Kelly Houghton Figurative Paintings

"The Victor (A Triumphant Cockerel Crowing Over His Victory...)" After Melchior de Hondecoeter (Flemish, 1636-1695) Oil on canvas Unsigned 40 1/2 x 34 1/4 (frame) inches This much copied painting is a masterfully executed portrait of a strutting and triumphant rooster painted...

Joseph Urbain MÉLIN (Paris, 1814 – Avon, 1886) Hyena head Oil on canvas Signed and dated lower right 40,5 x 32 cm without frame 65 x 57 cm with frame 1854 Born in Paris on Februar...

This large figurative oil painting is a reinterpretation of two paintings by John Vanderbank, A young gentleman riding a schooled horse, 1729 / Man on horseback, 1728. A unique oil p...

German realist painter (19th century) - Two children playing with a trained dog. 56.5 x 46.5 cm without frame, 69 x 59 cm with frame. Antique oil painting on canvas, in a gilded wo...

"Shy," a tender and evocative work by Rudolf Kosow, portrays an encounter that is wrapped in quietude and gentle introspection. A sizable, soulful-eyed dog fills the canvas, its gaze...

Soulmates," a poignant work by Rudolf Kosow, tenderly illustrates the profound bond shared between a dog and a human. In this intimate portrayal, the dog's gaze is imbued with an emotional depth that transcends the boundaries between species. Its eyes, rendered with striking clarity, convey a world of understanding and companionship. The lady, is nestled against the dog's face in a pose that suggests a mutual trust and shared existence. This closeness speaks to a relationship that goes beyond the conventional pet-owner dynamic, hinting at a deeper, spiritual connection—a true meeting of souls. In Kosow's vision, the concept of soulmates expands, encompassing the idea that our most understanding and compassionate partners may not be human at all. The painting's title, "Soulmates," encapsulates the notion that kindred spirits are connected not by words, but by the heart and soul, through gestures of love and moments of silent understanding. With "Soulmates," Kosow invites us to contemplate the essence of connection and the forms it can take. It's a celebration of the unspoken bond that animals and humans can share, an acknowledgment that the purest forms of love and understanding sometimes require no language. This piece serves as a beautiful reminder of the loyalty, comfort, and unconditional acceptance that define the most precious of life's relationships. keywords; painting on canvas, surrealist painting, animal vs human, americana, nature, man, man vs nature, surrealism, giant animal...

This horizontal painting on canvas contains several layers of color, with textures and transparencies, representing a dreamlike scene where fantastic animals and humans in yellow and...

In "Owner," Rudolf Kosow captures a tender moment of connection that is as powerful as it is subtle. The main subject of the painting is a large black Lab, soulful dog, its fur textu...

Technical details of the painting - Title: "The Vagabond and His Dog" - Artist: Rosendo González Carbonell - Technique: Oil on panel ...

Title: Bullfighting Scene Artist: José María Tuser Vázquez (1919-1986) Technique: Oil on board Dimensions: 25.6 x 21.3 in (65 x 54 cm) Frameless Period: Second half of the 20th century Art Movement: Figurative Expressionism with Impressionist influences Condition: Good, with visible signs of aging on the surface DESCRIPTION OF THE WORK This painting captures a crucial moment in a bullfight, where the matador, dressed in a dazzling traje de luces (suit of lights), elegantly holds the red cape (muleta) while facing a wounded bull. The scene conveys tension and drama through energetic and loose brushwork, with strong contrasts of light and color that enhance its expressiveness. The abstract background, built with gestural brushstrokes in warm, earthy tones, reinforces the dynamism and immediacy of the moment. The thick texture of the paint and the vibrant colors in the matador's attire and cape are characteristic of Figurative Expressionism, giving the work a strong emotional impact. Tuser masterfully captures the essence of movement and the intensity of the bullfight through a painterly approach reminiscent of Impressionism, but with a greater emphasis on gesture and expressive color, making his work stand out for its raw energy and dramatic depth. ARTIST BIOGRAPHY José María Tuser Vázquez (Barcelona, 1919 - 1986) was a Spanish painter specialized in bullfighting themes, gaining recognition in the 20th-century art scene for his expressive depictions of the corrida (bullfight). He studied at the School of Arts and Crafts in Barcelona, where he developed a strong mastery of color and composition. From 1947 onwards, his work focused almost entirely on bullfighting, creating posters, illustrations, and paintings that capture the emotion and spectacle of the arena. He was a frequent collaborator with El Ruedo magazine, where his illustrations and covers solidified his reputation. Additionally, in the 1940s, he designed series of postcards featuring traditional Spanish costumes for the Artigas Publishing House. His work has been auctioned in several art houses and is highly valued among collectors of bullfighting paintings. His influence and legacy in tauromaquia (bullfighting art...

"Parting," a surrealistic painting by Rudolf Kosow, masterfully employs scale to create a poignant narrative of farewell. The canvas is dominated by the face of a bulldog, each hair and whisker intricately detailed, exuding a warmth and expressiveness that captures the essence of the breed. The bulldog's large, soulful eye, reflecting a quiet resignation, suggests an awareness of an impending separation. Perched thoughtfully on the dog's snout, a diminutive figure of a man wearing a cowboy hat sits, his posture one of contemplative sorrow. The man dangles his legs over the edge of the snout, a symbol of the precipice between companionship and the solitude of parting. Kosow's work deeply explores the themes of connection and departure. The intimate positioning of the man against the vastness of the dog's facial landscape evokes the shared history and emotional bond between human and animal. The painting's title, "Parting," may imply an imminent physical separation, yet the closeness of the two subjects suggests an unbreakable emotional tie that distance cannot sever. In this piece, Kosow invites the viewer to consider the bittersweet moments of goodbye that are an intrinsic part of life's journey, highlighting the enduring nature of love that remains through any farewell. "Parting" is a testament to the poignant beauty found in the strength of connections that transcend the constraints of size and species. keywords; painting on canvas, surrealist painting, animal vs human, americana, nature, man, man vs nature, surrealism, giant animal...

keywords; surrealism, hunting dog, humour, uncanny, animals, prussian blue, emerald green, earth tones, oil painting, figurative painting, strangeness, contemporary surrealistic, uns...