Josef Breitenbach Art

Christopher Felver Rauschenberg Photo, 2003 Signed, dated and titled on verso Photography 13 3/4 x 10 3/4 inches Provenance Estate of Carolyn Brown, New York 2025. Mary Caroline (...

Remy Charlip 4 Photos of Carolyn at the Stevensons, 1955 Inscribed by Carolyn Brown on verso Photograph 10 x 8 1/4, 6 1/4 x 9 1/2 inches Provenance Estate of Carolyn Brown, New York 2025. Remy Charlip was born in January 1929 and raised by his Lithuanian Jewish parents in the Brownsville section of Brooklyn, New York. He showed a natural talent for the visual arts and became known as the “official” school artist, decorating the classrooms for his favorite holidays, Valentine’s Day and Thanksgiving. Although he had aspirations to become both a farmer and a clown, his mother recognized his artistic talent and thought it was more practical for him to attend Strabenmuller Textile High School where learned to design fabrics. This led him to being accepted into The Cooper Union School of Fine Arts where he received his BFA in 1949. After graduating and feeling he had nothing to say as a painter, he decided to become a dancer because he saw them as free spirits. He accepted a fellowship at Reed College to work with choreographer Bonnie Bird designing sets and costumes for The Marriage at the Eiffel Tower by Jean Cocteau. It was during that summer at Reed College he met and fell in love with composer Lou Harrison who composed music for the summer productions that were Remy’s first dance performances. After traveling across the country with Harrison, they settled back in New York where Remy began taking classes from The New Dance Group. This led to him dancing in Donald McKayle’s first piece, Games, at the Ziegfield Theater, for which he also designed costumes. Remy met John Cage and Merce Cunningham through Harrison and, due to his masterful calligraphy skills, was asked to design a flyer for an upcoming program. Cunningham then invited him to take dance classes with him and it wasn’t long before Remy began dancing with the Merce Cunningham Dance Company. He became a founding member of the company and did publicity and designed flyers as well as danced with them. For the first eight years with the company he also designed costumes and collaborated with Robert Rauschenberg on the productions of Springweather and People and Minutiae. As a member of the company he was also an artist-in-residence at Black Mountain College in Asheville, North Carolina, where he met many influential artists and thinkers of the time. He joined the extended family and befriended some of the most brilliant culture makers of the 20th Century including artists Josef and Annie Albers, Franz Klein, Cy Twombly, Willem and Elaine DeKooning, Jacob Lawrence, Arthur Penn, Ben Shahn, Ruth Asawa, Norman Soloman, Ray Johnson and Nicolas Cernovich; poets Charles Olsen, Robert Creely and M.C. Richards; musicians John Cage, Morton Feldman, David Tudor, and Earl Brown; architect Buckminster Fuller and children’s book author Vera Williams. Working as a dancer, director, choreographer, illustrator, author, costume and set designer provided opportunities to work with many notable artists and venues in New York’s avant-garde. Judith Malina and Julian Beck...

This is a 2002 contact sheet (a positive print of all the negative images from a roll of 35mm film or medium format film) of youthful-looking Daniel Craig...

This 1986 black and white photograph was shot by British celebrity and fashion photographer, John Stoddart, captures Oscar-winning actress Tilda Swinton,...

This 2009 photograph by legend photographer, John Stoddart depicts “The Swan with Leda.” It was inspired from the mythology of the Greek story of Leda and the Swan, when the God Zeus...

John Chamberlain at Kim Esteve’s bar, Sao Paulo, Brazil, October 1994 X Photographed by Jonathan Becker Contemporary 28" x 28.5" Archival Pigment Print Edition Nº 1 of 9 Certifica...

This 2009 photograph by legend photographer, John Stoddart depicts “The Swan with Leda.” It was inspired from the mythology of the Greek story of Leda and the Swan, when the God Zeus...

An archival pigment print on Hahnemühle Photo Rag® Baryta 315 g/m² paper of a photograph by Harry Sutcliffe (1878- 1942) entitled ' On a Ferris wheel ' Graphic scene taken on a Fer...

New York City based wildlife and street photographer Viet Chu, captured this breathtaking monochrome shot of a profile of a Zebra on a Black background. This image was taken in 2016, in Sayari Camp, Serengeti, Asilia Africa. Chu’s emphasis is to give us a glimpse of an everyday life in the wild, and to inspire us by the beauty and grace of this black and white striped animal. Viet Chu is a world traveler for photographic assignments. He finds beauty in life’s special moments in time, capturing each with his unique photographic style. Chu’s work is a reflection of his journey’s and life experiences. In his approach to capture an image, he utilizes traditional and non-traditional means of lighting. It is then infused with his intuitive sensibility, converging it with emotional intelligence, to create a simple composition of shadows, light, subject and background. His goal is to capture a moment in time that tells a story for the rest of time. Limited Edition of this print, numbered and signed by Viet Chu are available in the sizes below. We ship world-wide and shipping is free. Your choice of one or many artworks will be given the highest standard care and delivery. Limited Edition print orders, due to risk of damage, value and high shipping and insurance costs are not framed. All limited-edition prints are professionally packaged and shipped in sturdy tubes. Animal Wall Art...

Cindy Sherman in her New York Studio, 14 September 1993 Backstage at Cindy Sherman’s studio in SoHo with paraphernalia, accoutrements of her work. P...

This is a 2002 contact sheet (a positive print of all the negative images from a roll of 35mm film or medium format film) of youthful-looking Daniel Craig...

Wm. F. and Pat Buckley at The New York Public Library, 19 May 1988 "Pinnacles of New York society" Photographed by Jonathan Becker Contemporary 18" x 18.5" Archival Pigment Print, ...