Kuniyasu Art

"Thirsty: the appearance of a town geisha in the Ansei era" - Woodblock on Paper From the series "Thirty-two Aspects of Customs and Manners" (Fuzoku sanjuniso) Lively woodblock of a...

From a series of wood engravings by Eric Gill. To see them or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Initial Letter 'H' for The Canterbury Tales (1929) - The Doctor's Tale Woodblock Print Published Hague & Gill 1934 in an unnumbered edition of 300 23x21cm Following Chichester Technical and Art School, Gill moved to London in 1900 to train with the ecclesiastical architects W D Caroe. Finding architecture somewhat pedestrian he took stonemasonry lessons at Westminster Technical Institute and calligraphy lessons at the Central School of Arts and Crafts, coming under the influence of Edward Johnson, the designer of the London Underground's own typeface. In 1903 he ceased his attempts to become an architect, instead becoming a monumental mason, letter-cutter and calligrapher. Based in Ditchling, he began direct carving of stone figures, the semi-abstract figures taking their influence from mediaeval statuary, mixed with influences from Classical statuary from the Greeks and Romans, with a little post-Impressionism added in. With major commissions from Westminster Cathedral for its Stations of the Cross (1914), a series of War Memorials including the Grade II* memorial in Trumpington, and three of the sculptures for Charles Holden's 1928 headquarters of London Underground at 55 Broadway, St James's, and a series of sculptures for the new 1932 Broadcasting House. The list continues. Never one to rest on his laurels, he was at the same time engaged in typographical adventures. He had collaborated with Edward Johnson on the latter's initial thoughts on his London Transport typeface, but in 1925 designed Perpetua on his own, and Gill Sans between 1927-30. For the Golden Cockerel Press he created, in 1929, a bolder typeface to complement wood engravings. And of course Gill was publishing decorated...

Edo Meisho woodblock print of a famous Japanese coastal dock. This woodblock is most likely apart of the series "One Hundred Famous Views of Edo." The woodblock print is printed on r...

From Interior Series. Woodcut and screen print in colors on Museum Board. Hand signed, dated and numbered by Roy Lichtenstein. Published by Gemini G.E.L., Los Angeles.. Corlett 247...

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

Wandering monks in the courtyard of Konoura is an original modern artwork realized by Utagawa Hiroshige II (1826 – 1869) in the 1840s. Good impression with reduced palette mainly in...

This print is from a highly regarded series by the Edo woodblock artist Utagawa Kuniyoshi: in the period, there were at times prohibitions in depicting a...

"Lady Holding a Baby" - Woodblock Print on Laid Rice Paper Elegant woodcut print by Stephen White (American, b. 1939). In an early example of White's signature style, a stylized, mi...

Shichirigahama, Sagami Province. A beauty in the foreground waves to her young companions, who run towards her on the beach. The beauty at left wears a western-style golden ring. We ...

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

Signed, lower right, with artist's chop mark in Hiragana, 'Tensen-e' 天泉絵, for Ogyū Tensen 荻生天泉 (Japanese, 1882-1947) A large, early-20th-century, hand-colored Japanese woodblock showing elegantly-robed figures seated beside musical instruments in a panoramic landscape and viewing the full moon through golden clouds. An elegant example composed with clear artistic vision and printed with a consummate mastery of a challenging medium. Nihonga style painter Ogyu Tensen was born in present-day Nihonmatsu City, Fukushima Prefecture. He studied at the Tokyo Fine Arts School, where he was taught by the well-known Kanō school painter Gahō Hashimoto (1835-1908), who was instrumental in the development of nihonga painting. Tensen was selected to participate in the first Bunten exhibition (Ministry of Education Fine Arts Exhibition) in 1907, in which he won an award. He went on to win many other awards at the Bunten exhibitions and the exhibitions of its successor organizations, the Teiten (Imperial Academy of Fine Arts) and Shin Bunten along with exhibitions of the Japan Arts Institute (Nihon Bijutsuin) and the post-war 1946 Nitten (Japan Fine Arts Exhibition). Along with his work in printmaking, the Imperial Court commissioned paintings by him. Tensen was a member of the Futaba kai artist...

A limited edition woodcut on paper print by Mychael Barratt of Vincent Van Gogh on a night walk though London, as blue, turquoise and browns outline Big Ben and the Parliament in the distance.  Additional information: Mychael Barratt  Once upon a time in London, Night  [2023] Woodcut on paper Signed and titled in pencil Numbered from the edition of 100  Please note that insitu images are purely an indication of how a piece may look Please note sheet sizes may differ. Image size: Height: 28cm Width: 28cm Complete size of sheet: Height: 39.5cm Width: 38.2cm Depth: 0.1cm ARTIST BIO: Mychael Barratt was born in Toronto, Canada, however, considers himself to be a Londoner since arriving for what was supposed to be a two-week stay thirty years ago. He is a narrative artist whose work is steeped in imagery relating to art history, literature, theatre and everything else that overfills his bookshelves. He was an artist in residence for Shakespeare’s Globe Theatre...