Giovanni Omiccioli Figurative Paintings

The Roman Landscape French artist, .late 18th century oil on canvas, framed in antique gilt frame framed: 35.5 x 45.5 inches canvas: 29 x 39 inches Provenance: private collection, Fr...

Boat Expedition Italian School, early 1800's period oil on canvas, framed Framed: 19 x 23 inches Canvas : 18.5 x 22.5 inches Provenance: private collection, France Condition: the fr...

An impressive painting in size and execution, a frosty winter day in a birch grove with a small pond. The orange-yellow sunset reflected on the surface of the pond creates the illusion of bizarre reflections. The frosty haze that has enveloped the forest intertwines with the approaching twilight, enhancing the sense of depth and atmosphere. On the right we see a traveler returning from the forest with an armful of brushwood on his back. In the distance a small flock of birds flies in, alarmed by something, bringing a sense of movement to this scene. The contrast of bright and cold shades creates an atmosphere of calm and silence...

Summer rustic scene depicts an idyllic picture of country life in which harmony and happiness reign. The muted, slightly blurry colors convey the artist's inner world and mood, while...

The painting "Sweet Dreams" by Sophie Dumont, measuring 31.5 x 31.5 inches (80 x 80 cm), features an abstract composition reminiscent of a bookshelf or folded fabrics. The books are...

Signed lower right "Nasmyth" leading to one of the whole pleiad of renowned Scottish artists starting with Alexander Nasmyth (1758 -1840). This painting showcases a scene of a landscape with shallow water, where a family is seen wading through a river ford in knee-deep water. The presence of a shepherdess on a high bank, observing the travelers with keen interest, adds a sense of pastoral charm to the composition. One of the focal points of the painting is a picturesque tree that has fallen into the river, adding a touch of drama to the overall scene. The contrast between the lush woodland and bushes on the right side of the foreground and the rolling valley on the left side further enhances the depth and perspective of the painting and superbly illustrates the traditions of the early 19th century British Art...

Along the road, we see several travelers: some are walking at a leisurely pace, others are engaged in animated conversations. At the top of one mountain, a small castle stands proudl...

Work on canvas Molded frame in plaster and gilded wood 36 x 40 x 4 cm

In the foreground, we see two conquistadors and three natives accompanying them landing on the shore, presumably on a reconnaissance mission in an unfamiliar bay. Perhaps they are in...

Delos Palmer Jr. Tree in Winter Signed lower left Oil on Masonite 10 x 8 inches Delos Palmer, Jr. was born January 26, 1890 in New York City. His father was Dr. Delos Palmer, a socially prominent Park Avenue dentist. His mother was Jennifer Emma Banta. His parents were both born in NYC, where they married in 1880 and had five children. There had three sons and two daughters. He was the fourth born. They lived in a private townhouse at 48 West 50th Street, with a cook, a waitress, and a nurse to assist in his father's dental practice on the ground floor. They lived a privileged life and the children all went to the best private schools. He graduated high school in June of 1908. He studied at The Art Students League from 1911 to 1915 with the renowned American Impressionist, George Bellows. According to the artist, "Bellows was a good influence on me. He taught me how to paint what I see and what I feel!" In 1916 Palmer moved to the historic Holbein Studios at 139 West 55th Street. He worked there until 1920, when he moved to the more fashionable Greenwich Village, where he became a successful society portraitist. He was 27 years old during the Great War, so he was not selected for military service. In 1923 Palmer began to sell interior story illustrations to Metropolitan Magazine, The Saturday Evening Post, and Liberty. In 1924 he married Helen Smith Romme and moved to Stamford, CT, where they raised a daughter and two step-sons. The fateful market crash of 1929 ended Palmer's high society portrait business, but he soon found work through his contacts at Liberty magazine's MacFadden Publishing, which also produced several crime and detective magazines such as Master Detective and True Detective. He then began to paint pulp covers for Dime Mystery, Clues, Frontier Stories, Action Stories, Western Trails, All Star Adventure, Complete Western Book...

Architectural whimsy with Roman ruins, column and ancient arches. Year 1718. Oil on Canvas. Original canvas. Roman school of the early 18th century. The painting is part of the seri...

Alessandro LA VOLPE (Lucera, 1820 – Rome, 1887) Boats on the shore, Naples 1868 Oil on canvas Signed, located and dated lower left 21 x 42 cm without frame 50 x 71 cm with frame 18...