Raymond Thibesart Portrait Paintings

This bright summer beach painting holds a surprise if you look closely. What seems like a young couple just spending a day at the shore together, actually tells a story. The young wo...

ARTIST: John Dalzell Kenworthy ARCA (1958-1954) British TITLE: "The Head Gardener" SIGNED: lower right corner MEDIUM: oil on canvas SIZE: 52cm x 41cm inc frame DETAIL: A most interesting unuusal and characterful mid Century portrait of a man mowing the lawn. The painting initialled lower right for Kenwrothy. John Dalzell Kenworthy ARCA (5 Nov 1858 - 4 Mar 1954) was an internationally acclaimed artist, sculptor and writer who was born at Whitehaven into a prominent West Cumbrian family. JD Kenworthy was a noted Cumberland artist, who lived at Seacroft House, St Bees, a coastal village south of Whitehaven. He painted both portraits and landscapes, in oil and watercolour in the 50 years centred on the turn of the twentieth century. He was an associate of the Royal Cambrian Academy (1914) and he exhibited at the Royal Academy in London, as well as at galleries across Manchester, Leeds and Liverpool. He travelled to paint in Scotland and France, where he became particularly well known. He also was a keen angler, and wrote a book in 1933 called 'Fisherman's Philosophy', in which he discusses Scottish salmon and loch trout, and fishing on the French Mediterranean coast. Kenworthy's works are held in the public collections of the Beacon Museum and Helena Thompson Museum. JD Kenworthy's portraits include two of 1st World War veterans, AJ Wandless a Master Mariner and Whitehaven war hero Abraham Acton. He also painted portraits of other notable people, including the Mayor of Whitehaven, Reverend Rees Keene, Dr James Irving Lace,[6] Justices of the Peace James Gibson Dees and Alderman Joseph Braithwaite and one of the aero chocolate...

Canvas measures 61x50 cm. Frameless He was born in 1951. Under the direction of the master Pedro Bermejo, he began his artistic career, quickly highlighting and observing in his works an unusual mastery of drawing. A very mature painter who has known how to stop time in all his works. His themes are preferably costumbristas although in his work the usual thing is to see eight century themes, with horse carriages, hats, umbrellas and still lifes. Observing his work reminds us, by the subject, of Maestro...

Really rare and well painted portrait by Christine Walters Martin (1895-1982). Oil on canvas. Framed in a nice modernist molding. Signed. Artist Bio: Christine Walters Martin (1895-1982) Born and raised in Brooklyn, Christine Martin majored in art at Columbia University/Teachers College. She spent summers painting at the Woodstock Art Colony under the tutelage of artists there and continued her art studies at the Art Student's League in New York City. Over the years, her teachers included John Sloan, Yasuo Kuniyoshi, Alexander Brook and John McFee. She also studied with Eugene Speicher, who recommended her for Portraits Inc, through which some of his own commissions came. Much later in life, in her 80s, Christine studied watercolor with Zoltan Szabo. Before marrying attorney George Martin in 1923, she taught art in the New York public schools for several years. During summers in the late 1920s, after having two daughters (Cynthia, 1924-2008, and Joan, 1927-2000), she went to Woodstock with her girls in tow, staying at the Hasbrook farm. In 1930, she and her husband purchased a stone house on Ohayo Mountain Road and lived there seasonally for 25 years. Among her closest artist friends in Woodstock were Emil Ganso, Florence Hardiman, Albert Heckman, Peggy Dodds, Joe Rollo, Henry Mattson, Mary Ellen Early, and Maud and Miska Petersham, along with Juliana Force (Whitney Museum). During many summers in Woodstock, Christine's daughters Cynthia and Joan kept up their serious piano studies under the tutelage of Vladimir Padwa and Inez Carroll. Known for portraits and landscapes, she was a member of the National Association of Women Artists and the National Arts Club, Gramercy Park, NY. Her work showed at the National Arts Club, Weyhe and Preston Galleries and the National Academy of Design in New York; the Pennsylvania Academy in Philadelphia; the Woodstock Art Association and Rudolf Galleries in Woodstock, Vermont's Dawson Grist Mill Gallery, and South Hampton College, among others. Her portraits, landscapes and still lives hang in hundreds of homes around the world. Information provided by Bunny McBride...

'The Fisherman', oil on board, by Gabriel Vié (circa 1940s). This artwork depicts a solitary man fishing in a river surrounded by abundant foliage. He is p...

Incredible quality American school portrait painting. Oil on canvas. Framed. No signature found.

"La Colette" by Akos Biro (Hungarian 1911-2002) signed, oil painting on canvas, unframed painting: 16 x 13 inches provenance: the artists estate, France Original oil painting by t...

Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that world with his painting. After starting his artistic ...

Frame size 91x110 cm. Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that worl...

DANNENBERG Alice (1861-NC) "Children playing at the Luxembourg garden (Paris)" Oil on canvas signed low right Gault frame gilded with gold leaves Dim canvas : 50 X 61 cm Dim frame : ...

HERVE Jules René (1887-1981) Bandshell in Langres Garden Oil on canvas signed low right Old frame gilded with leaves Dim canvas : 46 X 55 cm Dim frame : 66 X 75 cm HERVE Jules René ...

'Parc des Buttes-Chaumont' in Paris, gouache on art paper, by Lucien Génin (circa 1930s). A charming depiction of well turned out Parisians enjoying a day at the park. Boaters, strollers and swans all co-mingle around the peaceful lake. The reflection of the rocky bluff in the water is superbly treated by Génin. It's a cheerful and uplifting image of days-gone-by in 1930s Paris. The park takes its name from the 'bare hill' (chauve-mont) that once occupied the site. It became a place where gypsum was mined, and where the limestone was quarried to be used in buildings in Paris and the United States. Worse, though, it was a site that also became a dumping ground. Luckily, during the 19th-century renovation of Paris under Napoleon III, chauve-mont was chosen as a place for a large park, as part of the emperor's fascination with endowing Paris with green spaces. The artificial lake created at that time wraps around a hilly central island. The lake attracts waterfowl and other birds and is stocked with fish. The 19th-century planners cleaned up the site and added tons of soil to fill the pits left by a limestone mining operation. Then dynamite was used to "sculpt" the site into the craggy shapes seen today, including the 50-metre-high central hill with cliffs, an interior grotto, pinnacles, and arches. Up on top, overlooking the rest of the park - and depicted in this artwork - is a small, round belvedere, based on the Roman Temple of Vesta in Italy. From that spot you can see a lovely view of Montmartre and the white cupolas of the Sacre-Coeur. The painting is in very good condition. It has been newly framed and glazed with museum-quality glass (anti-reflective and UV protection) to preserve this significant artwork for decades to come. Dimensions with frame: H 62 cm / 24.4" W 76 cm / 29.9" Dimensions without frame: H 48.5 cm / 19.1" W 63 cm / 24.8" About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer, Marcel Leprin...