James Robert Granville Exley Art

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Evening twilight on the river - is a painting in which the light of a beautiful sunset merges with the mysterious waters of the river. This artwork immerses us in the atmosphere of a quiet and calm evening, when the sun is already setting behind the horizon, and the sky is painted in various shades of orange, yellow and pink. The trees, slowly plunging into darkness, add a special mystery to this landscape. The reflection of heavenly light and trees on the surface of the river creates a feeling of soft tonal shimmer. A lonely house...

Salvador Dali: 1904-1989. One of the most famous artist of the 20th century. A master surrealist, whose auction prices are well into the millions. This image of a nude on a rhinocero...

Alice G. Gropper (late nineteenth century) Deer in the Forest Oil on canvas, 12 1/4 x 10 1/2 inches FRAMED: 14 1/2 x 16 1/2 inches (approx.) Inscribed on stretcher: (in ink) "Alice ...

Along the road, we see several travelers: some are walking at a leisurely pace, others are engaged in animated conversations. At the top of one mountain, a small castle stands proudl...

Portrait of a girl in Art Deco style, French School around 1920, signed by painter Hélène Le Roy d'Etiolles. Oil on canvas in gilt frame. This splendid portrait comes to us from the ...

Summer rustic scene depicts an idyllic picture of country life in which harmony and happiness reign. The muted, slightly blurry colors convey the artist's inner world and mood, while...

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

The painting captures a serene moment on the foothill plateau, just as the day is beginning to wake up. The mountains are still wrapped in a soft blanket of morning fog, giving the s...

Antique portrait of a woman, 1920's French school, signed in the bottom left by French artist, Louis Faille (1878-1964). This is a very attractive old portrait in beautiful natural h...

Сollaboration work by two Norwegian artists: Morten Müller (1828 - 1911) and Olaf Christopher Dahl (1842 - 1895). Painted approximately in late 19th century (ca. 1870 - 1880). The collaboration of two renowned Norwegian artists in this landscape is an example of the fusion of their talent and skill. A very interesting compositional solution, where among the hills buried in vegetation, a lowland with a small pond is depicted, where a young shepherd has brought his cow to the watering hole. In the distance, on the hill, a windmill is visible, creating an emphasis on the perspective and depth of the composition. The nuanced interplay of light and shadow adds of complexity to the scene. The calmness of the pastoral setting below contrasts markedly with presence of gloomy clouds looming above. This juxtaposition creates a harmonious balance, presenting a duality inherent in nature. And this rare and awesome work of art should be considered for museum collection as well. Both painters presented in National Museum Oslo, Norway. Size app.: 46 x 69 cm (roughly 18.1 x 27.2 in), with frame 60 x 84 cm cm (roughly 23.6 x 33.1 in). Good condition with wear, tiny losses to paint in minor areas and craquelure. So it needs minor care and conservation. Please study good resolution images for overall cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 4.4 kg is going to measure some 6 kg volume weight packed for shipment. Morten Müller began his art studies with Adolph Tidemand and Hans Gude in Düsseldorf, Germany, from 1847 to 1848. From 1850 he was again a student at the Kunstakademie Düsseldorf, with Johann Wilhelm Schirmer as a teacher. From 1850 to 1851, Müller painted with the Swedish landscape painter Marcus...

Signed: Augusto Corelli (1853 - 1918). Superbly and professionally painted Italian landscape. A narrow path, an alley hanging over it with centuries-old oaks, a sea bay...