Ellen Brenner-Sorensen Art

Mariko’s Fukuoka is an unique contemporary sandstone sculpture painted with red, purple, yellow, black and white enamel. The geishas collection of the artist expresses the various fa...

1961 Coty Award Plaque Kenneth Hairdresser Jacqueline Onassis Bronze Fashion Bronze on wood. The wood plaque measures 12 3/4" by 20 3/4 inches. The bronze plaque itself is 13 3/4 x 8 3/4 inches and the the bronze inscription, which reads "COTY, American Fashion Critics Special Award 1961 to KENNETH of LILY DACHE...

Mariko’s Nagoya is an unique contemporary sandstone sculpture painted with orange, red, black and white enamel. The geishas collection of the artist expresses the various faces of ...

Polo Pony and Rider Harrison Tweed . Charles Rumsey was an 8 goal polo player with Meadowbrook Polo Club on Long Island NY. He was an avid sportsman, equestrian and artist. His ab...

LORRIE GOULET "EMBRACING COUPLE" MARBLE, SIGNED AMERICAN, C.1980 15 X 5 X 12 INCHES Lorrie Goulet Born 1925 Biography from David Findlay Jr. Gallery "Geometry and Flesh: T...

"Wind of Change v.2" Sculpture 19.5" x 9.5" x 5.5" in Ed 1/1 by Sergii Shaulis 2021 Man. From the Fateful Flowers series Approximate weight 14 lbs ABOUT ARTIST Born on 27 May 19...

This sculpture by Wang Dapeng is signed and numbered. Edition 30 / 99. Wang Dapeng is a contemporary Realist sculptor. He makes images of spiritual anima...

Original Aircraft Sculpture - Created in Bronze 2nd in the series of the Herringkel in the Aerogenic series of sculptures, This piece is a mela...

Charna Rickey 1923 - 2000 Mexican-American Jewish Woman artist. Signed Bronze House of Books, Architecture Bronze sculpture, signed Charna Rickey and on the front "House of the book." It depicts an open Torah. Original patina. Approx. dimensions: 7 in. H x 9 in. W x 8.5 in. D. Weight: 13.1 lbs. Modernist Judaica Sculpture Born Charna Barsky (Charna Ysabel or Isabel Rickey Barsky) in Chihuahua, Mexico, the future artist lived in Hermosillo and immigrated to Los Angeles when she was 11. She was educated at UCLA and Cal State L.A., she married furniture retailer David Rickey and explored art while raising their three daughters. Moving through phases in terra cotta, bronze, marble and aluminum, she found success later in life. Rickey became one of the original art teachers at Everywoman's Village, a pioneering learning center for women established by three housewives in Van Nuys in 1963. She also taught sculpture at the University of Judaism from 1965 to 1981. As Rickey became more successful, her sculptures were exhibited in such venues as Artspace Gallery in Woodland Hills and the Courtyard of Century Plaza Towers as part of a 1989 Sculpture Walk produced by the Los Angeles Arts Council. Her sculptures have also found their way into the private collections of such celebrities as Sharon Stone. Another of Rickey's international creations originally stood at Santa Monica College. In 1985, her 12-foot-high musical sculpture shaped like the Hebrew letter "shin" was moved to the Rubin Academy of Music and Dance at Hebrew University in Jerusalem. The free standing architectural Judaic aluminum work has strings that vibrate in the wind to produce sounds. Rickey also created art pieces for the city of Brea. They commissioned some amazing art pieces by Laddie John Dill, Walter Dusenbery, Woods Davy, Rod Kagan, Pol Bury, Niki de Saint Phalle, Magdalena Abakanowicz, Larry Bell, John Okulick...

ULISES JIMENEZ "GUITARIST" WOOD, SIGNED COSTA RICA, C.2005 40 INCHES Ulises Jiménez Obregón was born in La Mansion de Nicoya, Costa Rica, in November 1953. He studied Pl...

TEMPIO BRETTON: from the catalogue MONUMENTA, 19th International Sculpture Biennale, Antwerp, Belgium. Tempio Bretton was created in homage to the celebrated English landscapist Capability Brown for the occasion of an exhibition at Bretton Hall in the Yorkshire Sculpture Park , a park in the style of the great master of English garden design. The inclusion in the English garden of a temple ruin, or "eye-catcher," (architectural folly) was used to draw the eye and mind to a focus in time and space, present the beholder with an immediate relationship to an historic past made new within his or her own surroundings, and create a depth of space never before seen in garden design. I took the idea of the temple ruin eye-catcher and reduced it to a scale at the point where architecture and sculpture merged. Tempio Bretton is not capacious enough to walk into, yet it is considerably larger than a man. One view of it presents a knot of golden columns clustered together, topped by a dome shape. The only clue from this side to the temple's non-conformity to historic principle is a sharp notch cut into the square base. Viewed from the opposite side, the cluster of columns capped by an angular top opens up as if to welcome someone in, yet the mysterious core is still impenetrable. These contradictions articulate a confrontation between past and present, and an exciting truth. The past is always at the heart of our constructions in the present. Walter Dusenbery...

Original Aircraft Sculpture - Bronze- Deep Sea Green Patina Part of the Aerogenic series of bronze sculptures, a progression in the HERRINGKEL seri...