinction in drawing and painting. His work as a figurative artist was in the medium of pastel drawing, and he had an intense and abiding affinity for works on paper. A graduate of the Fine Arts Museums docent [tour guide...

"Seated Figure" Nude in Pastel and Color Pencil on Paper Beautiful modern figure drawing of a nude woman by Bay Area Artist George Wishon (Ameri...

Duchándome, by Celso Castro From the Duchándome Series Watercolor, ink, and pastel archival paper. NUDES 2D Individual size: 19.5 in. H x 13.75 in. W 2018 Drawing on paper is his basic work tool, some are sketches of his surviving works, and others are sketches of moments he documents. ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo...