Paul Reeves Still-life Paintings

Intervention Graffiti & Line series 2012 acrylic on canvas 48 x 34 inches Signed, dated and titled on the reverse side Robert Petrick's paintings create ...

Modern abstract painting of grass and leaves by artist Spe, 2013. Signed lower right. Original artwork on paper displayed on a white mat with a go...

“Structure Series #2” Version 2 2020 Acrylic, oil and chalk on canvas 14 x 24 x x .625 inches Robert Petrick's paintings create a link between the street culture of the East Villag...

"Nasturtium, Diptych" is an abstract diptych painting of two potted plants. On the lefthand canvas the background is painted a thin hookers green and resin was poured over the top. The potted flower is painted over the resin, sitting on a white stippled table with a thick yellow edge. Yellow stipples are painted around the plant. The righthand painting has intentionally exposed canvas soft smudges of green paint through the middle of the canvas and navy up in the upper lefthand corner, at the middle of the composition. A heavy impasto flower...

The paining is acrylic on cartoon, with a touch of gold layer, framed in an old recycled frame. I like to reuse materials and give them new life. Will be signed with a gallery certif...

Painting, acrylic paint on canvas, framed, signed and inspired by actual mood.

For Jose Ignacio Suarez an abyss of time and space distances him from those who were the first inhabitants of the Brazilian coasts and of this vast American continent. His initial la...

For Jose Ignacio Suarez an abyss of time and space distances him from those who were the first inhabitants of the Brazilian coasts and of this vast American continent. His initial la...

Mat Tomezko's latest series of abstract mixed media paintings are constructed from traditional acrylic painting and the incorporation of ash into a hand-mixed paint of his own creation. This piece is part of a body of work that uses evocative materials and imagery of fire, flowers, food, newspapers, asphalt, and ash to illuminate the interconnectedness of destructive and creative forces. "Ash" is a traditional still-life and landscape composition interrupted by broad black geometric chevron lines or "arrows" that divide the composition symmetrically in a geometric balance. This painting is signed and dated on the back. It includes all hanging hardware and is ready to install -- no need for additional framing. Tomezsko is an artist from Philadelphia who creates abstract paintings, public art installations, and community art projects based around participation and everyday visual language. His approach to composition is informed by mid-century formalism and conceptualism. His work was recognized by the 2017 Americans for the Arts Public Art Network Year in Review for outstanding public art. Tomezsko’s work has been exhibited at numerous art spaces regionally and nationally, including the Crane Arts, Woodmere Art Museum, the Center For Emerging Visual Artists (CFEVA), and Wexler Gallery in Philadelphia; Lillstreet Art Center in Chicago, IL; the Delaware Contemporary in Wilmington, DE; and Thomas Hunter Projects in New York, NY. He has created several notable public art projects including "14 Movements: A Symphony in Color and Words," a mile-long temporary mural installed in downtown Philadelphia during the 2016 Democratic National Convention; "Look Long and Look Good," a series of 30 paintings currently installed along Main Street in Manayunk; and "Flowering Axes," a mural in the 5th Street Vehicular Tunnel underneath the Ben Franklin Bridge. His work is in the collection of The Wharton...

Street Art, graffiti, bright colors, Gestural Abstraction

"Strengths and Weaknesses" is a portrait exploring several elements and strategies that fascinate the artist – notably the performance anxiety induced by simply being an artist, staring down the freight train of art history as it hurtles toward you every time you pick up a brush. Luck? Talent? Maybe. There are signposts and guides in this painting, of course (Cubism! Surrealism! Brancusi! Guston!), but they can clobber you too if you're not careful. Even the phrase "strengths and weaknesses" smacks of compromises and rationalization – deadly to an artist looking to construct their own integral world. "Strengths and Weaknesses" is an acrylic and charcoal on canvas measuring 54" tall by 54" wide. It was included in the artist's solo show "Comedy Cellar" at Freight + Volume Gallery, New York City in July 2018. (See last photograph for an installation view.) From Daniel Gerwin – "Schenck’s color is vibrant, wild, saturated to the point of overheating, and altogether brilliant in the balancing of hues, temperatures, shapes, and color quantities. The paintings have a remarkable coherence for their dizzying juxtaposition of so many small chromatic passages." (Essay: The Anxiety and the Ecstasy) Peter Schenck...

Modern abstract painting of grass and leaves by artist Spe, 2013. Signed lower right. Original artwork on paper displayed on a white mat with a go...