Rudolf Kosow

Parting (pet dog, bulldog, cowboy, animal portrait art, surrealist oil painting)

2024

In "Escapee", a huge ceramic figure of a bambi runs away from its owner in the middle of a strange and threatening landscape. This painting depicts a completely absurd situation that...

In "Find", Rudolf expresses the idea that; similarly to the satirical novel "Gulliver's Travels", humans are confronted with an inexplicable encounter and do not know how to react to...

Absurd scenery in the middle of nowhere: head of a chicken, seemingly alive ... and an elderly man ... do they belong together, are they probably old...

A magical encounter between man and animal, in this case, a deer, produces energy in the form of a strong light. It is quite puzzling how it comes to this meeting, you can decide for...

Absurd scenery in the middle of nowhere: a case for the special forces, inexplicable and uncanny has emerged and must therefore be "arrested"... key...

We love Rudolf's latest series. The artist says about “Stranger”; "Normally one would hardly take notes of an inconspicuous, black kitten in everyday life...

Karen Shahverdyan „Speed“ 70 X 100 cm, oil on canvas

Rina Sutzkever Calderon (Russian/Israeli, b. 1945), Fly Away Oil on canvas, signed at lower left, presented in a gilt frame with linen liner. Frame dim...

Joséphine Beaudouin (1909-2005) Poetry of the Bird, surrealist painting, 1948 Oil on canvas Signed "Joséphine Beaudouin" and dated "1948" lower left 13,7 x 10,6 inch Born in Albi in 1909, Josephine Beaudouin (née Cals) showed an early interest in drawing. At the age of twelve, she moved to Paris where her mother, Jeanne Ramel-Cals, ran a literary salon that was frequented by art world figures such as Ambroise Vollard. In 1925, while her first drawings appeared in the magazine Crapouillot, the young artist entered the School of Decorative Arts where she studied fresco painting. She married the architect Eugène Beaudouin in 1928, with whom she traveled throughout Europe. Beaudouin, a member of the Académie des Beaux-Arts, designed a series of buildings that were precursors of modern architecture in France (Clichy, Maison du Peuple; Antony, Résidence universitaire Jean Zay). Josephine Beaudouin exhibited at the Salon des Indépendants, the Salon des Tuileries, the Salon d'Automne and the Salon des Artistes Décorateurs. The work of the one that Jean Cocteau described as "bewitching" is full of mystery. Her work bears the stamp of an extraordinary personality. Indeed, Josephine Beaudouin developed a penchant for dreams at a very early age and took refuge in the works illustrated by Gustave Doré. Her technical virtuosity and overflowing imagination were praised by the critics of her time who unanimously greeted her Marmorées (ill.1). Named by René Barotte, these are paintings made on marble slabs from 1955. The artist exploits the infinite resources of the veins of this support which inspires him poetic compositions with unusual subjects. Marked by surrealism, she returns to the fantastic by delivering a prodigious creation of the mind made of dreamed cities and trompe-l'oeil. The 1948 painting that we propose probably represents a red-billed chough. The bird is a recurring theme in the work of Josephine Beaudouin, as in her life. An avid ornithologist, she kept an aviary in her Parisian home where many island birds were kept. She also built up a collection of stuffed birds. Still on this theme, the writer Claude Aveline (1901-1992), author of the poem L'Oiseau-Qui-N'Existe-Pas, invited several visual artists to freely interpret what this bird could be. The first series of works was produced between 1956 and 1963. In 1957, Joséphine Beaudouin delivered a work with a pen of great finesse, now preserved at the Centre Pompidou (ill.2). Several renowned artists also responded to the invitation of the poet such as Jean Cocteau and Ossip Zadkine. The precision of the graphics of our painting testifies to an attentive observation of the anatomy of the birds. The artist paints with great delicacy: the technique is impeccable, the drawing is careful, the material is smooth, the details are represented with great finesse and mastery. Bibliography : Fernand Pouillon...

Oil on Canvas, Signed Dated 2013 14 x 18 Inches

Morning Vine, 2017, oil on traditional gesso primed canvas mounted on wood panel with incised line drawing, 54 x 40 inches Morning Vine is painted on a traditional gesso primed surf...

This 12"x12" oil painting by George Oswalt features a masked female face celebrating the 'Day of the Dead'. The piercing aqua blue eyes of the model inv...