Vladimir Ullianoff Figurative Paintings

A FEAST OF THE GODS WITH VENUS AND BACCHUS Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; John and Eileen Harris, acquired from the above, to 2015. Literature: Jacob Simon and Ellis Hillman, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, cat. no.12 (as by Louis Laguerre); Elizabeth Einberg (ed.), Manners and Morals: Hogarth and British Painting, 1700-1760, exh. cat., London (Tate Gallery), 1987, cat. no.10 (as by Louis Laguerre); Tabitha Barber and Tim Bachelor, British Baroque: Power and Illusion, exh. cat., London (Tate Britain), 2020. Exhibited: Twickenham, Marble Hill House, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, no.12 (as by Louis Laguerre); London, Tate Gallery, Manners and Morals: Hogarth and British Painting, 1700-1760, 1987, no.10 (as by Louis Laguerre); London, Tate Britain, British Baroque: Power and Illusion, cat. no 92, 2020. CUPID AND PSYCHE BEFORE JUPITER Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; Anthony Hobson, acquired from the above, to 2015. These recently re-united paintings are the most ambitious surviving baroque ceiling sketches made in Britain in the early eighteenth century. From the Restoration until the rise of Palladianism in the 1720s decorative history painting formed the preeminent artistic discipline in Britain. It was a field dominated by Continental artists including the Italian Antonio Verrio and the Frenchmen Louis Laguerre and Louis Chéron...

Painting Study of Al Fresco Spanish Tapas Bar Scene at Night by leading British Landscape Artist, Angela Wakefield. Art measures 12 x 12 inches Frame me...

Algerian women in an interior. Oil on panel. Signed. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck...

This mural study is part of our exhibition America Coast to Coast: Artists of the 1930s San Pedro Post Office: History of Writing Mural South, Preliminary Mural Maquette right panel...

This Italian 19th century oil on alabastrer painting depicts an opulent interior in full ancient neoclassical Pompeian style with people festing. The figurative inner scene is painted on a rectangular alabaster slab and housed in a wonderful giltbronze frame resting on casted arrow feet. This is a single section of a bigger surtout de table. You can now use it as a decorative centrepiece on a table or on a console or turn it into a wall decoration. We can provide framing options in this case. The characters enjoy a rich banquet in an elaborate interior, the room renderings...

Sever Frentiu (Săcuieni 1931 - Bucharest 1997) - Male portrait. 65.5 x 39.5 cm without frame, 76.5 x 50.5 cm with frame. Mixed media on paper, in a wooden frame. - Work signed low...

"Dervish Profile I” Painting in Glass Frame 31x31 in by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept...

The size without macrame 50х50 cm. Macrame is made by hand. The back part of the painting is reinforced with a felt layer. The "Sweet Home" series is dedicated to the feelings of p...

Iqi Qoror’s "Blue Underneath Mondrian" (70 inches tall x 79 inches wide) is a striking contemporary painting that fuses surrealism, symbolism, and social commentary into a visually c...

Alexander Sharpe Ross gives us a voyeur view of an attractive couple kissing and embracing on a couch. Sharpe's radical use of composition is on ...

Forgive Us Our Sins, Sacre-Coeur (Sacred-Heart in English) depicts a high fashion model on the Paris runway. St. Genevieve, patron saint of Paris, is scrawled on the canvas, graffiti style. Created in three vertical panels that reference the classic style of altar pieces, it is elevated by the lower panel. The prettiness of the model is in contrast to the grittiness of spray paint that is superimposed on the work. This lower panel has been treated with a high gloss resin, in contrast to the matte finish of the rest of the work. Scrawled in the lower left portion of the painting, the text reads Pardonne nos péchés, or forgive us our sins. This monumental work is rendered in realism, but ultimately expressed as a defaced modern commodity. The spray painted graffiti is transformed into a series of balloon like images, festive till one realizes they came from a paint gun...

Samir Sarkar - Untitled - 13.5 x 10.5 inches (unframed size) Mixed Media on Paper. Style : He says, “All my paintings have people wearing some headgear that has a face painted on ...