Lewis George Fry Art

the Shop Window New York City, 1940s 17.75X25 sight size. Maurice Becker (1889–1975) was a radical political artist best known for his work in the 1910s and 1920s for such publica...

In my creation, I've endeavored to capture the serene beauty of nature's embrace, where a hidden pond, overgrown with life, reflects a sky softly blurred by the morning mist. I've in...

"Houses" is an Original, Oil on Hardboard by Hayley Lever. It measures 16 x 19 inches with frame. The date of creation is unknown, but is believed to be in the Mid-20th Century. The ...

Image dimensions: 6 x 9 inches Framed dimensions: 12 x 15 inches Oil on canvas mounted on panel and framed. A leading figure in the contemporary revival of classical painting, Jacob...

In this painting, I've merged the vivid, emotive strokes of expressionism with the subtle, light play of impressionism, all grounded in realism's tangible forms. Using oil paints, I ...

In this piece, I've encapsulated the serene interplay of nature's symphony and the tranquil sights of the countryside. Notice how the storks atop the hay bales serve as conductors of...

Jean La Forgue (French 1901-1975) signed watercolour on paper, mounted in a card frame inscribed verso card frame: 15 x 18 inches painting: 9.5 x 12 inches provenance: the artists es...

This landscape painting by Swedish artist Fritz Lindström captures the tranquility of the Stockholm archipelago. "An Autumn Evening Study, 1901" is a stunning portrayal of a rural scene at dusk. The painting's delicate pink and purple sky envelops the landscape in a soft glow, hinting at the transition from day to night. In the middle ground, a farmer with his horse can be seen plowing a field, adding a narrative element to this peaceful scene. This work is one of several paintings Lindström created during this period, following his time in France and prior to joining the Rackstad group in 1903. BIOGRAPHY Fritz Lindström started his artistic journey as an apprentice in decorative painting under Carl Grabow, where he met fellow artist Björn Ahlgrensson. He later studied at the Artists' Association School in Stockholm with Richard Bergh (1892–1894 and 1895–1896) and at Valand Art School in Gothenburg under Carl Larsson (1894–1895). His studies continued in Copenhagen and Paris from 1897 to 1899. In 1900, Lindström returned to Sweden, drawn to Värmland by his friend and brother-in-law Björn Ahlgrensson. From 1903 onwards, he became part of the Rackstad group—a community of artists who saw the countryside as an ideal setting for artistic and spiritual work. This belief resonated with Lindström, and he remained dedicated to this lifestyle for over fifty years, living and working by Lake Racken. Lindström's early artistic focus was on the challenging art of human studies, which piqued his interest. Despite financial struggles and difficulty selling his paintings, he gained recognition mainly for his portraits, known for their well-constructed composition and deep psychological insight. Portrait painting became crucial for his financial stability. Interest in his landscape paintings grew when the director of the National Museum happened upon his landscapes during an exhibition opening...

A lovely mid 20th century Danish oil on canvas depicting a busy coastal shipping scene with numerous vessels. The work is signed lower right and again on the reverse. Presented in ...