Contemporary Still-life Prints

This is a 20 color screen print on Sommerset paper. The edition was printed at Brand X Editions in 1997. Ed Baynard’s paintings and graphic prints blend the contemporary and the cla...

Five Lemons A Pear and Egg : Fruits and Flowers Suite 1994 Print - Screen Print Paper size 22.75'' x 21.75'' inches Image size 12" x 12" inches Edition: signed in pencil, titled, d...

David Shrigley, I Can Sing For You, 2022 Hand-signed and dated on the reverse Edition 76 of 125 75 x 56 cm Screenprint in colours Private Collection UK

This image features a colorful arrangement of pink, red and purple flowers by American artist, Gary Bukovnik. Bukovnik is an internationally acclaimed painter and printmaker who prim...

In Trois Plants, François Houtin envisions a fantastical botanical specimen rising like an ornate tower of intertwined foliage and blossoms. Each element—stem, leaf, and tendril—is r...

David Shrigley, Wine, 2021 Hand-signed and dated on the reverse Edition 29 of 125 75 x 56 cm Screenprint in colours Private Collection UK

Bob Dylan Train Tracks, 2010 Giclee on Hahnemuhle 350gsm Museum etching paper hand-signed and numbered by the artist Sheet: 70 x 56 cm Image: 54.5 x 40 cm Edition 25 of 295 Acknowle...

12 colour screenprint with a two varnish overlay Edition of 125 Signed, numbered and dated on the back Mint. Minor imperfections may appear due to the production process. Sold with a...

Signed and numbered from the edition of 60. Image of a cowboy with an oversized hat. Throughout his 40 year career as an artist, Frank Romero has bee...

This piece is a giclee on Hahnemuhle 350gsm Museum paper, created by Bob Dylan in 2013. It is from Dylan's series entitled The Drawn Blank Series. Bob Dylan is known as one of the mo...

Screen print on Saunders Waterford 300gsm paper Hand-signed, dated, and numbered by the artist 28 × 32.8 cm Edition of 150 Framed The print was editioned by master printer, Kip Gres...

Work : Limited Edition Print of 20, from the original oil painting "Cerises Rouges" by Gabriel Riesnert. Medium : Archival Pigment inkjet on BFK Rives White Arches 310g. Dimensions...

Screen print in colours Edition of 250 90 x 121.5 cm (35.4 x 47.8 in) Signed, numbered and dated on the back Condition on request Printed by Silk Print Kettner, Zürich, published by ...

Ed Ruscha Actual Size (Spam), 2024 UV pigment print with yellow silkscreen details and a matte varnish seal, printed on 410gsm Somerset Tub Sized Radiant White paper. Individually nu...

CHINESE RHODODENDRONS is an original hand drawn lithograph printed using hand lithography techniques on archival Arches paper 100% acid free. Lovely watercolor floral...

Screenprint on paper Signed and titled in pencil Numbered from the edition of 50 Image size: 505 x 505 mm Paper size: 665 x 685 mm Silkscreen print on Paper Edition of 50 50.5...

Image of a young woman, pondering a question over a cup of coffee. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and i...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Baby Doll. This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

From the series 20 Flowers and Some Bigger Pictures inkjet (or digital printed) computer drawing/painting, iPad painting printed on paper Edition 32 of 50 88.9 x 63.5 cm (35 x 25 in)...

HOKUSAI'S DOG - RED FIJI, 2025 Woodcut Image Size H 50 x 66cm Framed Size H 73 x 88cm Edition of 100 Woodcut print on Paper Edition of 100 50 H x 66 W cm (19.69 x 25.98 in) Sold unf...

David Shrigley (British b. 1968) 'Please Shut Up', 2022 13 color screenprint with a varnish overlay on Somerset Satin Tub sized 410 gsm paper Edition 86/125 (+12 Artist's Proofs) Sig...

Rainbow/Limited prints A limited edition of 100 Signature and number LV.M FineArt Giclee Digital Print Hahnemuhle FineArt Bamboo Papers 270gms size:40x41.3cm/15.74 in x16 17/64 in B...

Original large format still life photograph of purple anemone from Linda Rosewall's series "Flora Italiana", an intensely beautiful body of works explor...

Artist: Robert Rauschenberg, American (1925 - 2008) Title: The Most Distant Visible Part of the Sea Year: 1979 Medium: Lithograph and Screenprint, Signed and numbered in pencil Editi...

Agent X One Queen (1) Red Limited Edition of 50 Mixed Media on Paper Sold Unframed Paper Size: 72 cm x 50 cm x 1cm Please note that in situ images are purely an indication of how a p...

Blue Glove (Michael Jackson) by Tom Schierlitz a highly detailed glamorous still life photograph of the performer's iconic blue and gold sequin and Swarovski rhinestone crystal glove...

a highly detailed still life photograph of the performer's iconic blue and gold sequin and rhinestone crystal glove Blue Glove ( Michael Jackson ) by T...

Artist: Hunt Slonem, American (1951 - ) Title: Double Decoy II Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 200, AP Image Size: 19.5 x 23 inches Size: ...

In "Destinations", Frederick Mershimer creates an image of taxis rushing by the Fuller Building, better known as Flatiron Building. The building is only six feet wide at its rounded...

Mur de Huy Eliza Southwood Cycling Print Screen Print 5 colour screen print, edition of 45 Inspired by the Mur de Huy climb Size: H:70 cm x W:50 cm. Artist Bio: Eliza Southwood is ...

A bright and vibrant still life by pop artist Hunt Slonem. The silkscreen print is hand-signed and numbered in pencil, nicely framed. Spell III by Hunt Slonem, American (1951) Date:...

Listen # 6 by Harry Bunce [2021] Please note that insitu images are purely an indication of how a piece may look Listen # 6 by Harry Bunce is a mixed media work of Bunce’s rabbit ch...

Bob Dylan Brooklyn Heights, 2016. Giclée print on Hahnemühle 350gsm Museum etching paper. Signed and numbered in pencil Edition of 295 Published by Washington Green Fine Art in ass...

Although these look like screen prints or woodcuts, they are a form of 19th-century photography, cyanotypes. The normal color is dark blue. However, this unique celadon color that ca...

Bob Dylan Three Chairs, 2009 Giclee on Hahnemuhle 350gsm Museum etching paper hand-signed and numbered by the artist Sheet: 70 x 56 cm Image: 54.5 x 40 cm Edition 194 of 295 Comes w...

Agent X One Queen (6)White Limited Edition of 100 Mixed Media on Paper Sold Unframed Paper Size: 71 cm x 50 cm x 1cm Please note that in situ images are purely an indication of how a...

Artist: Hunt Slonem, American (1951 - ) Title: Iron Flamingo Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP 30 Size: 26 in....

Floral Landscape Nadine Prado, Mexican/French (1940) Date: 1979 Screenprint, Signed in Pencil Edition of AP 25 Size: 30 in. x 40 in. (76.2 cm x 101.6 cm)

These are two 18 x 24-inch hand-printed photographs of the fog in early morning light in the woods in northern California near San Francisco using the antique cyanotype process. Thei...

Jonas Wood, Prints, 2018 Offset lithograph poster Hand signed and dated with basketball flourish 60.96 x 76.2 cm (30 × 24 in) Edition of approxx 100 signed (un-numbered) Boldly s...

Colour silkscreen Edition 52 of 90 83.5 × 70.9 cm (32.9 x 27.9 in) Framed 95 x 75.5 cm, 37.4 x 29.7 in Signed, numbered and dated on the front Excellent condition. Some minor toning,...

Winter Landscape is an offset print on canvas realized after Josip Generalic in 1961.  Signed on the plate and dated on the bottom center. Good conditions and aged. The artwork re...

Offset print 4 colours, foil printing and coater varnish Edition 110 of 300 56 cm (22.1 in) Signed and numbered on front Mint Published by KaiKai KiKi

It's wonderful for us to have work by Christo (1935-2020). He and Jeanne-Claude were the most international of artists while NYC based. In particular this lithograph, Wrapped Armchai...

Offset lithograph Edition 248 of 300 60 x 60 cm (23.6 x 23.6 in) Signed and numbered on the front Mint Published by Kaikai Kiki Co. Ltd

Offset lithograph on smooth wove paper Edition 84 of 300 52.5 x 52.5 cm (20.7 x 20.7 in) 55 x 55 x 2.5 cm, 21.7 x 21.7 x 1 in Signed and numbered on the front Artwork mint, as issued...

BASQUIAT'S CAT, 2025 Silkscreen Image Size H 22 x 22cm Framed Size H 47 x 45cm Edition of 100 Additional information: Screen print on Paper Edition of 100 22 H x 22 W cm (8.66 x 8.6...

This charmingly whimsical lithograph of a classic Toronto image—the streetcar was one of a series Charles Pachter first created in the seventies. Two electric streetcars moving away from the viewer fill the frame—in yellow and pink— hydro lines above them appear to be suspended above a large cloud. Pachter is a much-admired Canadian artistic polymath, his colourful pop artwork merging playful even irreverent elements with deeply iconic imagery. Number 5 0f 20. “…and a good art critic would compare it with Warhol’s soup cans...

This is a hand-printed photograph using the 170-year-old cyanotype process. This is a negative (reversal of the dark and light tones) of the original photograph of a branch of a magn...

Screenprint Edition 47 of 100 64.3 × 55.5 cm (25.3 x 21.9 in) 68.5 x 59.6 x 3.1 cm x 27 x 23.5 x 1.2 in Numbered, signed, titled and dated in pencil Condition upon request  This work...

Rene Genis (French 1922-2004) Still Life. Mainly oranges and browns, fruits and flowers, against a background of browns with a pitcher central. The browns contain a subtle mixture ...

"Astonishing, Health and Sunshine" triptych by artist Jim Dine. Three spitbite aquatint, drypoint and lithographs with additional hand coloring on Shiramibe paper mounted onto three ...

Artist: Donald Sultan Title: Seven Blues, Jan 24, 2024 Year: 2024 Medium: Silkscreen in colors with enamel inks and tart like texture on 4-ply Museum Board Sheet: 58 x 58 in (147 × ...

Eliza Southwood London is the Place for Me Limited Edition Screen Print Edition of 100 Sheet Size: H 75.5cm x W 50cm Image Size: H 73cm x W 48cm Signed and Numbered Sold Unframed Ple...

Inkjet print on lenticular acrylic with aluminium frame Edition 32 of 50 85.5 x 59.2 cm (33.7 x 23.3 in) Signed and numbered on a paper label affixed to the reverse Artwork in excell...

A stunning blue screenprint of “Wallflowers” by Contemporary Master Donald Sultan, which can only be described as minimalist, with flair. Hand-signed and numbered from the edition of...

Artist: Janet Fish, American (1938 - ) Title: Still Life with Fruits Year: 1992 Medium: Screenprint, signed, numbered, and dated in pencil Edition: 75 Image Size: 36 x 42 inches Siz...

Untitled (Still Life) Etching, aquatint and soft ground, 2001 Signed in pencil (see photo) Edition: 260 Published by the Print Club of Cleveland, Publication 80, 2002 Printed by Felix Harlan at Harlan and Weaver, New York William Bailey, Modernist Figurative Painter, Dies at 89 He swathed his nudes and still lifes of eggs, vases, bottles and bowls in a breathless, deceptively serene atmosphere heavy with mystery. The painter William Bailey in 2009. He was never given a career survey in a major museum, but his influence, particulary on students at Yale, was deep.Credit...Ford Bailey By William Grimes for the New York Times April 18, 2020 William Bailey, whose pristine, idealized still lifes and female nudes made him one of the leading figures in the return of figurative art in the 1980s, died on April 13 at his home in Branford, Conn. He was 89. His death was confirmed by his daughter, Alix Bailey. Beyond his painting, Mr. Bailey influenced generations of students in his many years as a teacher at the Yale School of Art. In some of his best-known work, Mr. Bailey arranged simple objects — the eggs, bowls, bottles and vases that he once called “my repertory company” — along a severe horizontal shelf, or on a plain table, swathing them in a breathless, deceptively serene atmosphere heavy with mystery. His muted ochres, grays and powdery blues conjured up a still, timeless world inhabited by Platonic forms, recognizable but uncanny, in part because he painted from imagination rather than “They are at once vividly real and objects in dream, and it is the poetry of this double life that elevates all this humble crockery to the realm of pictorial romance,” Hilton Kramer wrote in The New York Times in 1979. Mr. Bailey’s female figures, some clothed in a simple shift or robe and others partly or entirely nude, are disconcertingly impassive, implacable and unreadable, fleshly presences breathing an otherworldly air. The critic Mark Stevens, writing in Newsweek in 1982, credited Mr. Bailey with helping to “restore representational art to a position of consequence in modern painting.” But his version of representation was entirely idiosyncratic, seemingly traditional but in fact “a modernism so contrarian,” the artist Alexi Worth wrote in a catalog essay for the Betty Cuningham Gallery in 2010, “that it feels, despite its historical sophistication, almost like a brand of outsider art.” William Harrison Bailey...

Screenprint A.P. Aside from the main edition of 100 53.5 × 61 cm (21 x 24 in) Signed, titled, dated and numbered on the front Condition on request Published by Ishida Ryoichi Referen...

Lithograph on paper. Hand and numbered in pencil. Edition of 99. Excellent condition. This striking colour lithograph by Mario Bardi, dated 1979, blends the language of still lif...