Gabriel Humberto Mayorga Drawings and Watercolor Paintings

Jack Hooper "Green and Blue Nude I" 5/1963 Oil pastel on paper 8.5"x11" unframed Signed and dated in pencil lower right Jack Meredith Hooper (August 26, 1...

Watercolor by Louis Berthommé Saint-André, France, circa 1925 This exquisite watercolor by Louis Berthommé Saint-André, dating from around 1925, exemplifies the artist's mastery in ...

Green Nude Woman's Torso in Watercolor on Paper Vibrant nude torso watercolor by artist David Stephens (American, 20th century). A nude woman with arms raised is shown against a viv...

This watercolor painting captures the ethereal beauty of a nude woman walking gracefully along the shore, her gaze turned back towards the vast sea and the sunset. The soft, flowing ...

An original realist pastel drawing by American female artist Catherine Koenig.

Andre Derain (French, 1880 – 1954) A nude looking right Pencil on paper Signed with atelier stamp (lower right) 16.1/4 x 8.1/4 in. (41.1 x 21 cm.) André Derain (10 June 1880 – 8 Sep...

Augustus John (British, 1878 – 1961) Kneeling nude Pencil on paper Signed ‘John’ (lower right) 19 x 13 in. (48.3 x 33 cm.) Provenance: Bonhams, 26th March 2025

Andre Derain (French, 1880 – 1954) A nude looking up Pencil on paper Signed with atelier stamp (lower right) 16.1/2 x 9.1/8 in. (41.1 x 23.1 cm.) André Derain (10 June 1880 – 8 Sept...

Louis Robert Arthur Latapie (French, 1891-1972) La Modele Black crayon Signed `Latapie’ (lower right) 24.5/8 x 19 in. (62.5 x 48.3 cm.)

Boxers, Ballerinas and Bible Stories “ are a suite of drawings wherein one model plays a series of interactive roles with his or her self. Contemporary graphic novels and the Pop cul...

'Woman in Red' by Robert George Gilberg. California Modernist, San Francisco Bay Area Modernism, Thiebaud ----- Signed lower right, 'Gilberg' for Robert George Gilberg (1911-1970) a...

Paul Delvaux 1897-1994 Belgian Study for “L’Acropole” Signed and dated "P.Delvaux 1965" (lower right) Watercolor, pen and ink on paper This preliminary drawing for Paul Delvaux’s greatest masterpiece L’Acropole, which resides today in the Centre Pompidou in Paris, features the artist’s most beloved subject — mystical scenes of nude women. A centrally-placed, stoic woman draped in a long green gown stands with her arms outstretched by her sides. She gazes at another idealized woman in the foreground, lying nude on a chaise lounge, while behind her, multitudes of other women in white dresses undertake a long procession towards a distant door. The captivating scene exudes the unique Surrealist style for which the artist has become known. With this skillful rendering of the surreal setting, Delvaux has mastered depicting nude women in a sensual yet non-erotic manner. The artist drew inspiration from a variety of sources, including the futuristic writings of Jules Verne and the mythos of Homer, and blended them with his subconscious themes, which frequently included the nude female form. In combination with the loose concepts of form and perspective found in the 16th-century Mannerist paintings that Delvaux studied in Italy before World War II, his distinctive style served to create memorable dreamscapes without veering into lewdness. Like the very best Surrealist images, the work is both innovative and engaging. Paul Delvaux's earliest and most lasting influences in his art were the futuristic writings of Jules Verne and the mythos of Homer. After completing his initial artistic training at the Académie Royale des Beaux-Arts in Brussels, Delvaux exhibited with Surrealists Dalí...