Maurice Brianchon Art

Réf. catalogue raisonné Inscrit au catalogue raisonné de l’œuvre peint par Antoine Brianchon, reproduit et décrit sous le n°794 page 345 Étiquette d'exposition à la Galerie Arthur Tooth...

Medium: original lithograph. Printed in Paris in 1964 by Mourlot Freres and issued in an edition of 2000 on Arches wove paper. Size: 10 x 7 1/2 inches (255 x 185 mm). Not signed.

Wonderful oil on canvas circa 1960 by French modernist painter Maurice Brianchon. The work depicts a blonde-haired nude seated on a wooden chair turned away from the artist with her chin resting in her hand. Signature: Signed lower left Dimensions: Framed: 38"x33" Unframed: 29"x24" Provenance: Fondation de L'Hermitage (Lausanne) - Exhibition Maurice Brianchon 13th October 1989 - 28th January 1990 As a young man, Maurice Brianchon studied at school in Le Mans before joining the École des Beaux-Arts in Bordeaux. He went on to study at the École des Arts Décoratifs in Paris, remaining there from 1917 to 1923 and working under the direction of Eugène Morand. It was here that he met and became friends with Oudot and Legueult. When he exhibited for the first time at the Salon d'Automne he was immediately elected as a member. He received the Blumenthal Award in 1924 and the Carnegie Prize in 1939. He was a founder member of the Salon des Tuileries and was appointed to serve on the committee in 1941. He also exhibited at the Salon de la Société Nationale des Beaux-Arts in Paris. He took part in major exhibitions abroad, including the Venice Triennale, Antwerp, Rio de Janeiro, New York, Madrid, Brussels and Stockholm. He soon made his mark as a decorative artist, creating stage sets for the Opéra for a production of Griséldis (1922) in collaboration with Legueult, and for Noble and Sentimental Waltzes ( Valses Nobles et Sentimentales) (1938), Sylvia (1941) and The Model Animals ( Les Animaux Modèles) (1944). He created a large, decorative piece entitled Symphony at the Palais de Chaillot, where he worked with Chapelain-Midy, Planson and Oudot. He also decorated the Lycée Janson-de-Sailly with murals. With his wife Marguerite Louppe he produced three large panels commissioned by the state in 1942 for the Conservatoire. The Gobelins and Aubusson tapestry works produced tapestries after his cartoons. He also produced cartoons for...

Artist: Maurice Brianchon Medium: Original Lithograph, signed in pencil, artist proof, 1972 Dimensions: 15.5 x 12.5 in, 39.4 x 31.8 cm This small and delightful original lithograp...

This artwork titled "La Plage Normande" c.1950 is an original color lithograph on Arches paper by noted French artist Maurice Brianchon, 1899-1979. It is hand signed and numbered XV/...

A simple and charming oil on canvas by French modern painter Maurice Brianchon who was known as one of the Painters of Poetic Reality. The piece depicts a view of the beach at Soorts-Hossegor on a grey day. The figures of two soldiers walk across the sand and others are gathered on the walkway beyond. Signature: Signed lower right Dimensions: Framed: 30"x38" Unframed: 21"x29" Provenance: Private collection - Switzerland As a young man, Maurice Brianchon studied at school in Le Mans before joining the École des Beaux-Arts in Bordeaux. He went on to study at the École des Arts Décoratifs in Paris, remaining there from 1917 to 1923 and working under the direction of Eugène Morand. It was here that he met and became friends with Oudot and Legueult. When he exhibited for the first time at the Salon d'Automne he was immediately elected as a member. He received the Blumenthal Award in 1924 and the Carnegie Prize in 1939. He was a founder member of the Salon des Tuileries and was appointed to serve on the committee in 1941. He also exhibited at the Salon de la Société Nationale des Beaux-Arts in Paris. He took part in major exhibitions abroad, including the Venice Triennale, Antwerp, Rio de Janeiro, New York, Madrid, Brussels and Stockholm. He soon made his mark as a decorative artist, creating stage sets for the Opéra for a production of Griséldis (1922) in collaboration with Legueult, and for Noble and Sentimental Waltzes ( Valses Nobles et Sentimentales) (1938), Sylvia (1941) and The Model Animals ( Les Animaux Modèles) (1944). He created a large, decorative piece entitled Symphony at the Palais de Chaillot, where he worked with Chapelain-Midy, Planson and Oudot. He also decorated the Lycée Janson-de-Sailly with murals. With his wife Marguerite Louppe he produced three large panels commissioned by the state in 1942 for the Conservatoire. The Gobelins and Aubusson tapestry works produced tapestries after his cartoons. He also produced cartoons for...

Paper Size: 12.75 x 9.75 inches ( 32.385 x 24.765 cm ) Image Size: 11.5 x 8 inches ( 29.21 x 20.32 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additi...

Paper Size: 10 x 7.5 inches ( 25.4 x 19.05 cm ) Image Size: 10 x 7.5 inches ( 25.4 x 19.05 cm ) Framed: No Condition: A: Mint Additional Details: Lithograph by Maurice Briancho...

Maurice BRIANCHON Horses, Before the Race Original lithograph Handsigned in pencil Numbered / 75 On Arches vellum 65 x 50 cm (c. 26 x 20 in) Very good condition, light foxings in ...

A wonderful oil on panel circa 1950 by French modernist painter Maurice Brianchon who was known as one of the Painters of Poetic Reality. The piece depicts women on a Parisian street sheltering from the rain under umbrellas. It is beautifully detailed, particularly the reflection of the bright advertising boards in the wet street. Signed lower right. Dimensions: Framed: 32"x28" Unframed: 26"x22" Provenance: Private U.S. collection - exhibited Japan c. 1950 As a young man, Maurice Brianchon studied at school in Le Mans before joining the École des Beaux-Arts in Bordeaux. He went on to study at the École des Arts Décoratifs in Paris, remaining there from 1917 to 1923 and working under the direction of Eugène Morand. It was here that he met and became friends with Oudot and Legueult. When he exhibited for the first time at the Salon d'Automne he was immediately elected as a member. He received the Blumenthal Award in 1924 and the Carnegie Prize in 1939. He was a founder member of the Salon des Tuileries and was appointed to serve on the committee in 1941. He also exhibited at the Salon de la Société Nationale des Beaux-Arts in Paris. He took part in major exhibitions abroad, including the Venice Triennale, Antwerp, Rio de Janeiro, New York, Madrid, Brussels and Stockholm. He soon made his mark as a decorative artist, creating stage sets for the Opéra for a production of Griséldis (1922) in collaboration with Legueult, and for Noble and Sentimental Waltzes ( Valses Nobles et Sentimentales) (1938), Sylvia (1941) and The Model Animals ( Les Animaux Modèles) (1944). He created a large, decorative piece entitled Symphony at the Palais de Chaillot, where he worked with Chapelain-Midy, Planson and Oudot. He also decorated the Lycée Janson-de-Sailly with murals. With his wife Marguerite Louppe he produced three large panels commissioned by the state in 1942 for the Conservatoire. The Gobelins and Aubusson tapestry works produced tapestries after his cartoons. He also produced cartoons for stained glass windows at the church of Assy in 1946. He taught at the Estienne school and the École des Arts Décoratifs in 1937 and in 1949 at the École des Beaux-Arts. He often painted landscapes showing the banks of the Seine, as did the Impressionists, and demonstrated a particular interest in circuses and music halls, as can be seen in Acrobats and French Can Can...

Maurice BRIANCHON The Pond in Winter with Ravens Original lithograph Handsigned in pencil Numbered / 75 On Arches vellum 65 x 50 cm (c. 26 x 20 in) Very good condition, light defe...

Maurice BRIANCHON Still Life with Pears and Grappes Original lithograph Handsigned in pencil Numbered / 75 On Arches vellum 50 x 65 cm (c. 20 x 26 in) Very good condition, light f...

Image dimensions: 32.5x48 cm. Artist's Proof. Edition of 100 prints numbered and hand signed, Very Good conditions.

Artist: Maurice Brianchon Medium: Lithographic Poster, 1954 Dimensions: 23.3 x 16 in / 59.2 x 40.6 cm Classic Poster Paper - Perfect Condition A+ This original lithographic poste...

Paper Size: 11.5 x 8.25 inches ( 29.21 x 20.955 cm ) Image Size: 11.5 x 8.25 inches ( 29.21 x 20.955 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addi...