Ray Geary Furniture

Making Artistic Mosaic, design of unparalleled beauty, inventing ' tromp l'oeil' thanks to the endless colors of the glass mosaic collections, all this allowed us to produce and divu...

In 1947 Ray Eames created the 'Dot Pattern', a textile design showing elegance and brilliant simplicity. This mobile is a tribute to one of the most influential female designers of t...

Assembled smal sculpture with ball added, embedded in a black painted stone. I learn out of a past that has been created for me, a foundation to build on my own work And create new pathes of art, design and everything that comes with it. Like my hereos Braque and Duchamp invented an artform out of existing things, I build my works out and with existing useable pieces like furniture parts...

A mixed media and resin collage by Rex Ray, signed by the artist. USA, 2006.

Yolande Milan Batteau (b. 1970) USA, 2019 Large wall panel, finished in 22k gold over clay bole.

A beautiful limited edition abstract Expressionism offset lithograph of the Russian painter and art theorist Wassily Kandinsky's "Deux Raies Noir" (Two Black Lines). Maeght R60. This work has been printed on Arches paper and is plate signed (initialed in the design). Published by Maeght Editeur (one of France's premier publishers with their blind stamp in the corner) and printed by ARTE in Paris. Limited to 1000 copies. Wassily Kadinsky is commonly considered to be one of the pioneers of abstraction in western art. This print would be a great addition to any collectors of Kadinsky's work or Modern Abstract Expressionism art...

In 1947 Ray Eames created the 'Dot Pattern', a textile design showing elegance and brilliant simplicity. This mobile is a tribute to one of the most influential female designers of t...

Laokoon, 2018 marble sculpture by Tom von Kaenel Dimensions: D 10 x W 21.5 x H 62 cm Materials: Naxian marble All the artworks of Tom von Kaenel are unique, handcrafted by himse...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2018. How can an inert object produce deeply unsuspecting, indecipherable, uncontrol...

This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into ima...

In 1947 Ray Eames created the 'Dot Pattern', a textile design showing elegance and brilliant simplicity. This mobile is a tribute to one of the most influential female designers of t...