Peter Milton

Europa, by Peter Milton

1982

Signed, titled, and numbered from the edition of 15. Japanese women with ice cream cones. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense o...

Signed, titled, and numbered from the edition of 15. Japanese still life with vase and flowers on a table. While the images have some resemblance t...

Signed, titled, and numbered from the edition of 15. Large multi-layer cake with sprinkles. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilities. Young women and their relationships to shoes, food, and fashion provide much of Hiratsuka’s subject matter. Another group of his prints focus on landscape, flowers, and floral patterns. Hiratsuka’s graphic work has been exhibited in the Americas, Europe and Asia. He has received numerous awards in international competitions. During the last four years he has had 14 solo shows in the United States, and international solo shows in Gabrovo, Bulgaria, Munich, Germany and Geneva, Switzerland. Partial list of public collections: The British Museum, UK Tokyo Central Museum, Japan Panstwowe Museum, Poland The House of Humor and Satire, Bulgaria Cincinnati Art Museum, OH Jundt Art Museum, WA The Portland Art Museum...

Signed, titled, and numbered from the edition of 15. Japanese still life of flowers and vase. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilities. Young women and their relationships to shoes, food, and fashion provide much of Hiratsuka’s subject matter. Another group of his prints focus on landscape, flowers, and floral patterns. Hiratsuka’s graphic work has been exhibited in the Americas, Europe and Asia. He has received numerous awards in international competitions. During the last four years he has had 14 solo shows in the United States, and international solo shows in Gabrovo, Bulgaria, Munich, Germany and Geneva, Switzerland. Partial list of public collections: The British Museum, UK Tokyo Central Museum, Japan Panstwowe Museum, Poland The House of Humor and Satire, Bulgaria Cincinnati Art...

Signed, titled, and numbered from the edition of 15. Japanese still life with vase and flowers on a table, with a large glowing orange moon in the backgrou...

Medium: Etching, aquatint & roulette Year: 1991 Image Size: 24.63 X 39.63 inches Edition Size: 90 Signed and numbered in pencil by the artist Image of a Paris apartment, showing t...

Light pours through a sparsely furnished room in a space on Spring Street in Brussels creating stark shadows as it streaks through the bushes, blinds and the outline of a modern chai...

"Church of St. Aignan Chartres" Etching in Ink on Paper (Demonstration Plate) Delicate and detailed drypoint etching of the Church of St. Aignan in Chartres, France by John Taylor Arms (American, 1887-1953). The viewer stands in an alley near the church, looking out of the shadows at the sunlit towers. The architectural details of the church are well-captured, including the texture of the stone walls, the roof, and ornamental detail. Titled, signed, dated, and inscribed along the bottom edge: Sketch, Saint Aignon, Chartres John Taylor Arms 1950 The inscription includes details about production, as well as a dedication "To my friends Georgia and Jasper Mathews, with my sincerest good wishes" Presented in a wood frame with an off-white mat. Frame size: 12.5"H x 9.25"W Image size: 7"H x 4.5"W John Taylor Arms was born in Washington, DC in 1887. He studied law at Princeton University, transferring to the Massachusetts Institute of Technology, Boston, to study architecture, graduating in 1912. After serving as an officer in the United States Navy during World War I, he devoted himself full-time to etching. He published his first original etchings in 1919. His initial subject was the Brooklyn Bridge in New York City near which he worked. Arms developed a successful career as a graphic artist in the 1920s and 1930s, specializing in series of etchings of Gothic churches and cathedrals in France and Italy. In addition to medieval subjects, Arms made a series of prints of American cities. He used sewing needles and magnifying glasses to get a fine level of detail. A member of many printmaking societies, Arms served as president of the Society of American Graphic Artists. An educator, Arms wrote the Handbook of Print Making and Print Makers (1934) and did numerous demonstrations and lectures. Arms was elected into the National Academy of Design as an Associate member in 1930, and became a full member in 1933. His work was also part of the painting event in the art competition at the 1932 Summer Olympics...

Finely balanced etching by Benjamin Vasserman (Estonian, b 1949). A squash sits atop a small black box with a latch. There is a drapery behind the squa...

This image is an artist proof XII / XII. The artist's subject matter was enigmatic: a recurring theme was that of anonymous packages tied with knots of rope; sometimes there are prison bars...

The moon, bowls, lillies and birds are featured in this 2002 mezzotint. It is #17 from an edition of 75 and is signed, titled, dated and edition by hand by this Korean artist born i...

Carol Wax's mezzotint, "Singer 10101", is an image of Singer I as seen through a drafting template. It was issued as an edition of 40 and was printed at the Indiana University print...