Brassaï Drawings

Nicolas de Larmessin Etching – Habit de Tabletier. 20th century print. Nicolas de Larmessin (1640-1725) was an enormously creative and productive artist. Nicolas was part of a long ...

Nude Study in Pencil, Europe, 1940s. Beautiful and well drawn study with a male nude kneeling. Wonderful atmosphere and very elegant. At the underside of the paper there are also a few other drawings of...

This fine and very early drawing by John B. Lear shows the care with which he captured the beauty, strength and character of the men he admired. Lear's earliest works are often in o...

Seventeen Lithographs for Frank O'Hara, New York, Limited Editions Club, 1988 the complete set of 17 signed and numbered lithographs in colors by Willem De Kooning, title page, and justification, on Chine appliqué, numbered 51 of 60 (there were also 12 with opposite facing text, and 550 bound copies with the lithographs appliquéd to the text pages), all with full margins and beautifully framed. Comes with original black cloth-covered portfolio with black leather label and gilt stamped title (very minor wear) and original purchase paperwork from Baby Jane...

Much like Salvador Dali, who continued to create his mysterious and puzzling landscapes long after Surrealism had lost its popularity, John Lear drew and painted in the same manner f...

An original Jansen pencil drawing depicting an architectural detail "Rosace de Plafond" page 137. Stamped: Jansen, 9 Rue Royale Paris 8e.

18th century German, a hand-colored engraving of a dressage horse and rider from Description du Manège Moderne by Friedrich Wilhelm, Baron Rais d' Eisenberg (German, ca. 1700-ca. 1770). Engraved by Bernard Picart (French, 1673-1733). Titled "Le Brillant", this dressage engraving is plate XXXIII. There is a gallery label verso. The print is matted and framed under UF-3 plexiglass, which offers the maximum amount of UV protection (approx. 97%). This print was originally part of an illustrated book Baron d'Eisenberg made describing the art of the cavaliers and depicting the different breeds of horses- The full title of the book is L'Art de Monter a Cheval: ou Description du Manége Moderne, Dans sa Perfection, published in Leipzig: Arkstée et Merkus, 1747). A set of 7 framed engravings from the same book sold at Sotheby's for $9,500 (plus tax and buyers premium). Reference: The author, a German horseman and artist, spent some of his youth at the manège of Saxe-Weimar before entering into the service of the Emperor. He then spent six years in Naples as the Master of Horse of the Viceroy before returning to Vienna where he studied under M. de Regenthal, the imperial Master of Horse. He participated in the coronation of the Emperor Charles V at Frankfurt in 1711, then spent some time in England, but was back in Germany before 1753. He probably died in Tuscany where he was Director and Master of the Horse at the Academy in Pisa. Brunet II, 957; Mennessier de la Lance I, p. 438. The Baron wrote several important and lavishly illustrated books on horses: his Description du manège moderne dans sa perfection, London 1727, and Dictionnaire des termes du manège moderne, 1747, being the best well-known. He dedicated Description du Manège Moderne to King George II and to his son, His Royal Highness the Prince of Wales. Subscribers to the book included royalty and nobility from all over Europe. The engraver was Bernard Picart, born in Paris in 1673. He gained honors at the Academy of Paris at the age of sixteen. He was a master designer and engraver and worked in Paris and Amsterdam until his death in 1733. Dimensions: 9"h x 12"w (sight), 16.5"h x 19.25"w (frame) Condition: Good, some rippling to sheet, not examined out of frame. Provenance: Lombard Antiquarian Maps & Prints, Cape Elizabeth...

Although this drawing depicts a male nude, the artist here is clearly focusing on the power of his arms, hands and legs in particular. John Grabach, best known for his cityscapes and...

Finely drawn and vividly hued, this drawing was executed in 1954 by Gaston Goor, who was famous for illustrating a number of books by Roger Peyrefitte and others in France. Goor was ...

Powerfully expressed, with the angular stylization characteristic of Art Deco decorative art, this pencil drawing was executed in 1937 by William Littlefield. The artist was fascina...

Pair of rare signed Art Deco lithographs by Boris Lovet-Lorski. Lacquered wood frames. Boris Lovet-Lorski (1894-1973), sculptor, lithographer, and painter who contributed significantly to the American Art Deco movement, was born in Lithuania in 1894. Trained as an architect at the Royal Academy in Petrograd, Boris Lovet-Lorski was very aware of volume and structural space. His architectural background combined with other influences like the flattened aesthetic of Art Deco, produce a distinctly original style. Along with his idealized subjects, the originality and artistry of his design quickly won the young sculptor...

Francesco Ballesio (Italian, 1860-1923). A fine orientalist pencil and watercolor heightened with gum Arabic on paper figure of "A Middle-Eastern Beauty at Rest" depicting a young maiden resting on a Persian rug laid down as a bed while holding a tambourine and next to a Moroccan ivory-inlaid octagonal table with a tea pot on top. Signed and inscribed 'Ballesio Roma Tivoli' (upper right). All within an ornate rococo gilt wood and gesso carved frame with a protective glass, Rome, circa 1890-1900, Frame height: 23 inches (58.4 cm). Frame width: 30 1/2 inches (30.5 cm). Frame depth: 2 1/4 inches (5.7 cm). Paper height: 15 inches (38.1 cm). Paper width: 21 1/2 inches (54.7 cm). Literature: A similar subject matter watercolor is catalogued and illustrated in Caroline Juler, "Les Orientalistes...