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Bruce Cratsley
Vintage Street Photography Bruce Cratsley Photo Silver Gelatin Print Photograph

1986-1988

$1,200
£890.45
€1,037.25
CA$1,670.41
A$1,860.15
CHF 968.11
MX$22,935.43
NOK 12,329.57
SEK 11,588.60
DKK 7,739.16
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About the Item

Bruce Cratsley, American (1944-1998) Vintage gelatin silver print Lifting Hand (Scot) Chez Moi A surrealist image of a hand with a light study Hand signed, titled and dated 1986-1988 verso image (each): 15 1/4 x 15 1/4 inches, matted to 24 X 20 inches Provenance: From the collection of AGFA Graphics Corporation David Bruce Cratsley (1944 - 1998) was an American photographer specialized in still lifes, portraits of friends, and life in New York City. He had a reputation of master of light and shadow. Bruce Cratsley attended Swarthmore College, graduating in 1966, and then, in the early 1970s, The New School for Social Research, studying under Lisette Model. Cratsley worked for many years as a gallerist at Marlborough Gallery before quitting in 1986 to become a full-time photographer. As "Bruce Cratsley", he exhibited in various New York galleries, like: Laurence Miller Gallery, Howard Greenberg Gallery and Witkin Gallery. Cratsley was represented by Yancey Richardson Gallery, a dealer of fine art photography based in SoHo. He was photographed by Elsa Dorfman who shot many luminaries including, Allen Ginsberg, Denise Levertov, Anaïs Nin and more. In 1978 Cratsley contributed the photo sequences for the musical The Class, performed by The New Ballet School at the New York City Center. In 1980, Cratsley showed his work, Atlantic City, 1977, an August beach scene, at the 11th Anniversary show at the Witkin Gallery. In 1989 Cratsley was awarded with the Guggenheim Fellowship for Photography, US & Canada. Cratsley documented gay life in NYC including his life with David Waine, who died in 1991. "I'd been photographing David since long before he became sick [...] at some point I realized that this was an extraordinary thing that was happening, and that I had an intimate relationship to it. I photographed David just a few hours before he died, not knowing what was about to happen [...] David was very spiritual [...] My pictures are a poetic, spiritualized look at AIDS". In 1995 Cratsley was included together with Barbara Norfleet, Olivia Parker and John Sturges in the list of bestselling photographer at Robert Klein Gallery, Boston. Cratsley's B&W photos sold quickly. Klein said of Cratsley: "Bruce transforms commonplace things through a keen sense of light and composition, and very skilled printing". Cratsley documented the Lesbian and Gay life, and in particular the New York City LGBT Pride March. Another event he documented was Wigstock, an annual outdoor drag festival that began in the 1980s in Manhattan's East Village that took place on Labor Day. Pictures from both events are now at the New York Public Library, in their permanent collection. In 1999, Cratsley was included in the volume Desire: contemporary photography from the visual AIDS archive project. In 2011 a photograph by Cratsley, Louvre Window, Paris, 1980, signed and dated, sold at auction. Exhibitions April 1987, Witkin Gallery, with Fay Godwin, Photographs that imply hidden sensations and mysteries. April 1992, Goldberg Gallery, B&W portraits, street scenes, figure studies and still lifes. July 1993, Howard Greenberg Gallery, with Sabine Weiss, B&W photographs of still life, landscapes and shop windows with mannequins. 1994, Motel Gallery, B&W photographs of the New York City Gay and Lesbian Pride Parade taken between 1983 and 1993. February 1996, Yancey Richardson Gallery, works from 1976 to 1995, including portraits of friends, images of tabletop arrangements, mannequins in street windows, museum interiors, and drag queens at the June Gay Pride Parade. July 1996, By the Sea, Yancey Richardson Gallery, with Milton Avery, Duncan Hannah, Tobi Kahn, Malcolm Morley, Fairfield Porter, David True, Helen Miranda Wilson and others. December 1996, Bruce Cratsley: Master of Light and Shadow, Brooklyn Museum; Cratsley referred to the photos as "snapshots, really, though carefully made". They were 22 images that reflected Cratsley's personal experiences with spirituality, life and death. White Light, Silent Shadows, a monograph of Cratsley, was published in 1998 by Arena Editions, few months before Cratsley's death. December 1997, Photographs of Paris, Yancey Richardson Gallery, with André Kertész and Todd Webb. May 1999, Bruce Cratsley, photographs, Paul Kopeikin Gallery, Los Angeles. September 1999, Female, curated by Village Voice photography critic Vince Aletti, Wessel + O'Connor Gallery, with nearly 100 photographers, including gay artists like George Platt Lynes, Cecil Beaton, John Dugdale, Lyle Ashton Harris, Horst P. Horst, Peter Hujar, Bill Jacobson, Hiromitsu Morimoto and Andy Warhol. September 2016, Bruce Cratsley: Shifting Identities, List Gallery, Swarthmore College, B&W photographs 1977 to 1998. November–December 2017, Bruce Cratsley : Intimate Light, Gallery Kayafas, Boston MA. 15 Vintage Gelatin Silver Prints, many never published. Works by Cratsley are also at the Metropolitan Museum of Art, the Bibliothèque nationale de France and the Harvard Art Museums.
  • Creator:
    Bruce Cratsley (1944 - 1996, American)
  • Creation Year:
    1986-1988
  • Dimensions:
    Height: 24 in (60.96 cm)Width: 20 in (50.8 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    photos are clean and fresh. mounted to museum board. some of the boards have minor wear. please see photos.
  • Gallery Location:
    Surfside, FL
  • Reference Number:
    1stDibs: LU38211413372

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Thereafter he worked as an assistant curator to Sam Wagstaff. He soon became a darling of the then vibrant club scene and the fashionable media: Interview, Details, The New Yorker, Vanity Fair, and Elle Decor presented his work. Later on he was featured in artsy publications as Artforum, Art News, and Art in America. Leatherdale was the Cecil Beaton of downtown New York, He photographed a not-yet-famous club kid named Madonna in her ripped jeans and his denim vest. The performance artist Leigh Bowery was majestic in a tinseled mask, a corset and a merkin. Andy Warhol was a Hamlet in a black turtleneck. Susanne Bartsch, the nightlife impressaria, was a towering presence in red leather. He documented the New York City lifestyle, the extraordinary people of Danceteria and Club 57 where he staged his first exhibits in 1980. Leatherdale was an acute observer of the New York City of the nineteen eighties. His models were the unknown but exceptional ones – like Larissa, Claudia Summers or Ruby Zebra – or well known artists – like Madonna, Keith Haring, Andy Warhol, Winston Tong and Divine, Trisha Brown, Lisa Lyon, Andrée Putman, Kathy Acker and Sydney Biddle Barrows, otherwise known as the Mayflower Madam, Jodie Foster, and fellow photographer John Dugdale. He Married Claudia Summers, theirs was not a traditional marriage, but they were best friends, and he was Canadian, so it made life easier if they wed. His boyfriend for a time was Robert Mapplethorpe, whose photography studio Mr. Leatherdale also managed. He and Mapplethorpe were a striking pair, dressed like twins in leather and denim, their faces as if painted by Caravaggio, and they often photographed each other. Jean-Michel Basquiat was often hanging out there, playing his bongo drums; so were friends like Cookie Mueller, the doomed, gimlet-eyed author and Details magazine contributor who was for a time Mapplethorpe’s and Ms. Summers’ drug dealer, and Kathy Acker, the performance artist and novelist. For quite a while Leatherdale remained in Mapplethorpe's shadow, but was soon discovered as a creative force in his own right by Christian Michelides, the founder of Molotov Art Gallery in Vienna. Leatherdale flew to Vienna, presented his work there and was acclaimed by public and press. This international recognition paved his way to museums and permanent collections such as the Rheinisches Landesmuseum Bonn, the Art Institute of Chicago, the Australian National Gallery in Canberra, the London Museum in London, Ontario, and Austria's Albertina. He was included in the MoMA exhibit New York/New Wave along with Kenny Scharf, William Burroughs, John Crash Matos, Larry Clark, Nan Goldin, Lawrence Weiner and Stephen Sprouse. Above all, his arresting portraits of New York City celebrities in the series Hidden Identities aroused long-lasting interest amongst curators and collectors. In 1993, Leatherdale began spending half of each year in India's holy city of Banaras. Based in an ancient house in the centre of the old city, he began photographing the diverse and remarkable people there, from the holy men to celebrities, from royalty to tribals, carefully negotiating his way among some of India's most elusive figures to make his portraits. From the outset, his intention was to pay homage to the timeless spirit of India through a highly specific portrayal of its individuals. His pictures include princesses and boatmen, movie stars and circus performers, and street beggars and bishops, mothers and children in traditional garb. Leatherdale explored how essentially unaffected much of the country was by the passage of time; and it has been remarked upon that this approach is distinctly post-colonial. In 1999, Leatherdale relocated to Chotanagpur (Jharkhand) where he focusing upon the Adivasis. Later Serra da Estrela in the mountains of central Portugal became his second home base. Leatherdale's matte printing techniques, which adapt nineteenth-century processes and employ half black, half sepia colorations, reinforce the timelessness of his subjects. Tones and matte surfaces effectively differentiate his portraits from the easy slickness of fashion photography. In 2019, Mr. Leatherdale compiled his work from 80s in a book entitled “Out of the Shadows”, written with Claudia Summers. During his time in New York City, he dated Robert Mapplethorpe, whose photography studio Leatherdale managed. His partner of two decades, Jorge Serio, died in July 2021 Major exhibitions 1980 Urban Women, Club 57, NYC 1980 Danceteria, NYC 1981 Stilvende, NYC 1982 The Clock Tower, PS1, NYC 1982 544 Natoma Gallery, San Francisco 1982 Eiko And Koma, Stilvende, NYC 1983 Form And Function Gallery, Atlanta 1983 Galerie in der GGK Wien, Vienna, Austria 1983 The Ring, Vienna (organized by Molotov) 1983 London Regional Art Gallery, London, Ontario, Canada 1984 Performance, Greathouse Gallery, NYC 1984 Social Segments, Grey Art Gallery, NYU 1984 Rheinisches Landesmuseum, Bonn 1985 Ritual, Greathouse Gallery, NYC 1985 Artinzer, Munich 1985 Leatherdale/Noguchi, Gallery 291, Atlanta 1985 Paul Cava Gallery, Philadelphia 1986 Poison Ivy, Greathouse Gallery, NYC 1986 Wessel O’Connor Gallery, Rome 1986 Hidden Identities, Michael Todd Gallery, Palladium, NYC 1987 Demigods, Greathouse Gallery, NYC 1987 Collier Gallery, Scottsdale, Arizona 1987 Tunnel Gallery, NYC 1988 Claus Runkel Fine Art Ltd., London, UK 1988 Madison Art Center, Madison 1989 Wessel-O’Connor Gallery, NYC 1989 Summer Night Festival, Onikoube, Sendai 1990 Bent Sikkema Fine Art, NYC 1990 Fahey-Klein Gallery, Los Angeles 1990 Faye Gold Gallery, Atlanta 1990 Mayan Theatre, Los Angeles 1991 Runkel Hue-Williams Gallery, London 1991 Galerie Michael Neumann, Düsseldorf 1991 Arthur Rogers Gallery, New Orleans 1992 Arthur Rogers, NYC 1992 Galerie Del Conte, Milwaukee 1993 Galerie Bardamu, NYC 1996 Fayf Gold Gallery, Atlanta 1996, 1997, 1998, 1999 Bridgewater/Lustberg, NYC 1998 Rai Krishna Das...
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