Lillian Bassman Figurative Photography

'Huston & Brando On Set' 1967 Director John Huston and actor Marlon Brando on the set of 'Reflections In A Golden Eye,' 1967. The two iconic movie stars on the set of the film in w...

This photo was taken a few minutes before the Stones appeared on 'Thank Your Lucky Stars' at ATV studios in Birmingham in 1963. This was their first TV appearance and Phillip caught ...

Flipping Boy, 4th Ward, Houston, TX by Earlie Hudnall, Jr. is a 14 x 11 inch silver gelatin print. This photograph features a boy flipping in the street, with people watching from the sidewalk and the skyline of Houston in the background. This photograph is signed, titled, and dated in pencil on print verso by Earlie Hudnall, Jr. Earlie Hudnall, who is one of the most notable African American...

Chuck Howard was a favorite model of artists Paul Cadmus and Jared French and muse to Lynes, who captured both the erotic and everyday moments in their re...

Bruce Cratsley, American (1944-1998) Vintage gelatin silver print Lifting Hand (Scot) Chez Moi A surrealist image of a hand with a light study Hand signed, titled and dated 1986-1988 verso image (each): 15 1/4 x 15 1/4 inches, matted to 24 X 20 inches Provenance: From the collection of AGFA Graphics Corporation David Bruce Cratsley (1944 - 1998) was an American photographer specialized in still lifes, portraits of friends, and life in New York City. He had a reputation of master of light and shadow. Bruce Cratsley attended Swarthmore College, graduating in 1966, and then, in the early 1970s, The New School for Social Research, studying under Lisette Model. Cratsley worked for many years as a gallerist at Marlborough Gallery before quitting in 1986 to become a full-time photographer. As "Bruce Cratsley", he exhibited in various New York galleries, like: Laurence Miller Gallery, Howard Greenberg Gallery and Witkin Gallery. Cratsley was represented by Yancey Richardson Gallery, a dealer of fine art photography based in SoHo. He was photographed by Elsa Dorfman...

This artwork titled "Fidel C. (Fidel Castro cutting cane) 1968 (printed later) is a gelatin silver print by noted Cuban artist Ernesto Fernandez Nogueras, b.1939. It is signed, titled and dated at the lower margin. The photograph size is 11.75 x 10.25 inches, framed size is 17.85 x 15.85 inches. Custom framed in a black frame, with white matting. It is in excellent condition. About the artist: Ernesto Fernandez trained under the tutelage of several established photographers during the 1950s in Havana. He is one of the four great photographers of the Revolutionary period of Cuba. As a young man he witnessed both the excesses of Havana as a “playground” of the USA, and the poverty that produced the hotbed of revolutionary thought and action. He was in the Cuban capital as the revolution reached its climax, and his pictures document a time of great hope. They are celebrations of youth’s ability to bring about change and to reinvent a new world. Alongside Korda, Salas and Corrales, Fernandez documented the heady days of the Triumph of the Revolution and continued to photograph Fidel Castro, Che Guevara and other leading lights of the new system, including some wonderfully intimate studies of Alicia Alonso...

Ansel Adams and Ed Towler by Wilson D. Ellis (American, 20th Century). Titled "Ansel and Ed Towler 1936" on verso and signed "Wilson D Ellis" with date 7/16/35 under mat. Silver Brom...

Bruce Cratsley, American (1944-1998) Vintage gelatin silver print Street Art A surrealist image of a man walking over a Sandro Botticelli chalk drawing in a NYC park Hand signed, titled and dated 1989 verso image (each): 15 1/4 x 15 1/4 inches, matted to 24 X 20 inches Provenance: From the collection of AGFA Graphics Corporation David Bruce Cratsley (1944 - 1998) was an American photographer specialized in still lifes, portraits of friends, and life in New York City. He had a reputation of master of light and shadow. Bruce Cratsley attended Swarthmore College, graduating in 1966, and then, in the early 1970s, The New School for Social Research, studying under Lisette Model. Cratsley worked for many years as a gallerist at Marlborough Gallery before quitting in 1986 to become a full-time photographer. As "Bruce Cratsley", he exhibited in various New York galleries, like: Laurence Miller Gallery, Howard Greenberg Gallery and Witkin Gallery. Cratsley was represented by Yancey Richardson Gallery, a dealer of fine art photography based in SoHo. He was photographed by Elsa Dorfman...

Bruce Cratsley, American (1944-1998) Vintage gelatin silver print (Television) TV Head A surrealist image of a window mannequin man with a TV head. Hand signed, titled and dated 1987 verso image (each): 15 1/4 x 15 1/4 inches, matted to 24 X 20 inches Provenance: From the collection of AGFA Graphics Corporation David Bruce Cratsley (1944 - 1998) was an American photographer specialized in still lifes, portraits of friends, and life in New York City. He had a reputation of master of light and shadow. Bruce Cratsley attended Swarthmore College, graduating in 1966, and then, in the early 1970s, The New School for Social Research, studying under Lisette Model. Cratsley worked for many years as a gallerist at Marlborough Gallery before quitting in 1986 to become a full-time photographer. As "Bruce Cratsley", he exhibited in various New York galleries, like: Laurence Miller Gallery, Howard Greenberg Gallery and Witkin Gallery. Cratsley was represented by Yancey Richardson Gallery, a dealer of fine art photography based in SoHo. He was photographed by Elsa Dorfman...

Kenn Duncan (1928-1986). Fashion editorial photo of male model Pat Anderson, ca. 1973. 11 x 14 inches; 12 x 15 inches framed. The print was used for publication in After Dark Magazine. From the estate of William Como, Editor in Chief, After Dark Magazine. Kenneth Duncan was born September 22, 1928, in New Jersey. He began his career as a skater and then a dancer. After breaking his foot and taking a six-week course on photography at a YMCA, he became a photographer. Duncan worked as a principal photographer for After Dark and Dance Magazine. His photographs also regularly appeared in Vogue, Harper's Bazaar, Life, Time, and Newsweek. In addition, he photographed a score of Broadway shows, including Hair, Applause, The Elephant Man, and Sophisticated Ladies and many dance and Broadway stars including Chita...

Kenn Duncan (1928-1986). Male Model, ca. 1973. 11 x 14 inches; 12 x 15 inches framed. From the estate of William Como, Editor in Chief, After Dark Magazine. Kenneth Duncan was born September 22, 1928, in New Jersey. He began his career as a skater and then a dancer. After breaking his foot and taking a six-week course on photography at a YMCA, he became a photographer. Duncan worked as a principal photographer for After Dark and Dance Magazine. His photographs also regularly appeared in Vogue, Harper's Bazaar, Life, Time, and Newsweek. In addition, he photographed a score of Broadway shows, including Hair, Applause, The Elephant Man, and Sophisticated Ladies and many dance and Broadway stars including Chita...

Kenn Duncan (1928-1986). Male Model, ca. 1973. 11 x 14 inches; 12 x 15 inches framed. From the estate of William Como, Editor in Chief, After Dark Magazine. Kenneth Duncan was born September 22, 1928, in New Jersey. He began his career as a skater and then a dancer. After breaking his foot and taking a six-week course on photography at a YMCA, he became a photographer. Duncan worked as a principal photographer for After Dark and Dance Magazine. His photographs also regularly appeared in Vogue, Harper's Bazaar, Life, Time, and Newsweek. In addition, he photographed a score of Broadway shows, including Hair, Applause, The Elephant Man, and Sophisticated Ladies and many dance and Broadway stars including Chita...