Carole Grandgirard Furniture

A wall-mounted sculpture with the signature of Dedessus les Moustier. It was discovered in France. It has a mysterious charm due to its unique color and motif.

"Magic Bull in Yellow" is an original oil painting on canvas by Colombian artist Luis Xiua, whose work merges figurative and abstract elements inspired by nature, symbolism, and cons...

*ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagina...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...

Artist: Felix Angel – Colombian/American (1949- ) Title: Untitled - Equestrian Year: 1985 Medium: acrylic on canvas Size: 44 x 56 inches Signature: Signed...

Oil on canvas. Titled and signed. A sketch in the back.

There’s an instant in a competitive horse race—whether it’s at Churchill Downs, Del Mar, Santa Anita Park, Saratoga or Belmont—of the utmost ferocity. That’s when the riders are jamm...

"sunbathing", a unique wall hanging. Paste resist painting on a thick woven fabric, by Michael O'Connell, mid century, UK. An impressive piece. Michael O'Connell (1898 – 1976) was an English modernist artist who worked in Australia between World War I and World War II and then in England. He is best known as a textile artist with significant works held in the Victoria and Albert Museum, the Museum of English Rural Life, the National Gallery of Australia etc... He was commissioned to produce a very large 56 meters long wall hanging...

Maestro active in Venice in the 19th Century Title: View of Venice with the Island of San Giorgio Maggiore and the Basilica Medium: Oil on canvas Dimensions: without frame 29 × 41 c...

Maestro active in Venice in the 19th Century Title: View of Venice with the Basilica of Santa Maria della Salute and Punta della Dogana Medium: Oil on canvas Dimensions: without fram...

When I think of where McCauley fits into American art, as a contemporary painter, sculptor and naturalistic interpreter, I place him in the same philosophical tribe as Walton Ford, A...

Dimensions with frame : Height : 116 cm (45.7 in.) ; Width : 144 cm (56.7 in.) Dimensions without frame : Height : 85 cm (33.5 in.) ; Width : 118 cm (46.5 in.) Atrium with a rich Pompeian decor in which a young woman lying on a bed is playing with a sparrow, not paying attention to the man sat at her feet. This painting is a major work of art of C. G. Brun, well-know for the precision of his technic, by the elegance of its composition, the pureness of the colors, the refinement of the touch and the expressivity of the characters. This rare intimist scene in a interior decorated in the Pompeian style perfectly illustrates the taste of the time for the discovery of the villas of Pompei, thanks to the archeological excavations of the 18th century and the books published about them. To arrange its interiors based on the models of the Pompeian villas is then a trend that the most important people of that time will follow, as the Prince Napoléon, cousin of the Emperor Napoléon III, who orders the construction of a splendid Pompeian villa on the Avenue Montaigne, of which nothing remains but a few pictures and a painting by Gustave Boulanger, dated 1861 and called Répétition du « Joueur de flûte » et de la « Femme de Diomède » chez le Prince Napoléon. This painting illustrates the poem « Fletus passeris Lesbiae » from the collection « Carmina » written by Catulle (87-54 av. J.-C.) : in his work, the author, in love with Lesbie, a married woman living in Rome, puts on a show a sparrow as the main center of interest of its mistress who neglects her suitor. This theme has been represented many times in painting, like the version by Raphaël Poggi exposed at the Salon of 1865, or Lawrence Alma-Tadema in 1866 or Edward Poynter in 1907. Painting exposed, as reference number 467, at the Salon of 1861 on the picture rail of the Palais des Champs-Elysées Charles Guillaume Brun, born in Montpellier in 1825 and died in Paris in 1908, was registered in 1847 at the Paris Beaux-Arts school, where he studied under the direction of François- Edouard Picot (1786-1868) and of Alexandre Cabanel (1823-1889). His participation in the Paris Salon began in 1851 with genre subjects (Young girl doing her morning prayer), but as soon as 1853, he regularly sent Orientalist scenes, located in Algeria (Prayer in 1859, Rendez-vous in Constantine in 1861, Moorish woman...