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Christine SoJune Breeze (hand-printed botanical cyanotype, 18 x 36 inches)2021
2021
$480
$60020% Off
£362.72
£453.4020% Off
€418.85
€523.5720% Off
CA$670.73
CA$838.4120% Off
A$744.23
A$930.2920% Off
CHF 389.84
CHF 487.3020% Off
MX$9,126.24
MX$11,407.8020% Off
NOK 4,958.67
NOK 6,198.3420% Off
SEK 4,680.77
SEK 5,850.9620% Off
DKK 3,123.65
DKK 3,904.5620% Off
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About the Item
This long narrow monotype was made by carefully arranging hundreds of individual blades of fresh-cut native Californian wild grass. The species of tall marsh grass is called Gray Rush or the latin name juncus patens. It is native to Northern California and grows in local wetlands. If not cut back, it it would grow over 4 feet tall.
Although these look like an etching or block print, they are cyanotypes, a type of 19th century cameraless photography also known as blueprints or sun prints. No ink or paint was involved and no photo negative either.
Every one of Christine So's botanical cyanotypes is an entirely unique monotype as the cut plants are laid by hand in that exact composition only once and discarded after they wilt. There is no etched plate, carved block, no ink or printing press.
Edges are straight-cut. Not deckled edges.
*The blades of grass are a very pale blue and not a bright white in this print. The similar sized "June Wild Grass" (also 18 x 26") has brighter white blades of grass.
Printed on 100% cotton acid free watercolor paper.
Unframed.
Ships rolled in a tube.
Signed on the back by the artist.
SHIPPING: Free regular ground shipping to United States.
- Creator:Christine So (1970, American)
- Creation Year:2021
- Dimensions:Height: 18 in (45.72 cm)Width: 36 in (91.44 cm)
- More Editions & Sizes:noPrice: $600
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Oakland, CA
- Reference Number:1stDibs: LU2737214735642
Christine So is an American printmaker, photographer and painter living in the hills across the bay from her hometown, San Francisco. She is best known for her blue and white cyanotype photographs of forests shrouded in fog. The Foggy Woods series is ever-growing as the artist continually hikes these hills which are often foggy at dawn. She explores radically different ways to use this antique photographic medium with and without out a camera. At times her blue prints look like screen prints. At others like abstract watercolors. Besides printing photographs from negatives, botanicals using entire branches, altering the chemical recipe to obtain novel colors, and creating abstract cyanotypes of deliberate patterns, she also paints images using the light-sensitive solution and prints a pattern within them. These last works she calls “cyanotype paintings”. The multiple-day process depends on being able to see while painting in a dark room so as to not expose the light-sensitive painted silhouette before it’s time. She named her series of botanical paintings which have a fine blue and white pattern “Delft Garden” after the Dutch painted porcelain. Clients include: Timothée Chalamet, Starbucks, Mayo Clinic (Jacksonville), Jumaira Resort, Lux Habitat Sotheby’s International (Dubai), Wyndham Worldmark Hotels, Kimpton Hotel Monaco (Salt Lake City) , Mazars Accounting, Limelight Hotel Mammoth (California), MD Anderson Hospital (Houston), Oncology Center, Houston Methodist Hospital.
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