Henry Horenstein Black and White Photography
to
5
22
Overall Width
to
Overall Height
to
22
5
15
7
5
22
5
24
12
9
9
7
7
6
5
3
3
2
2
2
2
2
2
2
2
2
2
22
5
5
31
1,131
845
797
605
27
Artist: Henry Horenstein
Fishnets, New York Burlesque Festival, Southpaw
By Henry Horenstein
Located in New York, NY
Archival pigment print
Signed and numbered, verso
24 x 20 inches, sheet
(Edition of 15)
40 x 30 inches, sheet
(Edition of 8)
This photograph is offered by ClampArt, located in New...
Category
Early 2000s Contemporary Henry Horenstein Black and White Photography
Materials
Archival Pigment
Domestic Pig (Sus scrofa domestica)
By Henry Horenstein
Located in New York, NY
Sepia-toned gelatin silver print
Signed and numbered, verso
20 x 24 inches, sheet
(Edition of 35)
26 x 39 inches, sheet
(Edition of 15)
This photograph is offered by ClampArt, located in New York City.
“Horenstein’s creatures are decontextualized. They appear without the backdrop of the natural landscape, outside even the artificial world of the zoo or aquarium, and devoid of their true color. As a consequence, the images are truly arresting; and in both a literal and a metaphorical sense, we see these animals as we have never seen them before. We notice details, and Horenstein focuses our vision on the unexpected: the foot of an elephant, the eye of an octopus, the hair on the back of a gibbon’s head, the pattern of feathers on a bird’s neck. He plays with scale: the rear end and tail of a rhinoceros occupy the entire picture frame. We see these as if through a magnifying glass. His pictures challenge us to look more closely, to ask questions and make connections. We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold together a school of fish. Examining these photographs, we become scientists and discoverers.
“In some respects, Horenstein’s work continues a centuries-old tradition of natural history illustration in the realm of photography. In natural history illustration, animals are often presented in shallow space with limited landscape, sometimes even against a blank page, in order to promote close examination and study of detail. But as much as these photographs promote scientific inquiry, they are more than scientific illustration. Animals were the subjects of our first art and our first metaphors; and freed from the constraints of space and time, many of Horenstein’s creatures remind us of the lost magical connection between the ‘animal world’ and our own. They are unsettling and they mesmerize. They transcend and transgress familiar boundaries between subject and object. Who is observing whom? The Komodo dragon looks at us with piercing eyes. We’re transfixed by the gaze of the harbor...
Category
1990s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Lovers
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
20 x 16 inches, sheet
(Edition of 25)
This photograph is offered by ClampArt, located in New York City.
Forty years after he began documenting the country-music scene in and around Nashville, Henry Horenstein’s deep love for the music and its people continues. Having spent a lifetime around performers and fans, he has been granted access to the high-glamour backstage at the Grand Ole Opry...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Last Call
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
20 x 16 inches, sheet
(Edition of 25)
This photograph is offered by ClampArt, located in New York City.
Forty years after he began ...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Drunk Dancers
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
20 x 16 inches, sheet
(Edition of 25)
This photograph is offered by ClampArt, located in New York City.
Forty years after he began ...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Loretta Lynn
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
20 x 16 inches, sheet
(Edition of 25)
This photograph is offered by ClampArt, located in New York City.
Forty years after he began documenting the country-music scene in and around Nashville, Henry Horenstein’s deep love for the music and its people continues. Having spent a lifetime around performers and fans, he has been granted access to the high-glamour backstage at the Grand Ole Opry...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
TV, Kitchen
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
14 x 11 inches, sheet
(Edition of 15)
This photograph is offered by ClampArt, located in New York City.
In Close Relations, noted p...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Jukebox
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
20 x 16 inches, sheet
(Edition of 25)
This photograph is offered by ClampArt, located in New York City.
Forty years after he began documenting the country-music scene in and around Nashville, Henry Horenstein’s deep love for the music and its people continues. Having spent a lifetime around performers and fans, he has been granted access to the high-glamour backstage at the Grand Ole Opry...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Waylon Jennings
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
20 x 16 inches, sheet
(Edition of 25)
This photograph is offered by ClampArt, located in New York City.
Forty years after he began ...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Ronnie
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
14 x 11 inches, sheet
(Edition of 15)
This photograph is offered by ClampArt, located in New York City.
In Close Relations, noted p...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Beluga Whale (Delphinapterus leucas)
By Henry Horenstein
Located in New York, NY
Sepia-toned gelatin silver print
Signed and numbered, verso
24 x 20 inches, sheet
(Edition of 35)
39 x 26 inches, sheet
(Edition of 15)
This photograph is offered by ClampArt, located in New York City.
“Horenstein’s creatures are decontextualized. They appear without the backdrop of the natural landscape, outside even the artificial world of the zoo or aquarium, and devoid of their true color. As a consequence, the images are truly arresting; and in both a literal and a metaphorical sense, we see these animals as we have never seen them before. We notice details, and Horenstein focuses our vision on the unexpected: the foot of an elephant, the eye of an octopus, the hair on the back of a gibbon’s head, the pattern of feathers on a bird’s neck. He plays with scale: the rear end and tail of a rhinoceros occupy the entire picture frame. We see these as if through a magnifying glass. His pictures challenge us to look more closely, to ask questions and make connections. We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold together a school of fish. Examining these photographs, we become scientists and discoverers.
“In some respects, Horenstein’s work continues a centuries-old tradition of natural history illustration in the realm of photography. In natural history illustration, animals are often presented in shallow space with limited landscape, sometimes even against a blank page, in order to promote close examination and study of detail. But as much as these photographs promote scientific inquiry, they are more than scientific illustration. Animals were the subjects of our first art and our first metaphors; and freed from the constraints of space and time, many of Horenstein’s creatures remind us of the lost magical connection between the ‘animal world’ and our own. They are unsettling and they mesmerize. They transcend and transgress familiar boundaries between subject and object. Who is observing whom? The Komodo dragon looks at us with piercing eyes. We’re transfixed by the gaze of the harbor...
Category
1990s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Cownose Ray (Rhinoptera bonasus)
By Henry Horenstein
Located in New York, NY
Sepia-toned gelatin silver print
Signed and numbered, verso
24 x 20 inches, sheet
(Edition of 35)
39 x 26 inches, sheet
(Edition of 15)
This photograph is offered by ClampArt, loc...
Category
1990s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Jackie Beat, California Institute of Abnormalarts (CIA)
By Henry Horenstein
Located in New York, NY
Archival pigment print
Signed and numbered, verso
24 x 20 inches, sheet
(Edition of 15)
40 x 30 inches, sheet
(Edition of 8)
This photograph is offered by ClampArt, located in New...
Category
Early 2000s Contemporary Henry Horenstein Black and White Photography
Materials
Archival Pigment
Christine
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
14 x 11 inches, sheet
(Edition of 15)
This photograph is offered by ClampArt, located in New York City.
In Close Relations, noted p...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
White-cheeked Spider Monkey (Ateles marginatus)
By Henry Horenstein
Located in New York, NY
Sepia-toned gelatin silver print
Signed and numbered, verso
20 x 24 inches, sheet
(Edition of 35)
26 x 39 inches, sheet
(Edition of 15)
This photograph is offered by ClampArt, located in New York City.
“Horenstein’s creatures are decontextualized. They appear without the backdrop of the natural landscape, outside even the artificial world of the zoo or aquarium, and devoid of their true color. As a consequence, the images are truly arresting; and in both a literal and a metaphorical sense, we see these animals as we have never seen them before. We notice details, and Horenstein focuses our vision on the unexpected: the foot of an elephant, the eye of an octopus, the hair on the back of a gibbon’s head, the pattern of feathers on a bird’s neck. He plays with scale: the rear end and tail of a rhinoceros occupy the entire picture frame. We see these as if through a magnifying glass. His pictures challenge us to look more closely, to ask questions and make connections. We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold together a school of fish. Examining these photographs, we become scientists and discoverers.
“In some respects, Horenstein’s work continues a centuries-old tradition of natural history illustration in the realm of photography. In natural history illustration, animals are often presented in shallow space with limited landscape, sometimes even against a blank page, in order to promote close examination and study of detail. But as much as these photographs promote scientific inquiry, they are more than scientific illustration. Animals were the subjects of our first art and our first metaphors; and freed from the constraints of space and time, many of Horenstein’s creatures remind us of the lost magical connection between the ‘animal world’ and our own. They are unsettling and they mesmerize. They transcend and transgress familiar boundaries between subject and object. Who is observing whom? The Komodo dragon looks at us with piercing eyes. We’re transfixed by the gaze of the harbor...
Category
1990s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Domestic Great Dane (Canis lupus familiaris)
By Henry Horenstein
Located in New York, NY
Sepia-toned gelatin silver print
Signed and numbered, verso
24 x 20 inches, sheet
(Edition of 35)
39 x 26 inches, sheet
(Edition of 15)
This photograph is offered by ClampArt, located in New York City.
“Horenstein’s creatures are decontextualized. They appear without the backdrop of the natural landscape, outside even the artificial world of the zoo or aquarium, and devoid of their true color. As a consequence, the images are truly arresting; and in both a literal and a metaphorical sense, we see these animals as we have never seen them before. We notice details, and Horenstein focuses our vision on the unexpected: the foot of an elephant, the eye of an octopus, the hair on the back of a gibbon’s head, the pattern of feathers on a bird’s neck. He plays with scale: the rear end and tail of a rhinoceros occupy the entire picture frame. We see these as if through a magnifying glass. His pictures challenge us to look more closely, to ask questions and make connections. We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold together a school of fish. Examining these photographs, we become scientists and discoverers.
“In some respects, Horenstein’s work continues a centuries-old tradition of natural history illustration in the realm of photography. In natural history illustration, animals are often presented in shallow space with limited landscape, sometimes even against a blank page, in order to promote close examination and study of detail. But as much as these photographs promote scientific inquiry, they are more than scientific illustration. Animals were the subjects of our first art and our first metaphors; and freed from the constraints of space and time, many of Horenstein’s creatures remind us of the lost magical connection between the ‘animal world’ and our own. They are unsettling and they mesmerize. They transcend and transgress familiar boundaries between subject and object. Who is observing whom? The Komodo dragon looks at us with piercing eyes. We’re transfixed by the gaze of the harbor...
Category
1990s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Wanda Behind the Bar
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
20 x 16 inches, sheet
(Edition of 25)
This photograph is offered by ClampArt, located in New York City.
Forty years after he began ...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Hosts, Charity Party
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
14 x 11 inches, sheet
(Edition of 15)
This photograph is offered by ClampArt, located in New York City.
In Close Relations, noted p...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Amber Ray
By Henry Horenstein
Located in New York, NY
Archival pigment print
Signed and numbered, verso
20 x 24 inches, sheet
(Edition of 15)
30 x 40 inches, sheet
(Edition of 8)
This photograph is offered by ClampArt, located in New...
Category
Early 2000s Contemporary Henry Horenstein Black and White Photography
Materials
Archival Pigment
Emperor Penguin (Aptenodytes forsteri)
By Henry Horenstein
Located in New York, NY
Sepia-toned gelatin silver print
Signed and numbered, verso
24 x 20 inches, sheet
(Edition of 35)
39 x 26 inches, sheet
(Edition of 15)
This photograph is offered by ClampArt, located in New York City.
“Horenstein’s creatures are decontextualized. They appear without the backdrop of the natural landscape, outside even the artificial world of the zoo or aquarium, and devoid of their true color. As a consequence, the images are truly arresting; and in both a literal and a metaphorical sense, we see these animals as we have never seen them before. We notice details, and Horenstein focuses our vision on the unexpected: the foot of an elephant, the eye of an octopus, the hair on the back of a gibbon’s head, the pattern of feathers on a bird’s neck. He plays with scale: the rear end and tail of a rhinoceros occupy the entire picture frame. We see these as if through a magnifying glass. His pictures challenge us to look more closely, to ask questions and make connections. We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold together a school of fish. Examining these photographs, we become scientists and discoverers.
“In some respects, Horenstein’s work continues a centuries-old tradition of natural history illustration in the realm of photography. In natural history illustration, animals are often presented in shallow space with limited landscape, sometimes even against a blank page, in order to promote close examination and study of detail. But as much as these photographs promote scientific inquiry, they are more than scientific illustration. Animals were the subjects of our first art and our first metaphors; and freed from the constraints of space and time, many of Horenstein’s creatures remind us of the lost magical connection between the ‘animal world’ and our own. They are unsettling and they mesmerize. They transcend and transgress familiar boundaries between subject and object. Who is observing whom? The Komodo dragon looks at us with piercing eyes. We’re transfixed by the gaze of the harbor...
Category
1990s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Chammie and Uncle George
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
11 x 14 inches, sheet
(Edition of 15)
This photograph is offered by ClampArt, located in New York City.
In Close Relations, noted p...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Waiting Backstage
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
20 x 16 inches, sheet
(Edition of 25)
This photograph is offered by ClampArt, located in New York City.
Forty years after he began documenting the country-music scene in and around Nashville, Henry Horenstein’s deep love for the music and its people continues. Having spent a lifetime around performers and fans, he has been granted access to the high-glamour backstage at the Grand Ole Opry...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Harmonica Player
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
20 x 16 inches, sheet
(Edition of 25)
This photograph is offered by ClampArt, located in New York City.
Forty years after he began documenting the country-music scene in and around Nashville, Henry Horenstein’s deep love for the music and its people continues. Having spent a lifetime around performers and fans, he has been granted access to the high-glamour backstage at the Grand Ole Opry...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Jerry Lee Lewis
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
20 x 16 inches, sheet
(Edition of 25)
This photograph is offered by ClampArt, located in New York City.
Forty years after he began documenting the country-music scene in and around Nashville, Henry Horenstein’s deep love for the music and its people continues. Having spent a lifetime around performers and fans, he has been granted access to the high-glamour backstage at the Grand Ole Opry...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Prince Poppycock
By Henry Horenstein
Located in New York, NY
Archival pigment print
Signed and numbered, verso
24 x 20 inches, sheet
(Edition of 15)
40 x 30 inches, sheet
(Edition of 8)
This photograph is offered by ClampArt, located in New...
Category
Early 2000s Contemporary Henry Horenstein Black and White Photography
Materials
Archival Pigment
Brown Sea Nettles (Chrysaora fuscescens)
By Henry Horenstein
Located in New York, NY
Sepia-toned gelatin silver print
Signed and numbered, verso
20 x 24 inches, sheet
(Edition of 35)
26 x 39 inches, sheet
(Edition of 15)
This photograph is offered by ClampArt, located in New York City.
“Horenstein’s creatures are decontextualized. They appear without the backdrop of the natural landscape, outside even the artificial world of the zoo or aquarium, and devoid of their true color. As a consequence, the images are truly arresting; and in both a literal and a metaphorical sense, we see these animals as we have never seen them before. We notice details, and Horenstein focuses our vision on the unexpected: the foot of an elephant, the eye of an octopus, the hair on the back of a gibbon’s head, the pattern of feathers on a bird’s neck. He plays with scale: the rear end and tail of a rhinoceros occupy the entire picture frame. We see these as if through a magnifying glass. His pictures challenge us to look more closely, to ask questions and make connections. We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold together a school of fish. Examining these photographs, we become scientists and discoverers.
“In some respects, Horenstein’s work continues a centuries-old tradition of natural history illustration in the realm of photography. In natural history illustration, animals are often presented in shallow space with limited landscape, sometimes even against a blank page, in order to promote close examination and study of detail. But as much as these photographs promote scientific inquiry, they are more than scientific illustration. Animals were the subjects of our first art and our first metaphors; and freed from the constraints of space and time, many of Horenstein’s creatures remind us of the lost magical connection between the ‘animal world’ and our own. They are unsettling and they mesmerize. They transcend and transgress familiar boundaries between subject and object. Who is observing whom? The Komodo dragon looks at us with piercing eyes. We’re transfixed by the gaze of the harbor...
Category
1990s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Melody Sweets, New York, NY
By Henry Horenstein
Located in New York, NY
Archival pigment print
Signed in pencil, verso
22 x 17 inches, sheet
15 x 15 inches, image
This photograph is offered by ClampArt, located in New York City.
The series, "Show," is photographer Henry Horenstein’s long-anticipated look at modern burlesque. The photographs were made from 2001 to 2009, and serve as an homage to the neo-burlesque resurgence of the last several years.
The noir-styled images in "Show" are variously amusing, sexy, and harsh — true reflections of the world they document. The book covers a myriad of burlesque-style performance, including drag, fetish, and sideshow. Horenstein says, “These performers are today’s version of the ‘starving artist’ — living on the margins and delivering their personal expression through song, dance, comedy, and narrative — charged sexually and often highly political.”
"Show" includes portraits of many of burlesque’s most recognizable performers, including Dita Von Teese and Catherine D...
Category
Early 2000s Contemporary Henry Horenstein Black and White Photography
Materials
Archival Pigment
Price Upon Request
Related Items
Corso Sienna, 1989
By Todd Burris
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1 of 10
If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...
Category
1980s Contemporary Henry Horenstein Black and White Photography
Materials
Archival Pigment
'Huston & Brando On Set' (Silver Gelatin Print)
Located in London, GB
'Huston & Brando On Set' 1967
Director John Huston and actor Marlon Brando on the set of 'Reflections In A Golden Eye,' 1967.
The two iconic movie stars on the set of the film in w...
Category
1960s Modern Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Rapids Below Vernal Fall, Yosemite, CA
By Ansel Adams
Located in Pacific Grove, CA
This vintage silver gelatin contact print is signed in pencil on the front of the mount, with Portfolio One stamp and numbering in red crayon on the back of the mount. This print com...
Category
1940s Modern Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Marilyn Monroe, unique print of 1988 from original negative
By Edward Feingersh
Located in Cologne, DE
Ed Feingersh photographed Marilyn Monroe for Redbook magazine in March 1955 for a story which would follow Monroe through her daily routine, the photography to be candid and shot wit...
Category
1950s Modern Henry Horenstein Black and White Photography
Materials
Silver Gelatin
$713
H 8.08 in W 10.04 in
'Quiet Moment' (Limited Edition)
By Edward Feingersh
Located in London, GB
'Quiet Moment' by Ed Feingersh
Actress Marilyn Monroe relaxes on a couch in her hotel room at the Ambassador Hotel on March 24, 1955 in New York City, New York.
A beautiful and mor...
Category
1950s Modern Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Joan and Quintana Roo (Frame 27a.)
By Julian Wasser
Located in New York, NY
Listing includes free shipping for unframed prints and a 14 day return policy.
Joan Didion by Julian Wasser
20 x 16 inch gelatin silver print
Edition 3 of 15
Signed on verso by Julian Wasser
*Please inquire for international shipments. Quotes will be provided at cost via FedEx.
Description -
Julian Wasser started his career in photography in the Washington DC bureau of the Associated Press where he met and accompanied the famous news photographer Weegee – who would become a lasting influence on him. In the mid-60s Wasser moved to Los Angeles as a contract photographer for TIME, LIFE, and FORTUNE magazines and becoming internationally known as the go to guy for getting candid but memorably composed photographs. (His iconic images of Jack Nicholson and Anjelica Huston; Marcel Duchamp and Eve Babitz; and a young Jodie Foster are already classics.)
In 1968 TIME Magazine assigned Wasser to go to the home of the young writer Joan Didion whose book Slouching Towards Bethlehem was becoming a literary sensation. “I’d read her fiction,” said Wasser. “and she didn’t miss a thing. She was such a heavyweight person.”
Wasser shot Didion at her rented house on Franklin Avenue in Hollywood, where she lived with her husband, the writer John Gregory Dunne, and their daughter, Quintana Roo. “It was a nice, cozy house,” Wasser remembers. “And she was a very easy person to talk to...
Category
1960s Henry Horenstein Black and White Photography
Materials
Photographic Paper, Silver Gelatin
Italy 1956 - Boy reading a newspaper
By Erich Andres
Located in Cologne, DE
Silver Gelatine Print from 1998, photo by Erich Andres, 1956,
Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of t...
Category
1950s Modern Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Jaybirds
By Adam Jahiel
Located in Sante Fe, NM
For years, Jahiel has been photographing the cowboys of the Great Basin–perhaps one of the most inhospitable regions of the already rugged West.
These people represent one of the l...
Category
21st Century and Contemporary Contemporary Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Audrey Hepburn with a Dove 1966 Signed Limited Edition Framed Print
By Terry O'Neill
Located in London, GB
A contemplative Audrey Hepburn with a dove perched on her shoulder, 1966.
TITLE: Hepburn with a Dove 1966
PHOTO: Terry O’Neill
SIGNED LIMITED EDITION (LAST AVAILBLE COPY OF THIS SIZ...
Category
1960s Henry Horenstein Black and White Photography
Materials
Black and White, Silver Gelatin
$4,500
H 12 in W 16 in D 2.5 in
Dancers Silhouette, signed by Jack Mitchell
By Jack Mitchell
Located in Senoia, GA
8 x 10" vintage silver gelatin photograph, Dancers Silhouette, 1971. It is signed on the print verso in pencil by Jack Mitchell. This is a print that was published by a newspaper or ...
Category
1970s Pop Art Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Frida at the Barbizon Plaza Hotel - Black and White Portrait, Celebrity, Woman
By Lucienne Bloch
Located in Denton, TX
Frida at the Barbizon Plaza Hotel by Lucienne Bloch is a black and white portrait of Mexican painter Frida Kahlo sitting in a chair under her self portrait hanging on the wall.
Im...
Category
1930s Modern Henry Horenstein Black and White Photography
Materials
Silver Gelatin
$3,700
H 11.63 in W 8 in D 0.01 in
"Carol McCallson Scavullo Taylor, East Hampton" figurative, b&w photograph, cat
By Francesco Scavullo
Located in Sag Harbor, NY
A black and white photograph of the artist's wife, fashion model, Caroll McCallson, and their cat in their home in East Hampton. Matted and framed under glass.
Artist Bio:
Francesc...
Category
20th Century Contemporary Henry Horenstein Black and White Photography
Materials
Silver Gelatin, Photographic Paper
Previously Available Items
Dolly Parton
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
10 x 8 inches, sheet
(Open Edition, Unsigned)
$1400.00
20 x 16 inches, sheet
(Edition of 25)
$3500.00
30 x 30 inches, sheet
(Editio...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Dolly Parton
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
10 x 8 inches, sheet
(Open Edition, Unsigned)
$1400.00
20 x 16 inches, sheet
(Edition of 25)
$2500.00
30 x 30 inches, sheet
(Editio...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Dolly Parton
By Henry Horenstein
Located in New York, NY
Gelatin silver print
Signed and numbered, verso
10 x 8 inches, sheet
20 x 16 inches, sheet
(Edition of 25)
30 x 30 inches, sheet
(Edition of 5)
This photograph is offered by Clam...
Category
1970s Other Art Style Henry Horenstein Black and White Photography
Materials
Silver Gelatin
Henry Horenstein black and white photography for sale on 1stDibs.
Find a wide variety of authentic Henry Horenstein black and white photography available for sale on 1stDibs. You can also browse by medium to find art by Henry Horenstein in silver gelatin print, archival pigment print, pigment print and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the contemporary style. Not every interior allows for large Henry Horenstein black and white photography, so small editions measuring 8 inches across are available. Customers who are interested in this artist might also find the work of James Whitlow Delano, Burt Glinn, and Lynn Goldsmith. Henry Horenstein black and white photography prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,400 and tops out at $2,500, while the average work can sell for $2,500.