Max Ernst Drawings and Watercolor Paintings

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

Contemporary drawing work that combines the use of colored pencils and ink on a layer made with natural dyes from leaves and flowers. It is a surreal and fantastic drawing that seeks...

Judith Brown (December 17, 1931 – May 11, 1992) was a dancer and a sculptor who was drawn to images of the body in motion and its effect on the cloth surrounding it. She welded crushed automobile scrap metal into energetic moving torsos, horses, and flying draperies. Brown attended Sarah Lawrence College in Yonkers, New York (B.A., 1954), where she learned to weld from her teacher, Theodore Roszak, a pioneering abstract expressionist sculptor. This is done in a style similar to Leonard Baskin. Select Commissions Mural Sculpture, Lobby, Louisville Radio Station WAVE Fountain, commissioned by Architectural Interiors, New York City Model, designed and executed for Festival of Two Worlds, Spoleto, Italy Sculpture, designed for Electra Film Productions, NYC Noah's Ark, exhibited at Bronx Zoo, New York City, at Rochester Museum and Science Center, Rochester, New York, and at Hopkins Center, Hanover, New Hampshire Store Windows, executed Tiffany & Company Windows, New York City, Christmas 1957, 1959, 1962, October 1969, Spring 1979, and October 1980 Wall Sculptures: for Youngstown Research Center (1963-4), commissioned by Youngstown Steel Company, Youngstown, Ohio; for Hecht and Company, Landmark Shopping Center, Alexandria, Virginia, Daniel Schwartzman, Architect; for Lobby, 570 Seventh Avenue, New York City, Giorgio Cavaglieri, Architect; for Lobby, Cities Service Company's New Research Center, Cranbury, New Jersey; for Ottauquechee Health Center, Woodstock, Vermont Eternal Lights: for Congregation Beth-El, South Orange, New Jersey; for Congregation Sharey Tefilo, East Orange, New Jersey Menorahs: commissioned by Architect Fritz Nathan for the Permanent Collection of the Jewish Museum, New York City; commissioned by Smith College for the Helen Hill Chapel, Northampton, Massachusetts; commissioned by Jules Scherman, of Wisteria Press, Inc., New York City Altar Cross, commissioned by Smith College for the Helen Hill Chapel, Northampton, Massachusetts Landscape, Memorial Piece for Gustave Heller, YM-YWCA, Essex County, New Jersey Memorial Plaque for Robert A. Ferguson, Westchester County Airport, Purchase, New York Sculpture for Vice President's office, Atlantic Richfield Company, New York City Bronze Relief Sculpture for Gymnasium Lobby, South Richmond High School, Staten Island, New York, Daniel Schwartzman, Architect Poster, Stratton Arts Festival, Stratton, Vermont Medallion, commissioned by Brandeis University National Women's Committee, New York City Model for Fountain for the Plaza at Windsor, Vermont Bronze Sculpture, commissioned by Intramural, Inc. for Building Lobby, N/E Cor. 79th Street and Second Avenue, New York City Presentation Piece, commissioned by Graphic Arts Associates of Delaware Valley, Philadelphia, Pennsylvania Wall Mural, Noah's Ark, Roosevelt Hospital, New York City 1977: Designed and executed Hanes Hosiery "Million Dollar Award"; Designed and executed "Old Spice" Smart Ship Award 1978: Commissioned to design and execute the "Walter White Award" for the NAACP for presentation to Hubert Humphrey; Commissioned to design and execute the Award for the Honorees of the National Board YWCA's First Tribute to Women in International Industry 1979: Designed and executed Jewelry for the Museum of Modern Art, New York City; Designed and executed limited edition of Mazuzas for Brandeis University-National Women's Committee, New York City 1980: Bronze Cross commissioned for St. James Episcopal Church, Woodstock, Vermont 1982: Eubie Award, New York Chapter of the National Academy of Recording Arts and Sciences 1985: Two Sculptures, Marriott Hotel, Orlando, Florida 1986: Two large Sculptures for indoor reflecting pools, Palm Desert Hotel, Palm Springs, California; John Portman, Eight Sculptures for Peachtree Plaza Hotel, Atlanta, Georgia; John Portman, Beach House, Sea Island, Georgia 1987: Loan Installation, DeCordova Museum, Lincoln, Massachusetts 1988: Eleven foot outdoor Sculpture for Front Plaza, River Court, Charles River, East Cambridge, Massachusetts, H. J. Davis Development Corp.; Tomie dePaola...

Roland Ayers (1932-2014). The Split Second After, ca. 1959 Lithograph on paper, image measuring 14 × 18 inches. Sheet measuring 18 × 23 inches. Unframed. Minor staining of sheet...

"Abstraction" Mid-20th Century American Abstract 1960s Color Field Modernist James Daugherty (1887-1974) "Lascaux" 5 ¼ x 8 ¼ inches Pastel on paper Initialed lower left, titled lo...

Grey tonal painting of a Falcon perched on a branch. The work is framed in a silver frame with a white matte. The artist signed the work in the bottom right corner. Artist Biograph...

Vortex Twin Flame Mixed Media Ink on archival paper. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting medi...

JACQUES LIPCHITZ Study for Bull and Condor, 1964 Original Ink on gouache on Paper drawing and signed lower left front Unique Held in the original vintage frame This work is from th...

Linda Stein, Three Figures, Three Houses 1002 - Contemporary 3D Sculptural Drawing Collage In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned...

Geoffrey Key. English ( b.1941 ). Horse With Rising Sun, 1989. Watercolor & Ink On Paper. Signed & Dated Lower Right. Image size 13.6 inches x 9.7 inches ( 34.5cm x 24.5cm ). Frame size 20.5 inches x 16.5 inches ( 52cm x 42cm ). Available for sale; this original painting is by Geoffrey Key and is dated 26th September 1989. The watercolor is presented and supplied in a sympathetic and contrasting contemporary frame (which is shown in these photographs) to suit the subject coloration, mounted using conservation materials and behind glass. This artwork and its presentation is in excellent condition. It wants for nothing and is supplied ready to hang and display. The watercolor is signed and dated lower right. Geoffrey Key is a leading figure in Northern contemporary art, widely regarded as Lancashire’s greatest living artist, noted for his realism, his expressive use of bold color and his graphic, linear style. His striking works, now much in demand, have established him as a major player of post war British figurative art. Geoffrey Key was born in Rusholme, Manchester in 1941. His mother, Marion, worked as an illustrator and encouraged him to draw and he took to this easily and with great enthusiasm. He was educated at Manchester's High School of Art, whose headmaster, Ernest Goodman, established the Salford Art Club. It is fitting that many years later, after Goodman's death, its members chose Geoffrey Key as Honorary President. In 1958 Key enrolled at the Manchester Regional College of Art, where he was tutored by the sculptor Ted Roocroft and the painter Harry Rutherford, both of whom influenced him greatly. After gaining the National Diploma of Design and the Diploma of Associateship of Manchester, the latter with distinction, Key took up a postgraduate scholarship in sculpture. His academic awards include the Heywood Medal in Fine Art and the Guthrie Bond Travelling Scholarship. Geoffrey Key’s early work included an important period of development during which he concentrated on painting and drawing a specific area of the Derbyshire landscape, the Whiteley Nab hill, south of Glossop. Key created literally hundreds of images of this one landscape and later revealed that the sole purpose of this dedicated period of study, was to build upon the firm foundation established by his academic training, whilst divesting himself of the influences he had absorbed in order to arrive at his own personal artistic language. In other words, this is where he found his own style. After graduating Key worked as a teacher at Duke Street Secondary Modern in Broughton, Salford, which later became Broughton Modern. In every spare moment though he painted and his talent was quickly recognised. As the likes of Salford Art Gallery, The Rutherston Loan Collection and North West Arts began to acquire his work he made the decision to relinquish his salary and to become a full time artist. Key was elected to membership of the Manchester Academy of Fine Arts in 1968 and was a prize winner in 1971. During this time he was also commissioned by three North West England based companies – Mather & Platt, Richard Johnson & Nephew, and Wilson’s Brewery. The Richard Johnson & Nephew pictures are now held by the Museum of Science and Industry, Manchester. In the 1980s the French company Société des Caves de Roquefort also commissioned Key’s work and further successful exhibitions were held in both the UK and abroad. In 1987 the Manchester Evening News asked Key to write an article on L. S. Lowry, who Key had known well, for a feature marking the centenary of the artist's birth. This article was accompanied by a contemporary drawing of Lowry by Key. Apart from LS Lowry, Key is arguably Lancashire’s best-known and most collected contemporary artist. Key says ‘I knew Lowry and he was a lovely...

Polis is one of the last artworks from Anna Pennati. Dedicated to the Polis or cities in his most conceptual meaning. It's la a dream that invite us to enter in. The work is shipped...

Susan Pomery Wilks. English ( b.1945 - d.2023 ). Flock Of Sheep. Pastel & Charcoal On Paper. Signed Lower Right. Image size 13.6 inches x 23 inches ( 34.5cm x 58.5cm ). Frame size 2...