Molteni & C Cabinets

Very elegant Italian Mid-Century Modern dry bar cocktail cabinet, in beautiful wood with top shelves, central doors with internal storage, two bottom drawers all highlighted by the s...

Beautiful and very elegantly shaped Italian Mid-Century Modern dry bar cabinet, with beautiful veneer walnut wood. When opened, on the left side an amazing interior part in mirrors m...

Very elegant Italian Art Deco Mid-Century Modern dry bar cabinet cart characterized by its original Asian themed painted front wood pull-out tilt door with interior part in mirror glass, standing on its antique brass wheels...

This teak chest of drawers with four drawers is a beautiful example of Danish design from the 1960s. With its characteristic teak material, the chest of drawers radiates warmth and n...

Rosewood chest of drawers by Gunni Omann. Made in Denmark in the 1960s. Very good condition. Measures: height 81cm, width 120cm, depth 44cm.

Very elegant Italian Art Deco Mid-Century Modern drinks dry bar cabinet with beautiful veneer walnut decorated wood, black glass top, standing on waterfall shaped legs and with brass...

Very elegant Italian Art Deco Mid-Century Modern dry bar cabinet, in beautiful veneer wood, central decoration with antique temple columns, two typically design shaped side doors, in...

Late 1940's/early 1950's Italian dry bar, martini cabinet with inlaid fruit wood marquetry, tapering rectangular top and drop front attributed to Osvaldo Borsani.. Inside back has be...

Angelo Mangiarotti for Sorgente dei Mobili, cabinet, mahogany, grasscloth, Italy, 1960s This outstanding sideboard, dating back to the 1960s, is a design by Angelo Mangiarotti produ...

Angelo Mangiarotti, rare and refined Dry Bar / Sideboard in wood and marble made for Molteni. It is a functional piece of furniture, capable of holding large quantities of bottles, b...

Designed in 1969, Joe Colombo’s iconic "Boby 3" portable storage system was produced by Italian manufacturer Bieffeplast makes savvy use of space with its swivel design. This compact caddy is featured in the collection of the Museum of Modern Art in New York, but it’s perfect at home in domestic settings, offering ample storage with swing-out drawer trays provide and cubby holes for taller items. A one-of-a-kind piece that will complete a studio or a midcentury office. Measures (cm): height - 74 depth - 41 width - 43 Born in Milan in 1930, designer Cesare Colombo—who went by Joe—was the second of three brothers. His father, Giuseppe, was an industrialist who inherited a ribbon factory and turned it into an electrical conductor manufacturer. Colombo came to design relatively late, having spent most of his twenties pursuing painting and sculpture. He studied at the Accademia di Belle Arti in Brera, Milan, in the early 1950s. While there, he joined the Movimento Nucleare, an avant-garde art movement founded by Enrico Baj and Sergio Dangelo in 1951. Spurred on by international anxiety surrounding the nuclear bomb, this group of painters aimed to break free of the static boundaries of traditional painting. In 1953, Colombo made his first foray into design by creating a decorative ceiling for a Milan jazz club. In 1954, he made a series of television shrines for the Milan Trienniale. Inspired by these experiences, Colombo enrolled as an architecture student at Milan Polytechnic. When his father became ill in 1958, Colombo abandoned painting altogether; he and his younger brother, Gianni, took over the family business, using the factory as an experimental space for the latest production techniques and materials, including fiberglass, PVC, and polyethylene. In 1962, Colombo opened a design studio in Milan, from which he worked primarily on architectural commissions—including several ski lodges and mountain hotels—as well as product design. His furniture designs were characterized by optimistically bold, round forms, and he championed the notion of using modern technologies to create new design solutions. Colombo’s design career was cut tragically short in 1971 when he died of heart failure at age 41. However, he was remarkably prolific during his near decade as a designer. Notable projects include some of the most iconic designs of the 1960s, such as his 1963 Elda Armchair, made completely of fiberglass; the 1964 Ragno outdoor light, which doubled as a seat; the stackable Universale chair (1965/67), which came in varying heights and was created completely from polypropylene; his 1967 modular furniture series known as the Additional Living System, which was composed of different-size curved pieces that could be pinned together in various configurations to form chairs, sofas, or entire living areas, and which ultimately included the famous 1969 Tubo lounge chair; and the Optic alarm clock and Bobby trolley...

Drawer cabinet, walnut veneer wood, marble top.