Mid-19th Century Silver Mounted Glass Scent Bottle

Piriform malachite flask set in a gold frame finely chiseled with floral motifs and interlace on amati gold background. The hinged cap opens on a gold cap. T...

Pear-shaped flask in enameled silver. The paunch of the flask is sumptuously embellished with painted enamel, featuring jubilant countrymen and women dancing by a table full of peopl...

A cylindrical, double-ended transparent crystal perfume bottle with one side a fine vinaigrette and the other a smelling salt compartiment. The vinaigre...

Teardrop-shaped flask in blown and cut crystal. It is embellished with several different decorative patterns: a ridged pattern surrounds the edge; the back side features a rectangular band with a diamond cut pattern and starburst rays above and below the rectangle; and the front side has a rectangle that frames a cartouche that has been left undecorated so that the owner’s initials can be added there. The gold, screw top lid is intricately accented with geometric patterns. A small, crystal stopper inside the lid helps preserve the perfume. The flask is stored in its original red leather case. In France, the art of crystal making began to develop during the late18th century with inspiration from British crystal...

Peardrop-shaped crystal flask in gold mount. The body is finely engraved with an interlaced monogram. The mounting is decorated with an intricate engrave...

eardrop-shaped crystal flask in pierced gold mount, intricately sculpted with hearts, palmettes, and scrollwork. The mounting is set on the base and the ...

A glass scent bottle in the shape of an amphora with a 14 carat gold mounting, foot and stopper and two rings at the side in its original leather ca...

A stunning antique late 19th century 14 karat gold and cut glass scent bottle. This is an absolute stunner with the chunky faceted cut reflect...

Such a treasure! In 14 karat yellow gold, this etched crystal perfume bottle supports diamonds and natural gemstones in the hinged top.

Amythest and 18k Tri Color Gold Sulphide Cameo Scent Bottle on Stand, early 19th Century, possibly by Baccarat. A custom made period stand in sterling allows the bottle to be display...

Fox Essex glass scent bottle designed by Tiffany & Co. An exceptional very rare piece, created during the Edwardian period at the Tiffany Studios, back in he 1905. This fabulous scent bottle has been carved from translucent rock quartz and mount with an oversized Essex glass reverse carved piece depicting the enameled three dimensional head of a fox. Both parts are mounted with hinged round frames crafted in solid yellow gold of 18 karats with high polished finish. Fitted with a push opening button, an invisible hinges and an interior gold screw lid. The head of the fox is magnificent, very well carved with realistic details and exceptionally painted. Weight: 137.50 Grams, (88.14 Dwt). Measurements: 34 mm by 40 mm by 80 mm (1.34 x 1.57 x 3.15 Inches). Hallmarks: Stamped with the maker's mark, the mark for the assay of the gold and signed, "TIFFANY & CO.". The gold parts has been independently tested using state of the art technology (Niton XL2 Analyzer) and verified as over 18k gold .770/.999 assay. Essex Glass Essex crystal pieces are formed from a rock crystal cabochon (polished domes of rock crystal with a flat base), an image or motif is then reverse carved into the flat base, and then painted, to give them impression of a three dimensional object or image encapsulated in the cabochon when viewed from above. Production of a reverse crystal intaglio begins with the mining and cutting of fine rock crystal from Brazil or Madagascar. A well-formed cabochon is the key to a beautifully made reverse intaglio and the tedious process of hand polishing it to perfection had to be completed before the design work could begin. A watercolor rendering of the image was painted on the underside of the cabochon and an oil and diamond dust mixture was used along with up to 250 scribing tools to carve the design into the interior of the crystal “…the deeper the carving the more pronounced trompe l’oeil effect.” Once the carving was established the painting process began with extremely fine brushes and paint working in reverse to create incredibly detailed images. This process of carving into the back of the cabochon is sometimes referred to as reverse intaglio, not be to mistaken with intaglio, which is designed to be viewed from the same side on which it is carved, unlike Essex crystal. Particularly when the image is of something which is itself small in reality, such as an insect, they can be very convincing when created by skilled craftsman. Thomas Cook was believed to be responsible for introducing them to Britain from the continent in the 1860s, and there were initially sold by Hancock’s in London. During the same period the artist William Essex, was a great favourite of Queen Victoria, and known for his enamel painting and miniatures. It would seem that the public put two and two together and came up with five, in that they believed these exquisite miniature painted jewels could only have been created by such a celebrated talent as Essex, and the name stuck despite him having nothing to do with their creation. Interestingly, William Bishop...

Antique Victorian perfume bottle. This unusual little bottle featured a cranberry glass with a silver screw top. The piece would have been in...