Ellen Brenner-Sorensen Figurative Sculptures
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Artist: Ellen Brenner-Sorensen
Abstract Female Form, Large Bronze Sculpture
By Ellen Brenner-Sorensen
Located in Long Island City, NY
Artist: Ellen Brenner-Sorensen
Title: Untitled II
Year: 1992
Medium: Bronze Sculpture, signature and number inscribed
Edition: 3/9
Size: 34 in. x 16 in. ...
Category
1990s Contemporary Ellen Brenner-Sorensen Figurative Sculptures
Materials
Bronze
Man Smoking Cigar, Indoor/Outdoor Marble Sculpture
By Ellen Brenner-Sorensen
Located in Long Island City, NY
Artist: Ellen Brenner-Sorensen, American
Title: Man Smoking Cigar
Medium: White Marble Sculpture
Size: 46 in. x 21 in. x 12 in. (116.84 cm x 53.34 cm...
Category
20th Century Abstract Ellen Brenner-Sorensen Figurative Sculptures
Materials
Marble
Woman with Blonde Hair, Sculpture by Ellen Brenner-Sorensen
By Ellen Brenner-Sorensen
Located in Long Island City, NY
Artist: Ellen Brenner-Sorensen, American
Title: Woman with Blonde Hair
Year: circa 1992
Medium: Bronze Sculpture with Patina
Size: 35 in. x 12 in. x 5 in...
Category
Late 20th Century American Modern Ellen Brenner-Sorensen Figurative Sculptures
Materials
Bronze
Woman with Rose in Her Hair, Bronze Sculpture by Ellen Brenner-Sorensen
By Ellen Brenner-Sorensen
Located in Long Island City, NY
Artist: Ellen Brenner-Sorensen, American
Title: Woman with Rose in Her Hair
Medium: Bronze Sculpture with Patina
Size: 45 in. x 17 in. x 8 in. (114.3 cm ...
Category
1990s Abstract Ellen Brenner-Sorensen Figurative Sculptures
Materials
Bronze
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William King, a sculptor in a variety of materials whose human figures traced social attitudes through the last half of the 20th century, often poking sly and poignant fun at human follies and foibles, died on March 4 at his home in East Hampton, N.Y. He was 90.
His death was confirmed by Scott Chaskey, who is married to Mr. King's stepdaughter, Megan Chaskey.
Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses -- a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step.
But for all its variation, what unified his work was a wry observer's arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment.
His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners.
Mr. King's work is in the collections of the Metropolitan Museum of Art and the Museum of Modern Art in New York and the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. But the comic element of his work probably caused his reputation to suffer.
Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder. and Elie Nadelman.
The critic Hilton Kramer, one of Mr. King's most ardent advocates, wrote in a 1970 essay accompanying a New York gallery exhibit that he was, "among other things, an amusing artist, and nowadays this can, at times, be almost as much a liability as an asset."
A "preoccupation with gesture is the focus of King's sculptural imagination," Mr. Kramer wrote. "Everything that one admires in his work - the virtuoso carving, the deft handling of a wide variety of materials, the shrewd observation and resourceful invention - all this is secondary to the concentration on gesture. The physical stance of the human animal as it negotiates the social arena, the unconscious gait that the body assumes in making its way in the social medium, the emotion traced by the course of a limb, a torso, a head, the features of a face, a coiffure or a costume - from a keen observation of these materials King has garnered a large stock of sculptural images notable for their wit, empathy, simplicity and psychological precision."
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Ellen Brenner-sorensen figurative sculptures for sale on 1stDibs.
Find a wide variety of authentic Ellen Brenner-Sorensen figurative sculptures available for sale on 1stDibs. You can also browse by medium to find art by Ellen Brenner-Sorensen in bronze, metal, marble and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Ellen Brenner-Sorensen figurative sculptures, so small editions measuring 12 inches across are available. Customers who are interested in this artist might also find the work of Ernest Trova, Norma Minkowitz, and Louis Sclafani. Ellen Brenner-Sorensen figurative sculptures prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $12,000 and tops out at $40,000, while the average work can sell for $13,500.