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Salvator Rosa Art

Italian, 1615-1673
Rosa was an Italian painter of the Baroque period, as well as a printmaker, poet and author of satires. He was active in Naples, Rome and Florence, and best known for his unconventional and romantic landscapes, as well as his rebellious nature. Rosa was indisputably a leader in that tendency towards the romantic and picturesque, called a proto-romantic. His landscapes avoided the idyllic and pastoral calm in the landscapes of Claude Lorrain (1600 – 1682) and Paul Bril (1554 – 1626), and created brooding, melancholic fantasies, awash in ruins and brigands. As a writer, Rosa was equally romantic in his descriptions and rebellious in his attitude towards convention. Rosa began his training in Naples, notably with his future brother-in-law, Francesco Francanzano (1612 – 1657), who trained under the influential Spanish painter, Jusepe de Ribera (1591 – 1652), who Rosa may have trained with as well. It is also said that Rosa may have trained with the Naples painter, Aniello Falcone (1600 – 1665), who was also an apprentice to Ribera. After a brief trip to Rome, he returned to Naples and began painting his wildly romantic landscapes, eventually returning to Rome after 1638 painting one of his only altarpieces, Incredulity of Thomas. Something of a Baroque polymath, Rosa pursued his talents in music, poetry, writing, etching and acting. He wrote and often acted in his own Satires, which in turn gained him the reputation of a rebel, pitting him against powerful people, such as the prominent Roman sculptor, Bernini (1598 – 1680). This partially drove him away from Rome to sanctuary in Florence, patronized by a Medici Cardinal; he started his Accademia dei Percossi, or Academy of the Stricken, were artists, playwrights and poets gathered, among them the poet-painter, Lorenzo Lippi (1606 – 1664). He then returned to Naples, where it is said he engaged in the Spanish revolt of Masaniello (1622 – 1647), with some works produced showing this influence. He finally returned to Rome around 1649, painting historical works such as, Democritus amid Tombs, Death of Socrates, Regulus in the Spiked Cask, Justice Quitting the Earth and the Wheel of Fortune. The latter satirical work raised a storm of controversy, from which Rosa, endeavoring at conciliation, published a description of its meaning, but was nearly arrested. It was about this time that Rosa wrote his satire named Babylon, under which name Rome was of course his target. Among the pictures of his last years were the admired Battlepiece and Saul and the Witch of Endor, a work painted in 40 days, full of longdrawn carnage, with ships burning in the offing; Pythagoras and the Fishermen; and the Oath of Catiline. His output in painting and satirical writing was large, and both respected and contested in its time. Rosa, the man, is romanticized in several fictional works, including novels and fully scored ballets.
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Italian 17th Century Baroque Oil on Canvas Painting Coastal Landscape Fishermen
By Salvator Rosa
Located in Portland, OR
Italian 17th Century oil on canvas Baroque painting, attributed to Salvator Rosa (1615-1673), a coastal landscape scene with fishermen, circa 1650. The painting depicts a rocky coast...
Category

1650s Italian School Salvator Rosa Art

Materials

Oil, Canvas

Saint Francis of Assisi in Ecstasy
By Salvator Rosa
Located in Paris, Île-de-France
Salvatore Rosa (Naples 1615 - 1673 Rome) Saint Francis of Assisi in Ecstasy Pen and brown ink, brown wash over black chalk, on paper 7 x 5 cm Bears the stamps of collections on the...
Category

17th Century Old Masters Salvator Rosa Art

Materials

Ink

The Academy of Plato Plato and His Disciples
By Salvator Rosa
Located in Fairlawn, OH
The Academy of Plato Plato and His Disciples Etching and drypoint c. 1662, printed c. 1710 Signed in the plate lower left Inscribed lower left: 'In villa ab Academo attributa sua[m]...
Category

1660s Old Masters Salvator Rosa Art

Materials

Etching

Fine 17th Century Italian Etching by Salvator Rosa, 1615-1673
By Salvator Rosa
Located in Vero Beach, FL
Salvator Rosa, the Italian Baroque painter was also a significant etcher and printmaker. Rosa’s is series of small prints of soldiers was very popular and influential. This etching i...
Category

17th Century Italian Baroque Antique Salvator Rosa Art

Materials

Paper

17th Century Etchingn and Drypoint" Ceres and Phytalus" by Salvator Rosa, 1662
By Salvator Rosa
Located in Cagliari, IT
" Ceres and Phytalus" To left, Phytalus, kneeling, receives the fig tree from the goddess Ceres, standing to right, as a reward for his hospitality. Etching and drypoint, circa 1662,...
Category

17th Century Italian Baroque Antique Salvator Rosa Art

Materials

Paper

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Salvator Rosa last 17th century giltwood frame. Internal measurements cm 24 x 32.5 Pure example of Italian Salvator Rosa gild wood frame of 17th century. "Salvator Rosa" is the famo...
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Period Giltwood Italian Salvator Rosa Frame
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Italian Salvator Rosa last 17th century giltwood frame. Internal measurements cm 20 x 30 Pure example of Italian Salvator Rosa gild wood frame of 17th century. "Salvator Rosa" is th...
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Period Giltwood Italian Salvator Rosa Frame
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Previously Available Items
Saint Alexander - Original Etching by Salvator Rosa - Mid 17th Century
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Mountainous landscape in the middle of which is a rugged rock with ancient buildings. Below, not far from the rock, is a small river, the water of which flows cascading over pieces o...
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18th Century and Earlier Baroque Salvator Rosa Art

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Figure
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Located in Saint Augustine, FL
An original etching on laid paper by Italian artist Salvator Rosa (1615-1673) titled "Figure" c. 1710. Signed in the plate with the SR monogram. An 18th century edition of the print. Matted in 100% cotton rag matt from Holland; this work is frame ready. Image size: 5.5" x 3.75". Matted size: 14" x 12". Salvator Rosa, (born June 20, 1615, Arenella, Sicily, Spanish Habsburg domain [now in Italy]—died March 15, 1673, Rome, Papal States [Italy]), Italian Baroque painter and etcher of the Neapolitan school remembered for his wildly romantic or “sublime” landscapes, marine paintings, and battle pictures. He was also an accomplished poet, satirist, actor, and musician. Rosa studied painting in Naples, coming under the influence of the Spanish painter and engraver José de Ribera. Rosa went to Rome in 1635 to study, but he soon contracted malaria. He returned to Naples, where he painted numerous battle and marine pictures...
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18th Century and Earlier Baroque Salvator Rosa Art

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18th Century and Earlier Baroque Salvator Rosa Art

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