François Boucher Figurative Drawings and Watercolors
French, 1703-1770
The extraordinary career of Francois Boucher was unmatched by his contemporaries in versatility, consistency and output. For many, particularly the writers and collectors who led the revival of interest in the French rococo during the last century, his sensuous beauties and plump cupids represent the French eighteenth century at its most typical. His facility with the brush, even when betraying the occasional superficiality of his art, enabled him to master every aspect of painting – history and mythology, portraiture, landscape, ordinary life and, as part of larger compositions, even still life. He had been trained as an engraver, and the skills of a draftsman, which he imbued in the studio of Jean-Francois Cars (1661 – 1738), stood him in good stead throughout his career; his delightful drawings are one of the most sought-after aspects of his oeuvre. As a student of Francois Lemoyne (1688 - 1737), he mastered the art of composition. The four years he spent in Italy, from 1727-1731, educated him in the works of the masters, classics and history, that his modest upbringing had denied him. On his return to Paris in 1734, he gained full membership of the Royal Academy of Painting and Sculpture with his splendid Rinaldo and Armida (Paris, Musée du Louvre). Although, throughout his career, he occasionally painted subjects taken from the Bible, and would always have considered himself first as a history painter, his own repertoire of heroines, seductresses, flirtatious peasant girls and erotic beauties was better suited to a lighter, more decorative subject matter. His mastery of technique and composition enabled him to move from large scale tapestry cartoons (he worked throughout his career for both the Beauvais and Gobelins tapestry factories, becoming director of the latter in 1755), to intimate masterpieces such as Diana Resting (Paris, Louvre) or Leda and the Swan and the occasional scene from everyday life such as The Luncheon (Paris, Louvre), with its elegantly dressed figures grouped around a well-laid table.
Enormously successful and widely bought, Boucher’s output was prodigious. First patronized by the Crown in the 1730s, and appointed Premier Peintre du Roi in 1765, he executed numerous royal and princely commissions until his death in 1770, working particularly for Louis XV’s mistress, the Marquise de Pompadour in each of her several palaces. Always ready to utilize his talents in other fields, he designed stage sets for theatre and opera and supplied drawings to be used as designs for figures at the Vincennes (later Sèvres) porcelain factory. As a teacher, he was much loved by his many students, who included Fragonard, Le Prince, Deshays, Brenet, Baudouin, Lagrenee, and Madame de Pompadour herself.
In his earliest surviving works with their colourful rococo palette, even David, a distant cousin, was clearly influenced by Boucher. Not since Le Brun had a single French artist held such a monopoly on the imagery of a particular society or left such a mark on the art of his time.to
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Artist: François Boucher
Three drawings by François Boucher in a mounting by Jean-Baptiste Glomy
By François Boucher
Located in PARIS, FR
We would like to thank Juliette Parmentier-Courreau of the Custodia Foundation for her welcome and support during the consultation of Glomy’s Journal des Ouvrages.
This spectacularly large "feuille de desseins ajustés" commissioned by François Boucher from Jean-Baptiste Glomy is emblematic of the painter's art and mastery of rocaille. It is also fully representative of the taste of this period in the field of decorative arts. The largest of these three drawings, placed at the bottom of the composition, is particularly interesting: dating from around 1756, it constitutes a modello (apparently unpublished) for the frontispiece of the "Catalogue des tableaux de Monsieur de Julienne"), preserved in the Morgan Library in New York.
1. François Boucher, the master of French rocaille
The extraordinary career of Francois Boucher was unmatched by his contemporaries in versatility, consistency and output. For many, particularly the writers and collectors who led the revival of interest in the French rococo during the last century, his sensuous beauties and plump cupids represent the French eighteenth century at its most typical. His facility with the brush, even when betraying the occasional superficiality of his art, enabled him to master every aspect of painting – history and mythology, portraiture, landscape, ordinary life and, as part of larger compositions, even still life. He had been trained as an engraver, and the skills of a draftsman, which he imbued in the studio of Jean-Francois Cars (1661 – 1738), stood him in good stead throughout his career; his delightful drawings are one of the most sought-after aspects of his oeuvre.
As a student of Francois Lemoyne (1688 - 1737), he mastered the art of composition. The four years he spent in Italy, from 1727-1731, educated him in the works of the masters, classics and history, that his modest upbringing had denied him.
On his return to Paris in 1734, he gained full membership of the Royal Academy of Painting and Sculpture with his splendid Rinaldo and Armida (Paris, Musée du Louvre). Although, throughout his career, he occasionally painted subjects taken from the Bible, and would always have considered himself first as a history painter, his own repertoire of heroines, seductresses, flirtatious peasant girls and erotic beauties was better suited to a lighter, more decorative subject matter. His mastery of technique and composition enabled him to move from large scale tapestry...
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1750s Old Masters François Boucher Figurative Drawings and Watercolors
Materials
Chalk, Ink
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CG0004
-ARTIST STATEMENT-
I depict my person in multiplicity with different selves representing dramatis
personae. My likeness is both implicit and symbolic in the portrayal of my
narrative; the drama involved in creating art and the artist’s role in society. I
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Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation.
-CV-
EDUCATION
MFA 2001 Printmaking Indiana University-Bloomington
BFA 1995 Drawing and Printmaking University of Missouri-Columbia
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2002-13 Associate Professor, Printmaking and Drawing
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2002 Adjunct Professor: Lithography (instructor of record)
Indiana University-Bloomington
1998-00 Associate Instructor: Beginning Drawing (instructor of record)
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CG0013
-ARTIST STATEMENT-
I depict my person in multiplicity with different selves representing dramatis
personae. My likeness is both implicit and symbolic in the portrayal of my
narrative; the drama involved in creating art and the artist’s role in society. I
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-CV-
EDUCATION
MFA 2001 Printmaking Indiana University-Bloomington
BFA 1995 Drawing and Printmaking University of Missouri-Columbia
TEACHING/PROFESSIONAL EXPERIENCE
2002-13 Associate Professor, Printmaking and Drawing
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space, April 14-17
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21st Parkside National Small Print Exhibition - National Juried Exhibition
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School of Design Gallery, Hong Kong Polytechnic University, Kowloon, Hong Kong,
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27th Annual National Print Exhibition at Artlink - National Juried Exhibition
Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted
Award Selector: Brett Colley, Assistant Professor of Art and Design, Grand Valley
State University
Boston Printmakers 2007 North American Print Biennial – National juried
printmaking exhibition
Boston University’s 808 Gallery, Boston, MA, Feb. 18 - April 1
Juror: Judith B. Hecker, Assistant Curator, Department of Prints and Illustrated Books,
The Museum of Modern Art, New York
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Juror: Karen Kunc, Professor of Printmaking/Book Arts, University of Nebraska- Lincoln
2006 National Contemporary American Realism: Fort Wayne Museum of Art's 2006
Biennial, Fort Wayne, IN, June 10 - Aug. 20; two pieces accepted
26th Annual National Print Exhibition at Artlink - National Juried Exhibition
Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted
Award Selector: Carolyn Autry, artist and Associate Professor of Art and Art History
at the University of Toledo
19th University of Dallas Print Invitational - Traveling national invitational exhibition
Haggerty Gallery, University of Dallas, Irving TX, Jan. 28 – March 6 three pieces accepted
Texas A&M University – Corpus Christi, TX, Feb. 1 – March 9, 2007
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Intaglio print Jonas Ark displayed at Southern Graphics Council National Conference
University of Wisconsin-Madison, University of Wisconsin-Madison, April 5 – 9
Paper in Particular - National Juried works on paper exhibition
Larson Gallery, Columbia College, Columbia, MO, Feb. 5 - March 5; two pieces
accepted. Juror: David Morrison, Professor of Printmaking, Herron School of Art and
Design, Indianapolis, IN
19th Parkside National SmallPrint Exhibition - National Juried Exhibition
University of Wisconsin-Parkside, Kenosha, WI, Jan.15 - Feb. 16
Juror: Rudy Pozzatti, Professor Emeritus, Indiana University - Bloomington
2005
18th Parkside National Small Print Exhibition - National Juried Exhibition
University of Wisconsin-Parkside, Kenosha, WI, Jan.14 - Feb. 22
Juror: Karen Kunc, Professor of Printmaking/Book Arts, University of Nebraska-Lincoln
2004
Exchange! A Survey of International and National Exchange Print Portfolios
Visual and Performing Arts Center, Main Gallery, Purdue University, Feb. 1 - 15
Juror: Kathryn Reeves, P rofessor of Art, Purdue University
2003
23rd Annual National Print Exhibition at Artlink - National Juried Exhibition
Artlink Gallery, Fort Wayne, IN, May 16 - July 2, 2003
Border to Border – National Juried Drawing Exhibition
Trahern Gallery, Austin Peay State University, Clarksville, TN, March 3 - 30
Juror: Jim Cantrell, independent studio artist, Bardstown, KY
On/Of Paper – National Juried Exhibition
Clyde Snook Gallery, Adams State College, Alamosa, CO, March 3 - April 11
Juror: Dale Leys, Professor of Drawing, Murray State University, Murray, KY
Emerging Artists 2003 – National Juried Exhibition
Limner Gallery, New York, NY, Feb.12 – March 1
Jurors: Tim Slowinski...
Category
21st Century and Contemporary Contemporary François Boucher Figurative Drawings and Watercolors
Materials
Paper, Chalk, Ink
H 19.5 in W 13.5 in D 0.1 in
Figure Drawing by Mark Beard (Stoic, Muscular Male Nude Charcoal Life Drawing)
By Mark Beard
Located in Hudson, NY
Academic life drawing of male nude with charcoal and graphite by Mark Beard
graphite, Conte crayon and charcoal on Arches paper
30 x 19.5 inches unframed
Signed, lower left
Strong f...
Category
2010s Contemporary François Boucher Figurative Drawings and Watercolors
Materials
Conté, Charcoal, Archival Paper, Graphite
MB 005 (Modern, Traditional Style Figurative Life Drawing of Muscular Male Nude)
By Mark Beard
Located in Hudson, NY
Figurative nude drawing on Arches paper
graphite, conte crayon and charcoal on Arches paper
22 x 15 inches unframed
Contemporary figurative life study drawing of a reclining male nu...
Category
2010s Modern François Boucher Figurative Drawings and Watercolors
Materials
Conté, Graphite
French School, Academic Study (Male Nude)
Located in London, GB
Charcoal on paper, 60cm x 42cm, (74cm x 60cm framed). The picture is framed behind museum quality non-reflective UV glass.
Drawings and paintings of the nude were central to academ...
Category
19th Century Old Masters François Boucher Figurative Drawings and Watercolors
Materials
Paper, Carbon Pencil
Untitled
By Mark Beard
Located in New York, NY
Charcoal with red and white conté crayon on Rives BFK paper
Signed and dated, recto
This artwork is offered by ClampArt, located in New York City.
Mark Beard, born in 1956 in Salt ...
Category
2010s Realist François Boucher Figurative Drawings and Watercolors
Materials
Paper, Conté, Charcoal
Previously Available Items
Paysanne en buste de profil
By François Boucher
Located in Petworth, West Sussex
Francois Boucher (French, 1703 – 1770)
Paysanne en buste de profil
Black crayon, heightened with white on paper
8.5/8 x 6.7/8in. (22 x 17.3cm.) (to mount edge)
Provenance: The auth...
Category
Early 17th Century Rococo François Boucher Figurative Drawings and Watercolors
Materials
Paper, Crayon
François Boucher figurative drawings and watercolors for sale on 1stDibs.
Find a wide variety of authentic François Boucher figurative drawings and watercolors available for sale on 1stDibs. You can also browse by medium to find art by François Boucher in chalk, ink and more. Much of the original work by this artist or collective was created during the 18th century and is mostly associated with the Old Masters style. Not every interior allows for large François Boucher figurative drawings and watercolors, so small editions measuring 12 inches across are available. Customers who are interested in this artist might also find the work of Jan Pieter Verdussen, Michela De Vito, and Émile Jean-Horace Vernet . François Boucher figurative drawings and watercolors prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $36,000 and tops out at $36,000, while the average work can sell for $36,000.