SICA Abstract Prints

Artist: Agnes Martin Title: On a Clear Day #15 Year: 1973 Screenprint Japanese Rag paper Image size: 6 7/8 x 8 inches (17.5 x 20.3 cm) Paper size: 12 x 12 inches (30.5 x 30.5 cm) Fra...

A dazzling visionary art print with psychedelic patterned imagery in metallic silver, teal, and yellow by Ian McNeil Cooke (British, b.1937). The Merm...

SOL LEWITT (1928 – 2007) Grids and Color Plate #43 Silkscreen in colors on Arches 88 paper, c. 1979 Impression 8 of an edition of 10 wit...

SOL LEWITT (1928 – 2007) "Grids and Color Plate #42" Silkscreen in colors on Arches 88 paper, c. 1979 Impression 8 of an edition of 10 w...

Brice Marden Lana 2 1966 Screenprint on paper 20 x 24 inches; 51 x 61 cm Edition of 11 Signed, titled, and numbered in graphite (lower recto) This silkscreen was printed by Brice...

Silkscreen on Mohawk Superfine Bristol paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, X + X, Ten Works by Ten Painters, 1964. Publishe...

SOL LEWITT (1928 – 2007) Grids and Color Plate #40 Silkscreen in colors on Arches 88 paper, c. 1979 Impression 8 of an edition of 10 wit...

This artwork "Untitled #1" c. 1980I is an original color silkscreen with embossing by noted artist Charles Hinman, b.1932. It is hand signed and numbered 52/100 in pencil by the artist. The artwork size is 20.5 x 22 inches, sheet size is 25.15 x 25.15 inches, framed size is 25.5 x 25.5 inches. Custom framed in a silver metal frame. The artwork is in excellent condition, the frame is in fair condition, it have some scratches. It can be shipped framed, or without the frame if requested. About the artist: Charles Hinman is a New York Minimal painter who pioneered shaped canvas paintings through his innovative use of shadow, light, and shape with complex mathematical formulae. Born and raised in Syracuse, New York, Hinman holds his BFA from Syracuse University and later moved to New York City to study at the Arts Student League of New York. His first studio in the early 1960s was shared with James Rosenquist in an old sail factory in the Coenties Slip in Lower Manhattan, and he later shared a studio with Robert Indiana on Spring Street. In 1965, he moved into his own studio and living space at 231A Bowery in the same building with artists Will Insley and Max Gimblett, where he resided for over fifty years. Hinman’s work has been included in era defining exhibitions alongside many of his Minimalist and Conceptual contemporaries. His art career began with a seminal exhibition at Sidney Janis Gallery, titled '7 New Artists', and thereafter a solo exhibition at Richard Feigen Gallery in 1964. This was followed by an historic exhibition at Tibor de Nagy Gallery in 1965, "Shape and Structure", curated by Frank Stella and MET Curator, Henry Geldzahler, which included artists, Donald Judd, Carl Andre and Will Insley. Charles Hinman’s artwork is exhibited internationally and collected by major institutions and private collectors across the world. His work is included in the permanent collections of the Whitney Museum of American Art, the Museum of Modern Art, the Los Angeles County Museum of Art, the Hirshhorn Museum and Sculpture Garden, the Denver Art Museum, the Nagaoka Museum in Japan, and the Tel Aviv Museum in Israel, among others. He is the recipient of a Guggenheim Fellowship and four Pollock-Krasner Foundation grants. SOLO EXHIBTIONS 2019 - Kreeger Museum, Washington, D.C. 2019 - Chromatic Eclipse, WESTWOOD GALLERY NYC, New York 2017 - Shaped Paintings, WESTWOOD GALLERY NYC, New York 2016 - Two Points on a Plane: The Paintings of Charles Hinman, Museum of Art, DeLand, FL 2013 - Charles Hinman - 6 Decades, Marc Straus, New York 2012 - Marc Straus, New York 2011 - Gems. Butler Institute of American Art, Youngstown, OH 2008 - Butler Institute of American Art, Youngstown, OH 2006 - Butler Institute of American Art, Youngstown, OH 2005 - Wooster Art Space, NYC 2004 - Margot Stein Gallery, Lake Worth, FL 2004 - Boca Raton Museum of Art, Boca Raton, FL 2001 - Landing Gallery, Boca Raton Museum of Art, Boca Raton, FL 1999 - Fairfield University Museum, Fairfield, CT 1999 - Gallery Camino Real, Boca Raton, FL 1998 - Bergen County Museum of Art, Paramus, NJ 1995 - Ewing Gallery, University of Tennessee, Knoxville, TN 1994 - Georgia Museum of Art, Athens, GA 1993 - Chassie Post Gallery, Atlanta, GA 1990 - North Carolina State University Museum, Raleigh, NC 1990 - Douglas Drake Gallery, NYC 1989 - Virginia Lust Gallery, NYC 1987 - Irving Feldman Galleries, West Bloomfield, MI 1985 - Gallery 99, Bay Harbor Island, FL 1984 - I. Irving Feldman Galleries, Southfield, MI 1983 - Galleri Bellman, NYC 1982 - Irving Feldman Galleries, Sarasota, FL 1981 - Medici-Berenson Gallery, Bay Harbor Island, FL 1981 - Laguna Gloria Art Museum, Austin, TX 1981 - Museum of Art, Fort Lauderdale, FL 1980 - Everson Museum of Art, Syracuse, NY 1979 - Grace Hokin Gallery, Chicago, IL 1979 - Donald Morris Gallery, Detroit, MI 1977 - Grace Hokin Gallery, Palm Beach, FL 1976 - Irving Galleries, Milwaukee, WI 1975 - Grace Hokin Gallery, Chicago, IL 1971 - Galerie Denise Rene', NYC 1970 - Donald Morris Gallery, Detroit, MI 1970 - Galerie Denise Rene'/Hans Mayer, Krefeld, West Germany 1969 - Lincoln Center Retrospective, NYC 1968 - Donald Morris Gallery, Detroit, MI 1967 - Richard Feigen Gallery, NYC 1967 - Biennale, San Marino, Italy 1966 - Tokyo Gallery, Tokyo, Japan 1966 - Richard Feigen Gallery, NYC and Chicago, IL 1966 - Contemporary Art, Museum of Contemporary Art, Nagoaka, Japan 1964 - Richard Feigen Gallery, NYC GROUP EXHIBITIONS 2014 - Xigue-Xigue, MARC STRAUS, NYC 2014 - The Shaped Canvas, Revisited., Luxembourg & Dayan, NYC 2014 - Shaped, Galleri Tom Christoffersen, Copenhagen, Denmark 2013 - On Deck, Marc Straus, NYC 2013 - Going Into the Dark, curated by Amalia Piccinini, The Painting Center, NYC 2011 - American Abstract Artists 75th Anniversary Exhibition, OK Harris Gallery, NYC 2011 - Structured Color, D. Wigmore Fine Art, Inc, NYC 2011 - Armory Show, NYC 2009 - Exploring Black and White: the 1930s through the 1960s, D. Wigmore Fine Art, Inc, NYC 2005 - Geometric Abstraction 1930-1980, Margot Stein Gallery, Lake Worth, FL 2004 - Blast from the Past, Pace Editions, NYC 2004 - Abstractions, Lee Hansley Gallery, Raleigh, NC 2004 - Current Work, Two-person Exhibition, Elaine Baker Gallery, Boca Raton, FL 2003 - Gallery Artists, Margot Stein Gallery, Lake Worth, FL,USA 2002 - Light and Shadow, curated by Corinne Robbins, Delaware Valley Arts Alliance, Narrowsburg, NY 2001 - XXXIII Festival International de la Peinture, Castle Museum, Cagnes-sur-Mer, France 2001 - Painted in New York City, curated by James Little, Hofstra University, Hempstead, NY 2000 - Foundation of a Century, Nassau County Museum of Art, Roslyn Harbor, NY 2000 - The Art of Absolute Desire, curated by James Little, 450 Broadway, NYC 1999 - Red, Mitchell Algus Gallery, NYC 1999 - The Armory Show, Mitchell Algus Gallery, The International Fair of New Art, NYC 1999 - Red, Black, White: Bolotowsky, Nevelson, Hinman, Weber Fine Art, Scarsdale, NY 1999 - Absolut Secret, curated by David McKee, D'Allenburg Fine Arts International, David McKee Gallery, New York Studio School, New York; Royal College of Art, London 1999 - Abstraction: New Directions for a New Millennium, Robert Kidd Gallery, Birmingham, MI 1998 - Recent Acquisitions , Boca Raton Museum of Art, Boca Raton, FL 1998 - Art Students League of New York: Instructors' Work, Gremillion Fine Art, Houston, TX 1998 - Gallery Artists, Lipworth International, Boca Raton, FL 1998 - Summer 1998 Exhibition, Space 504 Gallery, NYC 1997 - Abstractions: Charles Hinman and Manfred Mohr...

SOL LEWITT (1928 – 2007) Grids and Color Plate #41 Silkscreen in colors on Arches 88 paper, c. 1979 Impression 8 of an edition of 10 wit...

Set of four screenprints by Mel Bochner, Barry LeVa, Sol LeWitt, and Robert Mangold. Sol Lewitt's tight crosshatching over teal, Mel Bochner's tessellated blue houses, Barry Le Va's...

Artist: Roy Lichtenstein (American, 1923-1997) Title: "Entablature IV" Portfolio: Entablature Series *Signed and dated by Lichtenstein in pencil lower right Year: 1976 Medium: Original Screenprint and Collaged mat pink Metallic Foil with Embossing on Rives BFK paper Limited edition: 14/30, (there were also 9 artist's proofs) Printer: Tyler Graphics Ltd., Bedford Village, NY Publisher: Tyler Graphics Ltd., Bedford Village, NY Reference: "The Prints of Roy Lichtenstein: A Catalogue Raisonné 1948-1997" - Corlett No. 141, page 144; PCN 7 (July-August 1976); "Tyler Graphics Catalogue Raisonné 1974-1985" - Tyler No. 337:RL5, page 210 Framing: Framed in a contemporary white moulding with plexiglass and matted with a custom hand-wrapped 8 ply linen mat Framed size: 39.5" x 55" Sheet size: 29.19" x 44.82" Image size: 20.19" x 38" Condition: Some light cosmetic wear to frame; presently no hanging wire. The artwork is in mint condition Very rare Notes: Provenance: private company collection - Miami, FL, acquired directly from the publisher Tyler Graphics Ltd., Bedford Village, NY in the 1970's. Numbered by Lichtenstein in pencil lower left. Comes from Lichtenstein's 1976 "Entablature Series" portfolio of 11 prints, (Corlett No. 138-148). Printed in six colors, in seven runs, from five screens, and one embossing plate. Collaboration: Kenneth Tyler (project supervision, plate/screen preparation, proofing, collage, and embossing); Kim Halliday (screen preparation and processing, proofing, and edition printing); Betty Fiske (proofing and edition printing). Swan Engraving processed the magnesium plate. Tyler Graphics Ltd. chop mark/blind stamp lower right. Workshop number inscribed in pencil lower left on verso: "RL75-197". Comes with its original Tyler Graphics "Entablature Series" booklet. Between 1971 and 1976 Lichtenstein produced two series of "Entablature" paintings, using photographs of architectural ornament he had taken in New York as the starting point for his compositions (see Cowart [1981]). The first "Entablature" paintings (1971-72) were black and white. The second group used color and were produced at roughly the same time the "Entablature" series of prints were in production at Tyler Graphics Ltd., 1974-76. The first discussions between Lichtenstein and Ken Tyler concerning the "Entablature" prints took place in May, 1974. As recorded in the Tyler catalogue raisonne, technical research for the project began in September 1974 and production was completed in April 1976. Lichtenstein produced one or more collages for each print in the series to serve as models for the plates and screens. Both the "Entablature" paintings and prints are intimately concerned with texture - the metallic paint and sand of the paintings, the foils and embossing/debossing techniques employed in the prints. The imagery itself - machined architectural ornament - takes technology as its subject. As Barbara Rose suggests, "That industrialism disrupted our notion of style as much as reproduction altered our conception of representation appears to be the subjects of Lichtenstein's "Entablatures". For each print in this series, the Tyler Graphics Ltd. catalogue raisonne gives exact method and press types, as well as the initials of the printers for each run. To complete certain phases of the project, Tyler employed the following companies: Drake Engineering, Danbury, CT (for machining of the metal die); Swan Engraving, Bridgeport, CT (for plate processing); Tallix Foundry, Beacon, NY (for bronze casting); and Tompkins Tooling, Gardena, CA (for machining of the metal die). The ten embossing plates for the series are now in the collection of the National Gallery, Canberra, Australia. Biography: American artist Roy Lichtenstein was born in New York City on October 27, 1923, and grew up on Manhattan's Upper West Side. In the 1960s, Lichtenstein became a leading figure of the new Pop Art movement. Inspired by advertisements and comic strips, Lichtenstein's bright, graphic works parodied American popular culture and the art world itself. He died in New York City on September 29, 1997. Lichtenstein was committed to his art until the end of his life, often spending at least 10 hours a day in his studio. His work was acquired by major museum collections around the world, and he received numerous honorary degrees and awards, including the National Medal of Arts in 1995. In 2013 the painting "Woman with Flowered Hat" set another record at $56.1 million as it was purchased by British jeweler Laurence Graff from American investor Ronald O. Perelman. This was topped in November of 2015 by the sale of "Nurse" for 95.4 million dollars at Christie's auction. Subsequently, that was topped with the private sale of his 1962 painting...

CRIS GIANAKOS Send Our Boys Home, 1970 Silkscreen on wove paper 35 × 23 inches Edition 37/225 Pencil signed, dated and numbered from the edition of 225 on the recto Unframed Provenan...