Bernard Cathelin Interior Prints

William Bertrum Sharp (1924-1984) served in the Armed Forces during World War II and is considered among the first artists to attend art school under the GI Bill. He studied (proba...

Original 1918 Red Cross Poster - "Have YOU a Red Cross Service Flag?" - Illustrated by Jessie Willcox Smith, Linen Backed. Restored horizontal fold mark and restored small tears along the bottom. This poster is, after all, more than 107 years old. Own a Piece of History! 1918 "Have You a Red Cross Service Flag?" Poster ✨ Step back into history with this original 1918 Red Cross poster. It is a poignant and touching piece of WWI-era Americana, beautifully preserving a time of nationwide unity and heartfelt service. Illustrated by the celebrated artist Jessie Willcox Smith, this lithograph captures the tender moment of a child hanging a Red Cross service flag in the window—a symbol of hope, sacrifice, and pride in supporting humanitarian efforts during World War I. The poster radiates warmth, with Smith’s signature style of innocence and emotional depth shining through in the delicate depiction of the boy, the adorned window, and the serene winter backdrop. The vibrant red and white cross emblem on the service flag is a focal point of the artwork, inspiring viewers to reflect on the values of compassion and generosity that the Red Cross championed during this period. As a significant historical artifact and a beautiful piece of early 20th-century American illustration, this poster would be an exceptional addition to any serious collection of WWI memorabilia...

Associated American Artists published "Sleeping Car" by James Hendershot. This image shows a rail car filled with passengers and conductors. This exhibit...

"Labor in a Diesel Plant" Machine Age American Scene Industrial Mid 20th Century Letterio Calapai (American 1902-1993) ''Labor in A Diesel Plant'' Wood engraving, 1940 17 x 10 1/2...

This stunning exhibition poster was created for Louis Comfort Tiffany – Artist for the Ages, a show honoring the visionary craftsmanship of one of America’s most celebrated designers...

This is a classic New-Deal image: claustrophobic sweatshop with a row of hunched tailors. The windows and lamps offer light at least. But there is a major difference between this and...

No matter the seriousness of the subject, everything is always beautifully drawn on the lithographic stone by Bendiner, but in this instance the negative space is exploited amazingly. This courtroom...

“Card Players” is an original, hand-signed mid-century lithograph by renowned American artist Kenneth Miller Adams (1897–1966). Created circa 1959 and numbered 16/100, this expressive figurative print captures an intimate moment: a group of men gathered around a card game, their gestures and body language conveying the intensity of the scene. Adams’ strong draftsmanship and sense of composition shine through, making this a compelling example of American Regionalism and mid-century social realism. Professionally framed in a sleek black archival frame, the artwork remains in excellent, clean vintage condition. Framed Dimensions: 25 ⅝ x 31 ¼ x 1 ⅛ inches Image (Sight) Size: 18 ½ x 24 ¼ inches Edition: 16 of 100 Provenance: Private Collection, Denver, Colorado A detailed condition report is available upon request. Expedited and international shipping available. About the Artist: Kenneth Miller Adams (1897–1966) Born in Kansas, Kenneth Adams began his art training in Topeka and continued at the Art Institute of Chicago and Art Students League of New York. After World War I, he studied in Europe before settling in Taos, New Mexico in 1924—becoming the youngest and final member of the Taos Society...

"Balcony" 1938 WPA Print Mid 20th Century American Broadway Theatre Modernism. Silk screen on paper, 15” x 20". Numbered 15/20 lower left. Pencil si...

Orignal NEW ORLEANS GREYHOUND vintage travel poster; larger format size. Excellent condition that has acid-free archival linen backing; ready to frame. This image is from the old French Quarter section of New Orleans. It features two women entering into the courtyard and in the background, the old stairs leading to the upstairs area. A bright and colorful image that would compliment any room or office. A great New Orleans vintage poster...

Frida and Diego- image bled to plate size ~ 26” x 24” - printed on 100% cotton rag - Architectural elements

Interiors VII: The Train from Munich Robert E. Townsend, 1991. Resist ground etching and engraving with hand refinement in charcoal, pencil, stabilo, and eraser on BFK Rives white wove paper, 20 x 36 inches (507 x 914 mm), full margins. Signed, titled, dated and numbered 51/175 by the artist in pencil, lower margin. A brilliant, inky impression with luminous light and gradient tones. In excellent condition with one extremely minor and superficial spot of light tan adhesive residue on the verso, unobtrusive and not visible on the recto, with no other visible defects. With the blind stamp of the printer, Robert E. Townsend in the lower left margin. An especially fine impression in superb condition. [Milton 113]. When asked about this work in particular, Milton expressed that his favorite images were his darkest images, in theme, mood, and in ink. Milton, who has said that his work is infused with a postmodern awareness of the past, has focused here in a deeply personal way on a segment of history that continues to haunt us all. The work, published in 1991, evokes one of the darkest periods of European history, the eroding and erasing of European culture under fascism, and the eventual total loss of humanity. The Train from Munich is an especially relevant and emotional work for Milton, who created the piece for his wife, Edith, who escaped Munich in 1939 as a child on the fabled Kinderstransport. The Kinderstransport was a desperate rescue effort on the part of the British government to save as many Jewish children as possible by railway before borders closed on the precipice of the Second World War. Children left their parents behind, and boarded the trains alone, leaving the impending doom of Nazi Germany, they arrived in Great Britain as refugees. More than 10,000 children escaped the holocaust via the Kinderstransport. In Train from Munich, the image itself holds an almost immeasurable amount of symbolism; each inch of the matrix is a successful effort to confront this history in a way that is poignant through a series of motifs. We see the Café disappearing into a ghostlike memory of the past, an allegory to the disintegration of culture, while through the windows we can see a rampant, snarling dog; a portrait of Hitler's shepherd, Blondi. Blondi isn't the only notable figure in the composition. Milton has pointed out that the fading figure of the doorman at the Hotel Metropole is modeled after the artist and intellectual Marcel Duchamp, and the face of the young girl peering...