George Grosz Wall Decorations
George Grosz was a German artist known especially for his caricatural drawings and paintings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic. Grosz studied drawing at the Dresden Academy (1909–11) and at the School of Arts and Crafts in Berlin (1912–14). He was in the army from 1914–15, and again for a short time in 1917, but spent the rest of the war in Berlin, where he made violently anti-war drawings, in which his main focus was attacking the social corruption of Germany (capitalists, prostitutes, the Prussian military caste, the middle class). His artworks had great impact in the Berlin Dada movement, 1917–20, and collaborated with John Heartfield and Raoul Hausmann in the invention of photomontage.
Many of Grosz’s drawings were published in albums (Gott mit uns, Ecce Homo, Der Spiesser-Spiegel, etc.), and he was subject to prosecutions for insulting the army and blasphemy. He visited the United States in 1932 to teach at the Art Students League, New York, and settled there in 1933. In the latter part of his career, he tried to establish himself as a pure painter of landscapes and still life, but also painted many compositions of an apocalyptic and deeply pessimistic kind. His role in the Berlin Dada movement affected political outlooks and artistic developments not only in Germany, but also in Russia, the Balkan nations, and parts of France.
Grosz's penetrating, darkly humorous style of drawing and his use of satire as a weapon left a deep impression on the work of his contemporaries and the artists of the next generation. Some of his works from the early 1940s, particularly during World War II, do present an allegorical and dramatic representation of Grosz's moral perspective regarding war. Additionally, some of his last pieces from 1958 were photomontages, and hearken back to his earlier Dadaist aesthetic and message, passing judgment upon consumerism and suggesting that his absorption with American culture had ended in disappointment. In 1959, Grosz sold his house and moved back to Berlin. He died shortly after his return, after a fall down the stairs.
1960s American Mid-Century Modern Vintage George Grosz Wall Decorations
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1980s American Mid-Century Modern Vintage George Grosz Wall Decorations
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1960s French French Provincial Vintage George Grosz Wall Decorations
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1980s American Mid-Century Modern Vintage George Grosz Wall Decorations
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20th Century George Grosz Wall Decorations
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1960s American Modern Vintage George Grosz Wall Decorations
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Mid-20th Century George Grosz Wall Decorations
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1960s Mid-Century Modern Vintage George Grosz Wall Decorations
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Late 20th Century American Mid-Century Modern George Grosz Wall Decorations
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1960s Mid-Century Modern Vintage George Grosz Wall Decorations
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21st Century and Contemporary American George Grosz Wall Decorations
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1960s French French Provincial Vintage George Grosz Wall Decorations
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1960s French Mid-Century Modern Vintage George Grosz Wall Decorations
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1960s German Vintage George Grosz Wall Decorations
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- 1stDibs ExpertAugust 8, 2024Yes, George Grosz was an Expressionist. Born in Berlin, the artist was a major figure in the city’s Dada movement and was pivotal in the development of photomontage. He also became known for his caricatures in the wake of World War I, particularly those that were anti-war and addressed social corruption. He began working in an Expressionist style around this same time, a style he continued to engage with until his death in 1959. On 1stDibs, explore a collection of George Grosz art.
- 1stDibs ExpertApril 5, 2022George Grosz was a German artist best known for his character drawings and his paintings of Berlin in the 1920s. His work was often very critical of the politics of the day and German society. In the 1930s, Grosz immigrated to the United States and gave up the style he had previously been known for and began teaching. Shop a selection of George Grosz pieces from some of the world’s top art dealers on 1stDibs.