Carole Grandgirard Paintings

"sunbathing", a unique wall hanging. Paste resist painting on a thick woven fabric, by Michael O'Connell, mid century, UK. An impressive piece. Michael O'Connell (1898 – 1976) was an English modernist artist who worked in Australia between World War I and World War II and then in England. He is best known as a textile artist with significant works held in the Victoria and Albert Museum, the Museum of English Rural Life, the National Gallery of Australia etc... He was commissioned to produce a very large 56 meters long wall hanging...

American impressionist ocean beach scene oil painting on artist board in very nice original soft blue gray and white painted wood frame. Arti...

Original painting inspired by the museum painting titled "Le Triomphe de l'Amour" (The Triumph of Love). It is a collaborative work between Daniel Seghers, who painted the floral wr...

(1951 - ) Oil on canvas, 30" x 40". North Idaho artist. Sailboat on Lake Coeur d'Alene. Stephen Charles Shortridge, the artist may be more familiar to you as an actor. During the se...

Antique Oil Painting of Dogs by Bernard De Gempt

Striking original oil of horses, zebra and camel running in the wind. Canvas size 24" 30". This extraordinary piece is probably one of the best you will find of this artist work.

The Perfect Point by Ernest H Hart (1910 - ). Original framed oil on board 18" x 24". Connecticut Illustrator. From the archives of the Shaw Barton Calendar Co used for an early calendar print. English Pointer and English Setter on point, one leg raised... sure a hunter someplace behind them. Great match to one we have by Ole Larsen made for the publication (O525). Period: 20th century Origin: Connecticut Size: 18" x 24", frame 29" x 22" Ernest Huntley Hart 'Ernest H. Hart': An American painter, printmaker, illustrator, and author, Ernest Huntley Hart perused his art studies at the Art Students League in New York. He was a member of the Association of Connecticut Artists and the Association of American Artists. During the 'American Depression Era', Ernest Hart...

Oil on canvas. 48" x 36". Unframed. Sides of canvas painted so no frame necessary. North Idaho artist. On stretcher. Greg Parker has mastered the ability to capture the very essence of what he sees and experiences in an exceptional artistic capacity. Greg’s ability to bring to canvas the moments seen through the human eye in such exceptional craftsmanship is one to be recognized. Early in his youth, he found himself especially interested in nature and read all he could about naturalists like John Muir who captured young Greg’s imagination. Being an outdoorsman himself, Greg’s studio in the beautiful Northwest part of the United States provides a setting in which often overlooked beauty Greg successfully captures and shares on canvas. Period: Contemporary Origin: Idaho Size: 48" x 36" Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional, and one-of-a-kind pieces that define the history of America and the Old West. Our pieces range from American Indian to Cowboy Western and include original items of everyday life, commerce, art, and warfare that tamed America’s frontier. Our 14,000 square foot gallery opened in 1996 in beautiful Coeur d’Alene, Idaho. Personal Service Cisco’s operates on old fashioned values – honesty and integrity, and all of our items are backed by our money back guarantee. We appreciate the opportunity to earn your business. Whether you desire assistance with a jewelry purchase, choosing a gift, identification, or even selling – we hope to be your trusted source. Moose...

For your consideration, an Original Impressionist French Landscape Art Painting oil on wood signed Frame 36.75 w x 29 h x 1.5 d-Art 25.5 w x 18 h Signature lower left corner appears ...

Beautiful, original painting of a nude man. The painting is on wood, framed, under the glass. Original frame in oval shape and black color. The painting is signed C.M. 1912. Original...

An abstract canvas entitled “Indian Summer” by the well regarded San Antonio, TX artist, Carole Myers, ca. 1970s.

Dimensions with frame : Height : 116 cm (45.7 in.) ; Width : 144 cm (56.7 in.) Dimensions without frame : Height : 85 cm (33.5 in.) ; Width : 118 cm (46.5 in.) Atrium with a rich Pompeian decor in which a young woman lying on a bed is playing with a sparrow, not paying attention to the man sat at her feet. This painting is a major work of art of C. G. Brun, well-know for the precision of his technic, by the elegance of its composition, the pureness of the colors, the refinement of the touch and the expressivity of the characters. This rare intimist scene in a interior decorated in the Pompeian style perfectly illustrates the taste of the time for the discovery of the villas of Pompei, thanks to the archeological excavations of the 18th century and the books published about them. To arrange its interiors based on the models of the Pompeian villas is then a trend that the most important people of that time will follow, as the Prince Napoléon, cousin of the Emperor Napoléon III, who orders the construction of a splendid Pompeian villa on the Avenue Montaigne, of which nothing remains but a few pictures and a painting by Gustave Boulanger, dated 1861 and called Répétition du « Joueur de flûte » et de la « Femme de Diomède » chez le Prince Napoléon. This painting illustrates the poem « Fletus passeris Lesbiae » from the collection « Carmina » written by Catulle (87-54 av. J.-C.) : in his work, the author, in love with Lesbie, a married woman living in Rome, puts on a show a sparrow as the main center of interest of its mistress who neglects her suitor. This theme has been represented many times in painting, like the version by Raphaël Poggi exposed at the Salon of 1865, or Lawrence Alma-Tadema in 1866 or Edward Poynter in 1907. Painting exposed, as reference number 467, at the Salon of 1861 on the picture rail of the Palais des Champs-Elysées Charles Guillaume Brun, born in Montpellier in 1825 and died in Paris in 1908, was registered in 1847 at the Paris Beaux-Arts school, where he studied under the direction of François- Edouard Picot (1786-1868) and of Alexandre Cabanel (1823-1889). His participation in the Paris Salon began in 1851 with genre subjects (Young girl doing her morning prayer), but as soon as 1853, he regularly sent Orientalist scenes, located in Algeria (Prayer in 1859, Rendez-vous in Constantine in 1861, Moorish woman...