Warren Brandt Paintings

"December" is a poetic oil painting by Marcel Demagny depicting a typical winter landscape with snow-covered peaks, rivers and trees. This piece is n...

This artwork features a large architectural spring composition, almost geometrical by successive plans. A bouquet of wild grasses and a few scattered flowers make sing hard blues and aniseed greens. The background color changes on the left edge of the canvas, becoming a light mauve with a large orange spot. This piece is not framed. Andrée de Frémont...

Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...

Alejandro Rubio Pepperonia, 2021 Oil on canvas 20 x 16 inches Inspired by Uruguayan artist Joaquín Torres García, Alejandro Rubio’s meticulous attention to the formal elements of pa...

Michael Iskowitz creates colorful, seemingly playful paintings that often belie a more serious message. His process is somewhat spontaneous, fueled by a sense of exploration and disc...

Titled "Yellow Symphony", this abstract oil painting by Marcel Demagny depicts distinctive yellow color blocks emerging against various blue colors defi...

This study takes inspiration from historical “reclining nude” paintings, most of which were painted through the perspective of the male gaze. The artist wanted to change the narrative and make the woman feel more empowered and dominant in her situation, aware of the power she holds. Samantha Van Heest...

The lemons and paper bag in this oil painting exemplify the ease of Kira Mountjoy-Pepka's painterly style. The blue wall on the left was after the painting was finished to add a cool...

Michael Iskowitz creates colorful, seemingly playful paintings that often belie a more serious message. His process is somewhat spontaneous, fueled by a sense of exploration and disc...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...

Large oil still life of green and cream pumpkins and squash by American artist, Kira Mountjoy-Pepka. Signed, unframed. Soft warm light enters on the left, and cools to the right of this contemporary and spontaneous still life. This piece has year-round appeal as a rare squash painting...

This artwork is named after "Nissa", the ancient name of the "Nice" French city, which the painting refers to. It depicts a bouquet with large leaves, in a compact and central composition balanced by a cluster of palm trees flushed with sunlight. This piece is not framed. Andrée de Frémont...