Maxime Lalanne Art
French, 1827-1886
François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century.
Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching Revival, contributing to the establishment of etching as an original and major art medium. He was the editor of The Portfolio (1870-1893), a major arts publication dealing extensively with the art of etching. His most influential book was "Etching and Etchers", which detailed the creative and technical aspects of etching and engraving. The first edition was published in 1868 and included original etchings by Jongkind, Haden and Palmer, as well later states of 17th century Dutch masters. He published a second edition in 1876 without any original etchings. A third edition was published in 1880 in a large paper edition, limited to one thousand copies, which included twenty original etchings from contemporary artists Whistler, Haden, Palmer, Israels, Jacque, Jacquemart, Lalanne, Appian, Legros, Herkomer. including this original Lalanne etching of the port of Bordeaux in winter.to
3
2
8
5
4
3
1
Une rue de Rouen
By Maxime Lalanne
Located in Middletown, NY
Copper plate etching with drypoint on cream laid paper with a partial heraldic watermark, 11 x 8 inches (280 x 204 mm), full margins. Toning and some discoloration along the left mar...
Category
Late 19th Century French School Maxime Lalanne Art
Materials
Laid Paper, Etching, Drypoint
The Beach in Normandy, France, Near Bayeux: A 19th C. Etching by Maxime Lalanne
By Maxime Lalanne
Located in Alamo, CA
This is a mid 19th century etching entitled "Point de Depart de Guillaume de Normandie, Beuzeval, Emboucher de la Dives Calvados (The point of departure of William of Normandy (William the Conqueror)), created by Maxime Lalanne and published in 'L'Illustration Nouvelle' in 1868 by Alfred Cadart. The etching depicts the beach at Beuzeval in Normandy; with the shore in the foreground on the right lined by a row of houses, the sea at the left, and an expansive sky above. There are people on the beach and sailboats in the water. This is the point of departure of William the Conqueror for his voyage to England in 1066, resulting in his victory over the Anglo-Saxons at the Battle of Hastings and the establishment of Norman rule. The events are memorialized in the Bayeux tapestry, created by William's wife.
This etching is presented in a white mat that is suitable for framing. This excellent impression is printed on thick chain-linked, laid cream-colored paper with wide margins. It is signed in plate in the lower right and titled in the plate in the lower left. There is a collector's stamp (either an "NC" or a "CN") in the lower right corner. The sheet measures 9.5" high by 12.75" wide and the mat measures 13.5" high by 16" wide. There are two tiny faint spots in the periphery of the upper margin, but the print is otherwise in excellent condition. This etching is held by many museums and institutions, including The British Museum, The Yale University Art Gallery, The Cleveland Museum of Art, The Philadelphia Museum of Art, Columbia University Libraries and The William Morris Gallery...
Category
Late 19th Century Maxime Lalanne Art
Materials
Etching
Paris, Vue Prise du Pont St Michel - Etching by Maxime Lalanne - 1870s
By Maxime Lalanne
Located in Roma, IT
Vue Prise du Pont St Michel is an artwork realized by Maxime Lalanne in the 1870s.
Etching.
Image size:22x29
Good conditions.
Realized for the "Société des Aquafortistes. Born ...
Category
1870s Modern Maxime Lalanne Art
Materials
Etching
Aux Environs de Paris - Etching by Maxime Lalanne - 1860s
By Maxime Lalanne
Located in Roma, IT
Aux Environs de Paris is a black and White etching realized by Maxime Lalanne in the 1860s.
Titled in the lower
Image Size: 32x23
Very good impression.
Realized for the "Société...
Category
1860s Modern Maxime Lalanne Art
Materials
Etching
"Fribourg" original etching
By Maxime Lalanne
Located in Henderson, NV
Medium: original etching. This impression on laid paper printed in 1868 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: 4 5/8 x 7 1/4 inches (116 x 182 m...
Category
1860s Maxime Lalanne Art
Materials
Etching
Demolitions pour le Percement de la Rue - Etching by Maxime Lalanne - 1860s
By Maxime Lalanne
Located in Roma, IT
Demolitions pour le Percement de la Rue des Ecoles is a black and White etching realized by Maxime Lalanne in the 1860s.
Titled in the lower.
Image size: 24x32.
Very good impress...
Category
1860s Modern Maxime Lalanne Art
Materials
Etching
Traditional Village, Church of Essomes - Original etching
By Maxime Lalanne
Located in Paris, IDF
Maxime Lalanne (1827 - 1886)
Traditional Village, Church of Essome
Original etching
Printed signature in the plate
On vellum 32 x 48 cm (c. 13 x 19 in)
Very good condition, minor d...
Category
Mid-19th Century Modern Maxime Lalanne Art
Materials
Etching
Demolition Pour le Percement du Boulevard St.German by Maxime Lalanne - 1862
By Maxime Lalanne
Located in Roma, IT
Demolition Pour le Percement du Boulevard St.German is a black and White etching realized by Maxime Lalanne in 1862
Titled in the lower
Image Size: 32x23
Very good impression.
R...
Category
1860s Modern Maxime Lalanne Art
Materials
Etching
Related Items
Untitled (Fantastic Scene)
By Michael Bowen
Located in San Francisco, CA
This artwork "Untitled, Fantastic Scene" c.1975 is an original color etching with aquatint on wove paper by American surrealist artist Michael Bowen, 1937-2009. It is hand signed in pencil by the artist. The plate mark (image) size is 14.85 x 18 inches, sheet size is 21.5 x 26 inches. It is in excellent condition, has never been framed.
About the subject:
Nowhere is the intertwining of metaphysical, biographic and social narratives more evident than in the Café Life series painted in the 1980’s. Though the “series” was done in the 80’s, the pieces really revive the spirit of the Beat café scene, which began in the mid-1950’s and which was so instrumental to the particular spiritual and social vibe of the counter culture. And his Café Life observations continue over his artist life with scenes, such as the ones here, from Los Angles, Bolinas, Mexico and Italy.
About the artist:
Michael Bowen (December 8, 1937 – March 7, 2009) was an American fine artist known as one of the co-founders of the late 20th and 21st century Visionary art movements. His works include paintings on canvas and paper, 92 intaglio etchings based on Jungian psychology, assemblage, bronze sculpture, collage, and handmade art books. An icon of the American Beat Generation and the 1960s counterculture, Bowen is also known for his role in inspiring and organizing the first Human Be-In in San Francisco. Chronicled in books and periodicals reflecting on the turbulent 1960s, Bowen's historical impact on both the literary and visual art worlds is well documented. He remains influential among avant-garde art circles around the world. He started his art career at age 17, when he joined the American installation artist Ed Kienholz in his Los Angeles studio. There he met and joined with other influential Beat Generation artists including Wallace Berman, John Altoon, and Dennis Hopper. Bowen participated in the construction of the Ferus Gallery and Now Gallery created by Ed Kienholz and curated by Walter Hopps. Bowen attended the Chouinard Art Institute for several years during his formative artistic experiences in Los Angeles. In the late 50s and early 60s, Bowen continued his spiritual training and research. He investigated and practiced a variety of occult topics, Eastern philosophies, and mysticism, and his artwork reflected these themes. Bowen is often referred to as a mystic artist. As a lifelong student of the Bhagavad-Gita, Bowen's entire career has emulated the spiritual warrior archetype of Arjuna, fighting for the Bill of Rights of the United States Constitution. Michael Bowen moved to San Francisco in the late 1950s, and along with fellow artist comrades Arthur Monroe...
Category
Late 20th Century Surrealist Maxime Lalanne Art
Materials
Etching, Aquatint
Leda and the Swan
By Albert Decaris
Located in West Hollywood, CA
Presenting a monumental original etching by French artist Albert Decaris. Decaris won many honors in France during his extensive career.
"Leda and the Swan", depicts the mythologi...
Category
1920s Maxime Lalanne Art
Materials
Etching
Vintage Abstract Figurative Etching -- "Embrace"
By Patricia Way
Located in Soquel, CA
Vintage abstract figural "Embrace", a lithograph by Patricia Ann Way (American, 20th Century). Signed "Patricia Way" and dated "76" lower right. Slight crease to lower center and s...
Category
1970s Abstract Expressionist Maxime Lalanne Art
Materials
Paper, Ink, Etching
"End of Day" Original Limited Edition Etching
Located in Soquel, CA
"End of Day" Original Limited Edition Etching by John McGrath (Irish/American b.1884 d.1942).
This etching depicts a man with a tool slung over his shoulder walking along a path th...
Category
Early 20th Century American Realist Maxime Lalanne Art
Materials
Paper, Ink, Drypoint, Etching
$600 Sale Price
25% Off
H 12.5 in W 9.5 in D 0.5 in
Surrealist Portrait of Dali Surrounded by Butterflies, Memories of Surrealism
By Salvador Dalí
Located in Washington, DC
Artist: Salvador Dali
Title: Surrealist Portrait of Dali Surrounded by Butterflies
Portfolio: Memories of Surrealism
Medium: Etching and photolithograph
Date: 1971
Edition: AP XIV/XX...
Category
1970s Surrealist Maxime Lalanne Art
Materials
Etching, Lithograph
$4,195
H 35.5 in W 29.5 in
"Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist
By Paul Albert BESNARD
Located in Soquel, CA
"Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist
"Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist
A Drypoint etching on Wove...
Category
Early 1900s Impressionist Maxime Lalanne Art
Materials
Handmade Paper, Drypoint, Etching
$1,550
H 20 in W 15 in D 0.13 in
Ancient Roman Architecture: Original Framed 18th C. Etching by G. Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...
Category
Early 18th Century Old Masters Maxime Lalanne Art
Materials
Etching, Engraving, Drypoint
$3,875
H 24.38 in W 31.75 in D 0.75 in
Low Country (South Carolina)
By Elizabeth Verner
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance.
A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...
Category
Early 20th Century American Modern Maxime Lalanne Art
Materials
Archival Paper, Drypoint, Etching
Luigi Lucioni Vermont Barn
By Luigi Lucioni
Located in San Francisco, CA
Luigi Lucioni: 1900-1988. Very well listed American Painter and etcher. He has Auction results as high as $4600 for an etching. This adding is most likely a barn in Vermont.. It meas...
Category
1950s American Realist Maxime Lalanne Art
Materials
Etching
Good Times I -- Couple Nude Figurative
By Weyman Lew
Located in Soquel, CA
Weyman Michael Lew is a painter and printmaker, born in San Francisco, California in 1935. Without over-mat, silver tone aluminum frame and plexi-glass. Imaqe, 22"H x 27"L.
He studied at the University of California, and the San Francisco Art Institute from 1965 to 1966 with Artist Mary Joan Jay DeFeo. His works are in the collection of De Young Memorial Museum; the Institution of Arte Contemporary in Lima, Peru; the Western American Artists...
Category
1970s American Modern Maxime Lalanne Art
Materials
Acrylic, Etching
Eglise Notre Dame, Les Andelys
By John Taylor Arms
Located in Middletown, NY
Etching and drypoint on greenish cream wove paper, 3 1/4 x 1 15/16 inches (81 x 48 mm), full margins. Signed, dated, and inscribed "III" in pencil. Number 46 from the French Churche...
Category
Mid-20th Century American Modern Maxime Lalanne Art
Materials
Handmade Paper, Etching
The Biggest of All; Telephone and Telegraph Building.
By Joseph Pennell
Located in Storrs, CT
The Biggest of All; Telephone and Telegraph Building. 1925. Etching. Wuerth 853. 9 7/8 x 11 7/8 (sheet 11 1/2 x 17 1/8). Edition probably 35. An atmospheric impression with plate tone, printed on antique laid paper...
Category
Early 20th Century American Modern Maxime Lalanne Art
Materials
Drypoint, Etching
$850 Sale Price
43% Off
H 9.88 in W 7.88 in D 0.5 in
Previously Available Items
Traditional Village, Church of Essomes - Original etching
By Maxime Lalanne
Located in Paris, IDF
Maxime Lalanne (1827 - 1886)
Traditional Village, Church of Essome
Original etching
Printed signature in the plate
On vellum 32 x 48 cm (c. 13 x 19 in)
Very good condition, light d...
Category
Mid-19th Century Modern Maxime Lalanne Art
Materials
Etching
Maxime Lalanne art for sale on 1stDibs.
Find a wide variety of authentic Maxime Lalanne art available for sale on 1stDibs. You can also browse by medium to find art by Maxime Lalanne in etching and more. Much of the original work by this artist or collective was created during the 19th century and is mostly associated with the modern style. Not every interior allows for large Maxime Lalanne art, so small editions measuring 7 inches across are available. Customers who are interested in this artist might also find the work of Charles Courtry, Pierre Quentin Chedel, and Eugene Corneau. Maxime Lalanne art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $150 and tops out at $460, while the average work can sell for $150.