Lennart Nyström Abstract Prints

Fred Sandback was a minimalist conceptual-based sculptor known for his yarn sculptures, drawings, and prints. He majored in philosophy at Yale Universit...

Richard Tuttle (American, born 1941) Homesick as a Nail, 1998 Medium: Set of 1 drypoint etching on wove paper and 1 silkscreen, printed in five colors on acetate on both sides, with ...

Artist: (after) Dan Flavin (American, 1933-1996) Title: "Dan Flavin: A Retrospective" Year: 2004 Medium: Original Offset-Lithograph, Exhibition Poster on heavy smooth wove paper Limi...

Edition of 15

Christopher Wool "The Show is Over", 2013 Offset Lithograph 33 1/2 × 25 inches (Note: this ships rolled in a tube measuring 35" x 5") Unframed This poster was designed by contemporar...

Christopher Wool Martin Kippenberger Self-Portraits Poster, 2005 Offset lithographic poster in colours on smooth wove paper. 36 × 24 inches Unframed This poster designed by Christop...

Josef Albers Homage to the Square - SET OF FIVE 1983 Color silkscreen(s) on semi gloss stock Size: 7.4 × 7.2 on 9.6 × 9.0 inches (each) Framed: 12.8 x 12.8 x 0.5 inches (each) Unsign...

Genre: Other Subject: Architecture Medium: Print Surface: Paper Country: Germany Dimensions: 19 3/4" x 15 3/4" Dimensions w/Frame: 22 3/4" x 19" Gerhard Merz Venedig 1997 1998 From the portfolio Sequences printed on Magnani rag paper. print 50 x 40 cm (19¾ x 15¾"), signed and numbered. Edition of 60. Gerhard Merz, born 1947 in Mammendorf near Munich, lives and works in Berlin and Pescia, Italy. Gerhard Merz, who has occasionally been labeled a modern classicist, uses the elements of art - measurement, form and light - in a careful reconsideration of modernism. These three prints document the idea, the architectural plan, and the realized art space at the German Pavillion of the Venice Biennale 1997: brick walls, plaster and fluorescent light - clarity and blankness. »The beautiful is mute and blank.« Gerhard Merz (born 25 May 1947 in Mammendorf , Kreis Fürstenfeldbruck ) is a German artist. From 1969 to 1973, he studied at the Academy of Fine Arts Munich and became a student in the masterclass of Rudi Tröger . Between 1964 and 1969, inspired by Francis Bacon and Uwe Lausen, expressive pictures emerged and subsequently metal sculptures. Since the beginning of the 1970s, he has been increasingly successful with spatial installations in which he drew references to the history of literature and art, as well as to political history, as well as the development of large-format, monochrome images with lines of pencil strokes. In the building of the Federal Foreign Office in Bonn, he designed a wall through a large polychromatic mosaic. Starting in 1977, he was represented at Documenta in Kassel four times in a row. In 1983 he was awarded the Arnold-Bode-Prize of the documenta – City of Kassel . In 1991 he received a reputation as a professor at the Kunstakademie Düsseldorf . In 1998/1999 he was commissioned to design the rooms within the framework of the old building renovation of the Federal Foreign Office in Berlin in a joint project with the architect Hans Kollhoff...

TECHNICAL INFORMATION: Ellsworth Kelly Black Yellow 1970 - 72 Lithograph 34 x 39 3/4 in. Edition of 55 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art ...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

Josef Albers (after) Homage to the Square: Grisaille and Patina (from "Albers") Screenprint in brilliant Colors on strong wove paper double folded, 1971 Image 6.25 x 6.25 inches Shee...

Christopher Wool Christopher Wool (Hand Signed), 2015 Double sided offset lithograph poster. Hand signed by Christopher Wool 24 × 19 inches Sig...