Mordekai More Objets d'Art and Vertu

14 Karat Ridged Tie Bar. Simple design yet sophisticated piece that will add a nice detail to any tie. The top of the tie bar has a zig-zag design and the enti...

Enveloped in a sea of 60.26 carats of fancy vivid yellow diamonds is this tour de force of jewelry craftsmanship from the collaboration of jewelry legends Fred Leighton and Carvin French. Made for Patricia Kluge...

Navajo needlepoint concho belt. Signed LMB, marked sterling. 11 conchos total. Exceptional design on each concho, featuring floral style center with complementary scalloped silverwork and final layer of turquoise framing concho. Old Pawn. Acquired from a Navajo trader. PERIOD: After 1950 ORIGIN: Navajo, Southwest SIZE: Total Belt Length 62 1/2" Leather; conchos 2 1/4"D The word “concho” sometimes spelled “concha”, comes from the Spanish word meaning shell. Some of the first “conchos” were made of melted silver dollars and resembled a shell. Concho belts reportedly began appearing in Navajo country in the late 1860s. Other Native Americans including Zuni and Hopi also made traditional concho belts before long. Concho belts can cost into the thousands of dollars depending upon the craftsmanship, amount of silver, rarity of turquoise and stones used. Belts in the upper end of the price scales are usually made before the turn of the century. Buyers should deal with reputable dealers as many fakes and look-a-likes exist. A well-made belt with age to it will fetch a bigger premium and hold its value better. The earliest concho belts are now referred to as “First Phase” belts. This style of belt was made before Native silversmith had learned much about soldering. The conchos were hammered out from melted coins, cut, and filed into shape, engraved and a diamond shape slot was cut out of the middle of the concho, with a bar left across the center of the diamond shaped slot for the leather loop. Conchos that required no soldering are generally thought to be made from 1860-1880. Second phase conchos were done 1890-1900s in which silversmith began to solder. Third phase conchos is when you start to see the “butterfly” or “bow” appear between conchos and the use of turquoise as an adornment. A butterfly (bow) is a smaller concho in between bigger conchos. A belt with butterflies and sometimes turquoise would be from the early 1900s – 1930s. The timelines may slightly differentiate depending upon who you ask. Natives first had concho belts for personal use only, but around the turn of the last century, tourist demand had kicked in and a new outlet emerged. belts & buckles jewelry silver belts conchos navajo needlepoint southwest turquoise...

From the personal collection of style icon Iris Apfel we have her Set of Six Hand Painted Danish Teacups and Dessert Plates with images of Wildflowers in the style of Royal Copenhage...

Zuni Sleeping Beauty turquoise and dark red coral buckle. Nuggets surrounded by twisted rop border with stylized thunderbird with wings and tail feathers....

Sweet, edgy, and boho pin, creative and fun to wear, charming with this 9 carat yellow gold pin in fox head design. The fox head itself has incredible details, from its whiskers to i...

Emile Galle Art Deco Vase Beautiful Art Deco piece that was made in France in the 1930s An overlaid and etched glass vase, cameo signature G...

Shadowbox belt buckle with multi coral nuggets. Marked sterling silver. Made by Navajo silversmith J. Begay. Stunning oxblood coral stones surrounded by twisted rope border and sterl...

Vintage Art Deco Compact in white metal with a highly stylised design in black and pink enamelling, Maison Jeurelle - from the Seventeen Makeup Line. Inside the Compact is signed in ...

The cameo at the center of this exceptional pendant is a stunning example of the art of gem engraving during the Renaissance. It likely dates to the early 17th century and features a sacrificial scene inspired by the Greco-Roman era. The central flaming altar is flanked by two figures preparing to sacrifice a ram, while a figure in a lion skin blowing horns stands in the left corner. The carver brilliantly uses the natural layers of the stone to achieve the illusion of shadow and musculature on the figures. A second, smaller cameo is set at the top of the pendant, while a myriad of multi-colored gems, pearls and enamel adorns the 18K gold setting. A large Baroque pearl suspended from an enamel dragon finishes the design, which embodies the opulence and theatricality of jewels from the Renaissance age. Cameos and intaglios were highly popular amongst wealthy connoisseurs in Renaissance Italy, and owning the finest pieces was the privilege of princes. Although they were often elaborately mounted for display alone, cameos were also frequently worn as pendants, surrounded by enameled and stone-set gold frames. Such pieces were particularly prized by the Medici and Lorraine families, many of which can now be seen at the National Archeological Museum in Florence. Very few Renaissance cameos...

Detailed out of the ordinary antique yellow gold pin, with an edgy dagger sweet motif of a sharp yellow gold dagger sleek and smooth. The handles are crafted with such consideration,...

Navbajo Kingman turquoise and bear claw bracelet with small nugget of red coral. Stones and claw set in sterling silver surrounded by leaves, scrolls and bea...